Vampirella 27

Enrich provides the cover for this issue of Vampirella. Enrich later painted Vampirella in a very similar pose for the cover of issue 42. This is mostly a reprint issue, but does feature an all new color story featuring Vampirella.

First is "Wolf Hunt" with art by Esteban Maroto and story by Joe Wehrle. This story is originally from Vampirella #16. An old man finds a woman who transforms into a wolf in the moonlight and captures her in his castle. She is eventually able to escape and take revenge. As always, Maroto's art is quite good here, the best of the issue.

Next is "Welcome to the Witches Coven", from Vampirella #15. Art is by Luis Garcia story is by Don McGregor. Some extremely good art kicked off Garcia's short lived Warren career in this story's original appearance, appearing to have been done in pencil only here. The story ain't that great though, featuring a woman in the modern era joining a witch's cult with disastrous results as they sacrifice a business friend of her husband's, then kill her when she tries to escape and alert the authorities.

Third is "Quavering Shadows" by Jose Bea (art) and Doug Moench (story). This story is also originally from Vampirella #15. While a serial killer plauges a town, a man, Andrew, visits his friend Jason, who has purchased a castle deep in the woods. Andrew eventually makes it there and finds his friend barely sane, telling him of ghosts in the castle and showing him mysterious shadows on the wall. Things get even stranger as Jason appears in different parts of the castle at the same time, then attacking Andrew with a club. Andrew returns home where he finds that his wife had been attacked by the serial killer, who was Jason! A very odd story.

Next is "The Frog Prince" by Bill Dubay (story & art). This story is from Vampirella #13. A woman meets a talking frog who tells her he's a prince. She kisses him and he turns into a human and agrees to marry her. However it is soon revealed that as a human he can't speak, only croak!

Next is this issue's only original story, "Return Trip", featuring art by Jose Gonzalez and story by Jose Toutain (the head of Selecciones Illustrada, providing a rare story). This is the first ever color comic of Vampirella. The coloring is a lot better than that which had been used in issues 25 and 26 of Vampirella but is still hardly close to the greatness that Warren eventually attained. This story continues that which had been taking place in the last several issues of Vampirella. Rose, Pendragon's former wife seeks revenge on him so she recruits help from a man named the Dreamer who can manipulate people's dreams. He tries to trick Vampirella into killing Pendragon by sucking his blood but she won't do it. He tries to stab her instead, but Patrick, Pendragon's grandson, shoots him, saving Vampi.

Sixth is "Cilia" by Felix Mas (art) and Nicola Cuti (story). This story is from Vampirella #16. A pair of men are in a shipwreck, but a beautiful mermaid rescues them. She marries one of the men and is able to turn into a human form, but must remain near the water. A mob finds her however and captures her. The men eventually find her, but being away from the water so long, she has become an old woman. Her lover kills her then carries her off into the sea.

Next is "Quest" by Jeff Jones (story & art), from Vampirella #12. This story features a mere 2 panels per page, with some nice artwork by Jones. The story features a hunter pursuing a woman, who is attacked by another man, then flees using some elephants. She is attacked by a saber tooth tiger, but the hunter arrives, seemingly to save her, but in reality to kill her. Reminds me of "Yellow Heat", my favorite Warren story.

Last is "War of the Wizards" which is from Vampirella #10. The story is both written and drawn by Wally Wood. It's about a pair of rival wizards who use a soldier in their fight between each other. The soldier is able to defeat both wizards, and is revealed to be a wizard himself. As usual, Wood's art is quite good, and the story, while not having a horror theme, is pretty good too.

Creepy 65

Ken Kelly provides the cover for this all reprint issue of Creepy, dated September 1974. Albert Michini provides the back cover in his sole Warren appearance.

First is "The Land of Bone" by Esteban Maroto (art) and Buddy Saunders (story). This story features a warrior Costan who finds himself in a world where every person he meets is a skeleton. He is joined by a skeleton wizard, Wikkander, who tells him that his lover Aruna has been captured by the Wizard Poxxalt. The two of them fight off various creatures and then defeat Poxxalt. Costan is surprised to find Aruna a skeleton herself, and gives Wikkander a ring on her finger. Once he gets the ring, the truth is revealed. Costan was a skeleton himself, and only thought that he was human and everyone else was a skeleton. Wikkander, a descendent of his brought him to life to free Aruna from Poxxalt.

Next is "Star-Slaughter" by Ramon Torrents (art, his Warren debut) and Rich Margopoulos (story), from Creepy 51. This futuristic story features humanoid robots battling each other. One of the robots kills one of the other ones, and realizing what he has done, kills himself. He is repaired by his creators, who mention that this is not the first time he has tried to kill himself.

Third is "The Men Who Called Him Monster" by Luis Garcia (art) and Don McGregor (story), from Creepy 43. An extremely nice art job, with the werewolf being obviously influenced by the original Wolfman movie starring Lon Chaney Jr. The main character, a black detective, who is hired to find the boy that is the werewolf, was based on Sidney Poitier. This story featured the first inter racial kiss in mainstream comics, although it only occured because Garcia misunderstood McGregor's line "This is the clincher" in his script. As usual, the story features McGregor's nonscensical political ramblings.

Fourth is "The Quaking Horror" by Auraleon (art) and Gardner Fox (story), from Creepy 42. This HP Lovecraft-esque story features a house that has a dark horror underneath it, a bizarre tentacled monster that was summoned hundreds of years ago. The entire house eventually collapses, destroying the demon for good. Some very nice art by Auraleon here.

Fifth is "Bed of Roses" by Felix Mas (art) and Doug Moench (story), from Creepy 51. This story is about a seriously deranged young woman, Rose, who works at a flower store and was apparently traumatized by being locked up by her mother as a kid. She goes completely out of control, killing with scissors a man who comes into her store, then later attacking her mother too. As the story ends she is kept in a padded cell at an institution.

Sixth is "The Accursed Flower" by Jose Bea (story & art), from Creepy 49. A farmer, Jordi, is overwhelmed by all the work he has to do on his farm. He hears of the 'Maneiros' who come from a flower and will work endlessly; killing their master if he can't find enough work for him. Jordi finds seeds of the flower and plants them, causing hundreds of Maneiros to appear the next day. He gives them plenty of work to do, but they complete them all with rapid speed. Eventually he can't think of something for them to do and they claw him to death.

Seventh is "A Chronicle!" by Jorge Galvez (art, his Warren debut) and Steve Skeates (story), from Creepy 42. This short story at only 4 pages tells of a man who pays little attention to his life, focusing instead on a research project that ends up being meaningless when someone else completes it. He then gets fired from his job and tries to rob a bank but is killed trying to escape. Not much of a point to this story, wasting Galvez's pretty good art.

Last is "The Third Night of Mourning" by Jaime Brocal (art) and Jim Stenstrum (story), from Creepy 49. This story takes place during the french revolution and features Jacque, a blacksmith who is framed for treason and executed via the guillotine. His headless corpse raises from beyond and goes after the man who framed him, sending him to a similar fate at the guillotine.

Vampirella 109

Sanjulian provides the cover for this all reprint issue of Vampirella, from October 1982. Aside from the Vampirella story and intro page from Vampirella, both by Jose Gonzalez, this is an all Felix Mas special.

First is this issue's Vampirella story, "The Corpse With the Missing Mind" by Jose Gonzalez(art) and Bill Dubay (story), from Vampirella 55. Vampirella and Pendragon attend the funeral of a rich old friend of his, Hunt, who he hasn't seen in decades. Another friend of Hunt's arrives, Charlie, who knocks out both of them. When they awaken, they find themselves in what appears to be Alice in Wonderland. It ends up that Hunt is alive after all, by preserving his brain and eyes in a tank. He hoped to do something good for once which is why he created the Wonderland, which he plans to allow people in for free.

Second is "The Sultan of 42nd Street" by Felix Mas (art) and Carl Wessler & Gerry Boudreau (story), from Vampirella 39. A poor artist buys a canvas from a pawnshop. It ends up that whatever he paints on the canvas comes to life, and a beautiful woman appears when he paints her on it. He gets the idea to paint multiple women and turn them into whores to make him money. Alas, when another painter buys one of the canvases and paints his face, his entire face vanishes from his home, and appears in hers!

Third is "Dungeons of the Soul" by Felix Mas (art) and T. Casey Brennan (story), from Creepy 45. One of Brennan's psychotic hippie stories, featuring a king of a castle, Modrius, who acts cold towards his lover, Adrianne. A prisoner with a mask is held in the dungeon, who has been there since Modrius got a sorceror to cast a spell on him that would keep him from suffering. Adrienne lets the prisoner go, and when Modrius removes the prisoner's mask, it is revealed that it is him. He then turns back to normal again.

Fourth is "Out of the Nameless City" by Felix Mas (art) and John Jacobson (story), from Vampirella 38. A rather complicated tale influenced by H.P. Lovecraft. During a play a man, Dennis, reads some strange language on a prop coffin. He and a friend, Vaughn go to visit Vaughn's uncle, an archaeologist and find that it tells of elder Gods resting for eternity. Dennis remembers his youth where he was taught of these mysterious things by his uncle Abner. The uncle later shows up, telling him he was raised to bring the elder gods back to life. Vaughn kills him after finding that he killed his uncle. He later kills his girlfriend too after finding that she is pregnant with Dennis's child, Abner's last hope at reviving the elder Gods.

Fifth is "The Climbers of the Tower" by Felix Mas (art) and T.Casey Brennan (story), from Creepy 50. The story surrounds two men, Druin and Tarran, who have spent their entire lives climbing a tower. When they approach the top, Druin gets greedy, wanting the glory of being the first to reach the top and loses his life in a confrontation with Tarran. Tarran reaches the top only to realize that he never knew why he wanted to reach the top of the tower, and goes crazy. A compeltely pointless and piss poor story that wastes Mas's talented artwork.

Sixth is "Miranda" by Felix Mas (art) and Fred Ott (story), from Vampirella 34. A rich man obsessed with marrying women with deformities visits an old woman, wanting to meet and marry her niece, Miranda. The old woman allows him to meet Miranda, who is a freak with praying mantis arms, but the old woman refuses to let him take her, even with him offering a million dollars for her. When the old woman sleeps, the rich man and Miranda run off together however. The old woman heads to their house, but it is too late. As part praying mantis, Miranda has already killed and eaten him.

Seventh is "The Dorian Gray Syndrome" by Felix Mas (art) and Don Glut (story), from Vampirella 18. A newspaper reporter seeks information on a young man who appears to have the same powers as the Dorian Gray of the well known Oscar Wilde story where a painting of the man ages in his place. Only it is revealed here that the painting was actually redone by the man himself, and he appears eternally young because he is a vampire! By stabbing the painting however, our hero miraculously is able to save herself and kill him.

Next is "The Killer" by Felix Mas (art) and Steve Skeates (story), from Creepy 52. The story is about a man who gets married but does little to distinguish himself in life. This upsets his wife, whom he suspects is having an affair. One day he finds his wife stabbed to death and suspects he did it. He runs off and ends up getting hit by a car and killed. It ends up however that it was a burgler who killed his wife and he was innocent all along.

My favorite story of the issue is "Minra" by Felix Mas (art) and Ed Newsome (story), from Vampirella 22. A psychic explosion of hate suspected to have come from another dimension wipes out 3/4 of humanity. Psychic mutants start appearing among the population, who have the ability to set off incidents of hate and violence, so people band together and take them out. The story focuses on a pair of men heading after a teenage girl, Minra, who is accused of being one of the psychic mutants and causing an incident. One of the men does come across her, who explains that there never were any psychic mutants, hatred among humanity reached a boiling point and they accused people of being mutants as a scapegoat. Alas, the other man comes along and kills her and the story ends. Definately one of Mas's high points and a terrific story from Newsome in his sole Warren appearance.

Last is "Changes" by Felix Mas (art) and Steve Skeates (story), from Vampirella 24. A man comes home one day to find his wife laying dead on the floor, with a knife sticking out of her forehead. Oddly enough he doesn't seem that upset about it, neither do his kids. He then gets her replaced, then heads out and stabs some random middle aged woman in the forehead himself. Quite the odd story, thats for sure.

Vampirella 38

Sanjulian provides the cover for this issue of Vampirella, cover dated November 1974.

First is "The Mummy's Revenge" by Jose Gonzalez (art) and Mike Butterworth (story, as Flaxman Loew). This story continues from the Vampirella story in issue 36. Vampirella and Pendragon are in Egypt and visit the mummy of Ptolemy, who was killed by Vampi in ancient times in the previous story. Vampi meets Professor Bruno who brings her on a tour of an underground labyrinth. He abandons her there and the mummy of Ptolemy along with other ghouls pursue her. The spirit of Amun-Ra arrives and tells her that Ptolemy's mummy is alive due to Bruno. Vampirella goes and kills him, resulting in the destruction of the mummy.

Second is "Gypsy Curse" by Esteban Maroto (art) and Gerry Boudreau & Carl Wessler (story). A gypsy woman is attacked by her husband when he comes back from the war. The story flashes back to before they were married, when he had to kill her father because the gypsies didn't approve. As he dies, her father tells him that should he ever harm his daughter, he will be destroyed by demons. While the husband is away from the war an ugly servant threatens to tell her husband she's having an affair (which is untrue). Her husband then attacks her when he returns home because of this, but the gypsy curse comes true and he is torn to shreds by unseen demons.

Third is "Lucky Stiff" by Ramon Torrents (art) and once again Gerry Boudreau & Carl Wessler (story). A very cautious man ignores a beautiful young woman who starts at the place where he works. At the end of the day she invites him to come to her home at the other side of town. The story shows what would happen if he went. He arrives there, only to be attacked by cats. She tells him he doesn't deserve to live and that he is going to be fed to them. The narrative then reveals that he actually didn't go there, as he was hit by a car along the way. This story is a rewrite from a story Carl Wessler did for EC comics in the Haunt of Fear 26, published in 1954.

Fourth is "Out of the Nameless City" by Felix Mas (art) and John Jacobson (story). A rather complicated tale influenced by H.P. Lovecraft. During a play a man, Dennis, reads some strange language on a prop coffin. He and a friend, Vaughn go to visit Vaughn's uncle, an archaeologist and find that it tells of elder Gods resting for eternity. Dennis remembers his youth where he was taught of these mysterious things by his uncle Abner. The uncle later shows up, telling him he was raised to bring the elder gods back to life. Vaughn kills Dennis after finding that he killed his uncle. He later kills his girlfriend too after finding that she is pregnant with Dennis's child, Abner's last hope at reviving the elder Gods.

Fifth is "On Little Cat Feet!" by Auraleon (art) and John Jacobson (story). A much lighter toned story than the other stories in this issue, a very good one though, the best story of the issue. A witch, Kitty, lives in a rooming house with her artist friend Eulalia. Kitty is kicked out of the place by the landlady and plots revenge by turning into a cat and poisoning her claws. She kills the landlady's cat, taking its place, then kills the landlady as well soon after. Eulalia meanwhile recruits an actor as a model for her latest work, a statue of Nero. Kitty, still in her cat form, wanders by and Eulalia has the actor hold her in his arms. Eulalia reveals herself to be Medusa, and when she reveals herself ends up turning both the actor and Kitty into a statue.

Last is "Trick of the Tide" by Isidro Mones (art) and Jack Butterworth (story). A man, Gabriel, finds the corpse of a man in the water and steals the money on him. When his wife arrives to claim the body he refuses to admit it was there. When she confronts him later, he clubs her head in and dumps her in the river. When a reward is offered for her, he goes to fish her out, only for her to kill him.

Creepy 51

Sanjulian provides the cover for this issue of Creepy, dated March 1973. The two page frontis, "Possessed From Beyond the Grave!" is provided by Auraleon (art) and Fred Ott (story), featuring a possessed child.

First is "Deja Vu" by Esteban Maroto (art) and Doug Moench (story). A psychologist hypnotizes a young woman, who tells him of a past life where she was a witch who was burned at the stake after being accused by a man who ends up being her ancestor. She curses him, saying that his descendents will be killed by cats. He tries to convince her to stay, but she runs off, and ends up being killed by a cat, just like the curse said. He is revealed to be a descendent of the witch. This story would later be printed in color, with some edits, in Creepy 82.

Next is "Star-Slaughter" by Ramon Torrents (art, his Warren debut) and Rich Margopoulos (story). This futuristic story features humanoid robots battling each other. One of the robots kills one of the other ones, and realizing what he has done, kills himself. He is repaired by his creators, who mention that this is not the first time he has tried to kill himself.

Third is "Death Wish" by Adolfo Abellan (art) and John Warner (story). This story takes place in Mexico, where a large zombie, Esteban, attacks people for his master, but wishes his own life to end. He eventually kills his master only to find his master was another zombie, brought to life by a witch. This causes him to go on yet another murderous rampage.

Fourth is "Package Deal" by Jose Bea (art) and Martin Pasko (story). A man murders his first wife, then disposes of the body by chopping it up and putting it in a mail box, which in a storm gets blown away. Time goes by and the man is remarried. He starts receiving packages in the mail, which contain his dead wife's body parts and notes from her. This eventually causes him to snap, chopping the head off the mailman. His body is later found crushed under the very mailbox he had put her corpse into.

Fifth is "The Viyi", by Esteban Maroto (story and art). This story, which was originally printed in Europe in the Dracula anthology is the first full color story to be printed in a Warren mag. It was also printed at the same time in Vampirella 22. The story features a man coming to destroy a beautiful woman who has become a vampire. He becomes enamored with her looks however and she awakens and turns him into one too.

Sixth is "His Brother's Grave" by Auraleon (art) and Kevin Pagan (story). A man, coming to see his sister runs over a wolf in the road. Further details arise surrounding the wolf's owner, a local handyman and his brother. Soon the man dies himself and is buried alongside the wolf, but he later returns from the grave to attack our protagonist.

Last is "Bed of Roses" by Felix Mas (art) and Doug Moench (story). This story is about a seriously deranged young woman, Rose, who works at a flower store and was apparently traumatized by being locked up by her mother as a kid. She goes completely out of control, killing with scissors a man who comes into her store, then later attacking her mother too. As the story ends she is kept in a padded cell at an institution.

Vampirella 34

Enrich provides the cover for this issue of Vampirella, cover dated June 1974. Jeff Jones provides the frontis "Extraordinary Verse" based on the William Blake poem "Tyger Tyger". Quite a good issue, with only one poor story.

First is "The Carnival of Death" by Jose Gonzalez (art) and Mike Butterworth (story, as Flaxman Loew). Traveling in Venice, Vampirella and Pendragon meet Zymer, a cruel man who Vampirella gets upset at after he forces participation in a russian roulette type game. Meanwhile a rich couple invites many old friends to a ball they are having, and an invitation ends up going to Zymer too. A large group heads to the ball with Zymer, where they find that the other guests are actually corpses! Vampirella finally snaps, killing Zymer by draining his blood. They depart, leaving the rich couple with their dead friends.

Second is "Miranda" by Felix Mas (art) and Fred Ott (story). A rich man obsessed with marrying women with deformities visits an old woman, wanting to meet and marry her niece, Miranda. The old woman allows him to meet Miranda, who is a freak with praying mantis arms, but the old woman refuses to let him take her, even with him offering a million dollars for her. When the old woman sleeps, the rich man and Miranda run off together however. The old woman heads to their house, but it is too late. As part praying mantis, Miranda has already killed and eaten him.

Third is "From the Spain of Legend" featuring the character Fleur, in her first of four appearances. Art is by Ramon Torrents while story is by John Jacobson. Richard, a traveling Earl visits a fellow noble, Chelidonius, seeking lodging while he returns home from the Crusades. Chelidonius tricks the Earl, having him locked up as an accussed witch so he can take over his property. Within the prison Richard meets Fleur, a woman who claims to actually be a witch. When it is time for the 'witches' to be burned at the stake, Fleur kills their captors and escapes with Richard. Richard however attacks her since she is a real witch, and Fleur kills him.

Fourth is "Black and White Vacuum to Blues" by Esteban Maroto (art) and Doug Moench (story). Bill Dubay provides the color. Despite some very good art and coloring, this is a poor, very confusing story about a clown being pursued through the old west, space, and other places. It ends up that the clown is just a character on television.

Fifth is "Recurrence!" by Jose Bea (art) and Steve Skeates (story). A young woman murders her husband by pushing him down an elevator shaft. After collecting the insurance money from his death she starts having strange dreams of being pushed off a cliff by a small dwarf like creature. Eventually she sees him for real while driving and drives off a cliff, which results in her falling to her death.

Last is "Cold Cuts" by Jeff Jones (art) and Berni Wrightson (story). Terrific contributions from these two, with Wrightson providing his only writing credit for a story he didn't draw as well. The story features a man in a winter wilderness who shoots a deer and carries it with him. Meanwhile his wife is snowbound in a cabin with a colleague of his who attacks her. While the hunter thinks about providing for his wife, the colleague's body is mutilated, as if he was being prepared to eat.

Vampirella 36

Sanjulian provides the cover for this 5 year anniversary issue of Vampirella, dated September 1974. The back cover is provided by Enrich, a redo of the cover originally intended for issue 31. Jose Gonzalez provides one page features of Vampi on both the inside front cover and inside back cover.

First is "The Vampire of the Nile" by Jose Ortiz (art) and Mike Butterworth (story, as Flaxman Loew). In this story Vampi and Pendragon suddenly find themselves in ancient Egypt. Vampi is Cleopatra and Pendragon is her slave. Vampi is summoned before her husband, Ptolemy, who is a vampire and bites her. Later she meets Marc Anthony whom she falls in love with, but he kills himself when he learns her true nature. Vampi drives a stake through Ptolemy's heart, then summons Amun Ra, who permits her to be reincarnated after she gets herself bitten by a snake. Vampi awakens back in the modern era, with a Doctor Antonioni tending to her.

Second is "A Wonderful Morning!" by Fernando Fernandez (story & art). Color is provided by Richard Corben. This story takes place in a world where there are only children. The lone remaining adult left in the world is found by them and killed. Not much of a plot here, but some very nice art and atmosphere from Fernandez.

Third is "The Tiara of Dagon!" by Esteban Maroto (art) and John Jacobson (story). A tribal priest comes to a museum, seeking the tiara of dagon. The curator refuses to give it up, and when provided with gold for it instead pulls out a gun and holds on to it anyway. The priest reveals there is poison on the gold that the curator touched and that he'll only give the antidote if the tiara is handed over. The curator still refuses, flees, and turns into a bizarre scaly creature.

Fourth is "Good to the Last Drop!" by Ramon Torrents (art) and Martin Pasko (story). The president of a food company mistakenly kills his wife when he slaps her. He destroys her body in the garbage disposal, then gets an idea and deep freezes her remains, turning it into coffee. Thinking she was having an affair with an employee at the company, he invites him over and puts her remains in his drink. The employee switches cups unknowingly however, and our protagonist drinks her remains. He manages to switch it though and the employee also drinks it. It ends up that she died due to ingesting poison, and as a result the poison kills both of them.

Fifth is "Swordplay" by Felix Mas (art) and Martin Pasko (story). The mysterious Alexander Deroth arrives at a school as a fencing instructor. While fencing with a female student, he strikes her with his sword, and when she starts bleeding he is revealed to be a vampire and bites her. When her corpse is found by some other students, she springs to life and attacks those who found her as well.

Sixth is "Prey For Me!" by Auraleon (art) and Rich Margopoulos (story). A rich man, Alexander Guileford captures men and has them fight to the death a werewolf like creature. His latest victim is unable to win and dies. Alexander soon finds himself in the same predicament however when his servent, upset at him for letting him be in danger earlier, poisons him then releases the werewolf to come after him.

Last is "Puppet-Player!" by Jose Bea (story & art). Michelle Brand provides the color. This story features a puppet player in the 17th century. When he goes to sleep, his puppets come to life and bring him through a bizarre world, controlling him with puppet strings. He is eventually beaten to death with a club he uses in his act. It ends up that he's been dead along and is revised to act as puppet player to hide suspicions.

Creepy 45

Enrich provides the vampire themed cover of this issue of Creepy, cover dated May 1972. Bill Dubay provides the frontis, "Creepy's Loathsome Lore: The Chiklil Tablets!".

First is "What Rough Beast" by Frank Brunner (art) and Jan Strnad (story). A woman tells her husband about many months before, when she traveled through an alley, encountered a strange old man, then a large hairy beast. She passed out, then woke up hours later, finding the old man dead. She become pregnant soon after, and the baby is a horned beast. Suddenly, the beast she encountered bursts into the house and takes the baby, then leaves.

Second is "Targos" by Jack Katz & Nebot (art) and Jack Katz (story). A medieval themed story, surrounding Targos, a warrior, who is in love with a goddess named Kirke, and goes to recover an amulet for her. After battling various beasts he recovers it, then takes from his enemy an amulet that gives him eternal life.

Third is "And Horror Crawls... ...From Out of the Sea!" by Tom Sutton (art) and Kevin Pagan (story). A blob like creature from the sea takes the form of a dog, then, finding a group of four humans near the water, slowly starts taking them over as well. The last one alive kills the creature in a fire, but is soon seized by many others from the sea.

Fourth is "For the Sake of Your Children!" by Jaime Brocal (art) and E.A. Fedory (story). A group of peasents dislike a nearby Baron, who is revealed to have vampires as ancestors. A mob gathers and goes to the Baron's castle after one of the children is found dead. Inside they kill the Baron, putting a stake through his heart. However a group of female vampires within the castle attack the mob, and when they return to the village, all of them are now vampires themselves.

Fifth is "Dungeons of the Soul" by Felix Mas (art) and T. Casey Brennan (story). Another one of Brennan's psychotic hippie stories, featuring a king of a castle, Modrius, who acts cold towards his lover, Adrianne. A prisoner with a mask is held in the dungeon, who has been there since Modrius got a sorceror to cast a spell on him that would keep him from suffering. Adrienne lets the prisoner go, and when Modrius removes the prisoner's mask, it is revealed that it is him. He then turns back to normal again.

Last is the issue's best story, "The Picture of Death" by Jose Bea (story & art). A man traveling through Scotland comes across an inn and stays in a room where people have dissappeared in before. The room contains an odd painting reminiscent of Hieronimus Bosch. As the man falls asleep, bizarre creatures start crawling out of hte painting and pull him inside. Eventually they bring him to a beautiful young woman who is to be his companion. She soon transforms into a bizarre beast however, and he flees. The next day, the maid comes into the room and finds him gone. But the painting has now changed, with him in it!

Vampirella 39

Ken Kelly provides the cover for this issue of Vampirella, featuring a freak woman sitting on a skull. This issue is cover dated January 1975. Jose Gonzalez provides both a one page Vampi intro on the inside front cover and a one page Vampi farewell on the inside back cover, an image that was soon reworked into the cover of Vampirella 42 by Enrich.

First is Vampirella in "The Head-Hunter of London" by Leopold Sanchez (art) and Mike Butterworth (story, as Flaxman Loew). This is the first of three straight Vampi stories from Sanchez, whose style is a stark contrast from Gonzalez's art. Still a pretty good job from Sanchez though. Vampi and Pendragon meet Jack D'Arcy, who offers to tour them around London. D'Arcy is a hunter, who secretly collects human heads as well and becomes obsessed with obtaining Vampirella's head. They struggle, and by the end it is D'Arcy who ends up being decapitated.

Second is "The Sultan of 42nd Street" by Felix Mas (art) and Carl Wessler & Gerry Boudreau (story). A poor artist buys a canvas from a pawnshop. It ends up that whatever he paints on the canvas comes to life, and a beautiful woman appears when he paints her on it. He gets the idea to paint multiple women and turn them into whores to make him money. Alas, when another painter buys one of the canvases and paints his face, his entire face vanishes from his home, and appears in hers!

Third is "Snow White and the Deadly Dwarfs" by Esteban Maroto (art) and Steve Skeates & Gerry Boudreau (story). A young woman lives in a large mansion all by herself, well except for dwarves that live with her and call her snow white. Her boyfriend doesn't believe her about them, and when he comes over they stab him to death to 'protect her'. Only it ends up that there dwarves weren't after all and she did it all the stabbing herself. Some extremely good art by Maroto on this story, one of his best.

Fourth is the start of a new three part series featuring Dracula. This first story is titled "The Circus of King Carnival". Art is by Esteban Maroto and story is by Gerry Boudreau. This story is in color. Despite being the title of the series, Dracula barely appears at all here. Instead the story focuses on a couple who come by a freak show that Dracula is a part of. The husband visits a shaman as he wants to save his dying wife, but the shaman tells him he'll have to bring him a human heart. The husband attacks a thief who is captivated by the butterfly lady in the freak show, and kills him to take the heart. Only the butterfly lady kills him. Meanwhile, Dracula bites the neck of the wife, preventing her from dying by turning her into a vampire.

Fifth is "The Curse of Castle Vlad!" by Auraleon (art) and Doug Moench (story). This story takes place in Translyania where a movie shoot takes place in a cursed castle. Soon members of the cast start appearing dead, but the director declares that they have to continue. Eventually all are gone except for the director and his wife, the star of the film, who ends up being revealed as a vampire. Naturally, she ends up biting him.

Last is "The French Coagulation" by Luis Bermejo (art) and Carl Wessler & Gerry Boudreau (story). Bermejo's first Warren story, his art here is simply amazing, arguably the best job he ever did for Warren. Its quite unfortunate that he couldn't stay this good his entire Warren career. In Paris law enforcement investigate the death of a woman at the hand of the "Loup Garou" which is essentially a werewolf. Due to a key in the victim's hands, they are able to pintpoint the creature down to one of six people. They lock them up in jail cells and the night of the full moon one of them, a woman, turns into the werewolf and kills her husband, who is in the cell with her. It ends up the husband was sleeping with the wife of one of the cops which is why he locked him in the cell with her.

Creepy 46

Running low on Eerie's in my backlog for the moment, so I'll be tackling another Creepy today.

Sanjulian provides the cover for this issue of Creepy, dated July 1972. Two segments of Creepy's Loathsome Lore in this issue. The first, "The Undertaker's Model" by Luis Garcia (art) and Jack Butterworth (story) is in the inside front cover, while "Monsters of the Id!" by Clif Jackson (story & art) is in the inside back cover.

First is "Cross of Blood" by Esteban Maroto (art) and Doug Moench (story). This story is about a vampire, how he became one, and the many deaths he encounters. He is able to survive death by being staked multiple times due to followers and others that end up pulling stakes out of him. Eventually however he is done in by his latest lover when the shadow of a cross becomes his doom.

Second is "Behold the Cybernite!" by Tom Sutton (art) and Rich Margopoulos (story). Margopoulos's first Warren story is pretty good, too bad he didn't stay this good throughout his career. This story features an alien that exists solely as a brain; it is from a planet where all the lifeforms have given up their human bodies in exchange for robot ones controlled by their brains. He is told by his leader to take over Earth so they can use its resources. But his ship is damaged and he arrives in a junk yard where the entire ship, including him and his robot body are crushed.

Third is "On the Ninth Day of Satan" by Felix Mas (art) and Kevin Pagan (story). This story features a man that comes to a village in search of a friend, finding that the villagers are wary of him because they are said to be in the clutch of Satan. This includes Cerberus, an agent of Satan that appears in the village as a human. A so-so story that isn't that good compared to what else is here, but Mas's art is his usual good quality.

Fourth is "I Invisible" by Jose Bea (story & art). A very fun to read story, featuring a scientist who creates a formula that can make a person invisible. He uses it on himself then goes to sleep. He awakens later to find that it only partially worked; his skin is now invisible, but his organs are clearly visible! He goes to the lab to try and find a solution and passes out. An intern responsible for disposing of bodies then thinks he is one, and puts him in the furnace! Bea was an expert at extremely bizarre looking stories and this is certainly one of them.

Fifth is the cover story "Spellbound" by Luis Garcia (art) and Lynn Marron (story). A powerful knight, Delmar is recruited by an old crone to obtain a magical box from a neighboring kingdom for her. In exchange, he will rule the country by her side. He travels to the neighboring country where he rescues a beautiful woman, Eileen from a pack of wolves. She brings him to her home where she lives with Flavin, a scholar. When Delmar follows Flavin to the basement to find where the box he is looking for is he is imprisoned. Eileen frees him, under the assumption that he'll depart with her. But he instead takes the box and leaves on his own. As soon as he leaves with the box the entire castle and its inhabitants, including Eileen and Flavin decay and die. Delmar returns the box to the crone, who immediately becomes young and beautiful. He passes on his reward however and leaves. Fairly good story, certainly helped a lot by Luis Garcia's tremendous artwork. It was the first story of his I'd ever read so it certainly is a memorable one to me.

Sixth is "Night Watch" by Jorge Galvez (art) and E.A. Fedory (story). This story was originally a fan page submission that got turned into an actual official Warren story. It features a pair of night watchmen who for fun go hunting for bats during their shift. One of the men comes across a vampire during his hunt and is bitten by it. Later the other man goes hunting and ends up killing his former colleague, who is now a vampire himself.

Last is "Friedhelm the Magnificent" by Richard Corben (art) and Greg Potter (story). A daredevil is famous for his ability to jump from high heights and survive the fall. In actuality he only survives the falls because of a deal he has with two men who have the power to keep him alive. When they request he uphold his part of the bargain by killing himself however, he refuses and instead kills one of the men. The next day he goes on his latest jump however and falls straight down to hell, into the hands of their master, Satan.

Vampirella 24

Enrich provides the cover for this issue of Vampirella, cover dated May 1973.

First is "Into the Inferno!" by Jose Gonzalez (art) and Bill Dubay (story). In this issue Vampirella and Pendragon are captured, incidently enough by his own son in law. Pendragon's wife, Rosie is introduced, as is their daughter. Both are quite upset at him for abandoning them, which happened when he was away during the war and heard that Rosie had found another man. This new husband however was quite cruel to them and was eventually killed off. They plan on taking revenge by turning Vampirella into a junkie, injecting her with cocain. Vampi later wakes up, and without her blood serum, attacks Pendragon. This is where the story ends, to be continued in the next issue.

Second is "Middle-Am!" by Esteban Maroto (art) and Steve Skeates (story). The first of two rather odd Skeates stories in this issue, it features a young man who battles some other men. He is captured, then brought to their leader, who orders his death merely because he's young. He is then hung along with some other people. Quite an odd story.

Third is "Homo Superior" by Ramon Torrents (art) and R. Michael Rosen (story). A group of five scientists who are working on a major project meet. One of them reveals that he has discovered through an anonymous test that one of them is a super human. He is soon killed off, as is another one who is investigating who it could be. The leader of them brings an outside expert to help. One of them finishes their experiment, which will make the super human invinsible if he gets his hands on it. He kills himself to protect it, but the 'expert' finds it out and uses it to bait the super human, who he traps in a sticky substance that traps him for good. An interesting story, albeit one without any horror element to it.

Fourth is "The Choice" by Auraleon (art) and Doug Moench (story). This story features a man who is a werewolf, and his wife discovers that fact when she witnesses him kill someone one night. Each full moon she locks him up in a cell to keep him from killing anyone else. He finds her slowly becoming colder and colder towards him. He realizes its because of a friend of theirs who is actually a vampire and has turned her into one. He eventually breaks out of his cell and kills her. A rather abrupt ending to this story; also Auraleon blatantly swipes one of his panels from Lon Chaney Jr.'s portrayal of the werewolf, an image that appears in the Captain Company ads in the back. Not a bad story though.

Last is "Changes" by Felix Mas (art) and Steve Skeates (story). A man comes home one day to find his wife laying dead on the floor, with a knife sticking out of her forehead. Oddly enough he doesn't seem that upset about it, neither do his kids. He then gets her replaced, then heads out and stabs some random middle aged woman in the forehead himself. Quite the odd story, thats for sure.

Vampirella 37

This issue of Vampirella is a special summer reprint issue, containing 7 reprint stories and 1 new one. Although my standard practice is to not cover reprint issues on this blog, I will be doing it for those issues of Vampirella that contain a new story, which this one does. The front cover is by Sanjulian. Vampi's face from this cover would be used in the top left hand corner of the cover for every issue for the remainder of the magazine's run. The back cover is by Enrich. That painting would eventually be used for the cover of Eerie 117 as well, a great many years after this issue's publication. (see previous day's post)

First is "Cobra Queen" by Esteban Maroto (art) and Don Glut (story), from issue 23. A trio of men head through the woods in search of a Cobra Queen that rules over a society of amazonesses. Along the way they keep seeing a large cobra. One of the men is soon killed by one. They finally reach the society, and meet the Cobra Queen who transforms into a giant cobra. One of the men however reveals that he too is a giant cobra, and transforms into one. The Cobra Queen and King then feast on the last remaining man.

Next is this issue's sole new story, "She Who Waits" by Jose Gonzalez (art) and Archie Goodwin (story). This story is in color. This is a continuation of the prior story, starring Vampirella and the usual cast of characters. Conrad tries to kill Vampi after seeing two holes on Adam's neck. It seems that Adam has not been attacked by Vampi though, but rather a cobra snake who brings him to the Cobra Queen. It seems that Adam killed the Cobra King, so she captures him and desires him for her new mate, planning to mutate him so he'll turn into a cobra too. Vampi and the others arrive though and are able to rescue Adam, setting the Cobra Queen aflame.

Third is "Song of a Sad-Eyed Sorceress" by Luis Garcia (art) and Don McGregor (story), from issue 18. McGregor's story is somewhat better than usual, helped tremendously by Garcia's extremely good art, but still contains his usual political nonsense. It surrounds a young woman who summons a sorceress after being dumped by a man she was seeing. The sorceress takes over her body, changes form and takes out revenge on the man by transforming into a giant snake and killing him. Only the sorceress decides to retain her body and won't give it back after the deed is done.

Fourth is "Cry of the Dhampir", a terrific vampire story by Auraleon (art) and John Jacobson (story) from issue 22. The story features a pair of vampires on the run from a 'Dhampir', a human with vampire blood who has the power to easily destroy vampires. Although the Dhampir ends up being killed when mistaken for a vampire by a mob, his twin sister, also a Dhampir gets to defeat the vampire once and for all.

Fifth is "Demon Child" by Ramon Torrents (art) and James Crawford (story), from issue 26. An old man whose an expert on the paranormal suspects that his granddaughter is actually a demon known as a Changeling, who took her place shortly after her birth. His wife passed away soon after, which he suspects is because of the demon. His daughter and son in law don't believe him, thinking that they will have him committed due to this, although he is right after all as the ending shows.

Sixth is "The Vampiress Stalks the Castle This Night" by Felix Mas (art) and Don McGregor (story), from issue 21. A fairly good story about a pair of 17 year olds who have gotten pregnant who come across a large castle occupied by a vampiress. They are luckily able to stop her and escape. Some very nice art by Mas, much of which was used within the inside covers of the Warren companion.

Seventh is "Blood Brothers" by Isidro Mones (art) and Lynn Marron (story) from issue 26. Revolutionaries in Guatemala find a religious cult which they believe possesses gold that they can use to fund the revolution. One of the revolutionaries tries to join the cult and does so by replacing a member which he had killed. Yet when he is officially brought into the cult he is eaten by the others, which is what their plans were for the man he had killed.

Last is "The Accursed!" by Jose Bea (art) and Kevin Pagan (story), from issue 23. A man wanders through a graveyard, fighting off various creatures like a werewolf, vampire bats and rats. He is here to dig up and destroy the corpse of an evil man that has been buried in the graveyard. He digs up the man and destroys it, then collapses before his father's grave.

Vampirella 21

Enrich provides the cover for this issue of Vampirella, showing Vampi in the desert with a skull as the sun. Bill Dubay provides the two page "Mind-Benders" on the front and back inside covers.

First is "Slitherers of the Sand" by Jose Gonzalez (art) and Steve Englehart (story, as 'Chad Archer'). A fairly good story to kick of Engleheart's short run at writing Vampi, which would last only 3 issues. In this issue Vampi, the Van Helsings and Dracula are transported to the desert where they encounter an extremely ugly giant slug which ends up killing itself when Vampi tricks it into traveling over its own waste.

Next is "A Legend", the latest "Tomb of the Gods" story by Esteban Maroto (story & art). Like most of the stories in this series it just isn't all that great, about a man, Altik the warrior who is used by the Gods. Yawn.

Third is "Paranoia" by Luis Garcia (art) and Steve Skeates (story). A rather confusing story about a man put into deadly situations by a bizarre group of creatures. He eventually meets his end when a train car hits him. Unfortunately this would be Garcia's last story for Warren, although they would reprint stories he had done elsewhere in 1975.

Last is "The Vampiress Stalks the Castle This Night" by Felix Mas (art) and Don McGregor (story). A fairly good story about a pair of 17 year olds who have gotten pregnant who come across a large castle occupied by a vampiress. They are luckily able to stop her and escape. Some very nice art by Mas, much of which was used within the inside covers of the Warren companion.

Vampirella 23

Sanjulian's cover of the Cobra Queen starts off this issue of Vampirella.

First is Vampirella in "The Blood Queen of Bayou Parish!" by Jose Gonzalez (art) and Steve Englehart (story). Vampirella and company head to New Orleans where it is rumored that a cult led by Father Jonas (from the prior issue) is. When they head there, Pendragon meets Sally, a woman who looks just like his ex wife Rosie. In actuality, Sally is a woman brought back from the dead after she killed herself and is able to look like any woman. She also happens to be working under Father Jonas, who wasn't defeated after all. Vampirella and company are able to defeat them once and for all.

Next is "Cobra Queen" by Esteban Maroto (art) and Don Glut (story). A trio of men head through the woods in search of a Cobra Queen that rules over a society of amazonesses. Along the way they keep seeing a large cobra. One of the men is soon killed by one. They finally reach the society, and meet the Cobra Queen who transforms into a giant cobra. One of the men however reveals that he too is a giant cobra, and transforms into one. The Cobra Queen and King then feast on the last remaining man. This story would get a sequel in issue 37.

Third is "Call it Companionship" by Ramon Torrents (art) and Steve Skeates (story). A young woman buys a cat and soon starts acting like it, eating rats and angering her boyfriend, whom she ends up killing when he threatens to kill the cat.

Fourth is "The Accursed!" by Jose Bea (art) and Kevin Pagan (story). A man wanders through a graveyard, fighting off various creatures like a werewolf, vampire bats and rats. He is here to dig up and destroy the corpse of an evil man that has been buried in the graveyard. He digs up the man and destroys it, then collapses before his father's grave.

Fifth is "The Witch's Promise" by Auraleon (art) and Gerry Boudreau (story). A woman is accused as a witch and is hanged. Years later a soldier meets her daughter in the woods and they sleep together. He abandons her the next day but is captured and killed by a tree controlled by her when he passes by in a carriage later on.

Last is "Won't Eddie Ever Learn?" by Felix Mas (art) and Jim Stenstrum (story). A young thief heads to a farm, seeking to steal the truck there. The farm is owned by an old man and his blind daughter, who invite the thief to dinner. That night he robs the old man, killing him by striking him in the head. He falls to his death into the pig trough however, and ends up getting eaten by the pigs on the farm.

Creepy 43

Ken Kelly provides the cover for this issue of Creepy.

First is "Three Way Split" by Jorge Galvez (art) and Dennis P. Junot (story). This story features two businessmen who are enemies of each other. A doctor who was fired by one of them goes to the other, with a way to get revenge on the rival by becoming him through a brain transplant. The operations is successful, although the rival convinces the doctor to help him as well. By the end of the story all three have switched bodies with each other, and all three end up dying.

Next is the cover story, "The Mark of Satan's Claw" by Jaime Brocal (art) and Fred Ott (story). A man comes to a small town, curious of some murders of children that are occuring. Law enforcement is unwilling to help him, but a man there admits to him that the town is full of Satan worshippers and that he left them when they started sacrificing children. Satan himself kills the man, but our protagonist is led to his girlfriend, who also left the Satan worshippers. Our protagonist is revealed to be Satan himself, and kills her too for betraying him.

Third is "The Men Who Called Him Monster" by Luis Garcia (art) and Don McGregor (story). This story was Luis Garcia's Creepy debut. An extremely nice art job, with the werewolf being obviously influenced by the original Wolfman movie starring Lon Chaney Jr. The main character, a black detective, who is hired to find the boy that is the werewolf, was based on Sidney Poitier. This story featured the first inter racial kiss in mainstream comics, although it only occured because Garcia misunderstood McGregor's line "This is the clincher" in his script. As usual, the story features McGregor's nonscensical political ramblings.

Fourth is "Quest of the Bigfoot" by Jerry Grandenetti (art) and R. Michael Rosen (story). This story features a pair of scientists investigating bigfoot. They eventually come across an Eden occupied by the bigfoots. One of the scientists morphs into bigfoot and attacks the other scientist. But that scientist reveals that he is the abominable snowman and kills him, wanting to take over the bigfoot's realm for his species.

Last is "Mirage" by Felix Mas (art) and Gerry Conway (story). A man and a young boy wander the desert after a plane crash. They eventually come across a group of women that end up eating him. At the end of the story it is revealed that the whole experience was a mirage, caused by the boy because he was upset at the man for hitting him.

Vampirella 18

An average issue of Vampi behind a terrific Enrich cover featuring Vampi and Dracula, one of his best covers he ever did for this magazine. The frontis for this issue is "Vampi's Feary Tales: Nymphs" by Luis Garcia (art) and Kevin Pagan (story).

First is Vampi's story, entitled "Dracula Still Lives!" by Jose Gonzalez (art) and T. Casey Brennan (story). Continuing from the Dracula appearance in Vampirella 16, Dracula is once again brought to life when another man sits inside his coffin. He summons the conjuress, a powerful woman he had originally summoned when he was on Drakulon. Vampi meanwhile heads after Dracula into a mirror world where she decides to spare his life. Conrad, believing she is going to turn his son into a vampire seeks to destroy the mirror, trapping her in there forever, but Vampi is able to make it out okay.

Next is a segment of Tomb of the Gods, "Kali" by Esteban Maroto (story & art). As usual, this Tomb of the Gods segment is rather incomprehensible. It surrounds a young woman, Kali, who is set to be a sacrifice by her tribe, but instead is given powers and returns to her tribe where she is attacked and killed for real.

After that is "Song of a Sad-Eyed Sorceress" by Luis Garcia (art) and Don McGregor (story). McGregor's story is somewhat better than usual, helped tremendously by Garcia's extremely good art, but still contains his usual political nonsense. It surrounds a young woman who summons a sorceress after being dumped by a man she was seeing. The sorceress takes over her body, changes form and takes out revenge on the man by transforming into a giant snake and killing him. Only the sorceress decides to retain her body and won't give it back after the deed is done.

Up next is "Won't Get Fooled Again" by Auraleon (art) and Doug Moench (story). A rather complicated story featuring a woman and lover cooking up a complicated scheme where her husband will believe that she got married by a ghost and kill a rich old man she was having an affair with who shares the name of the ghost, but isn't actually one. As it ends up, the husband does kill the old man and is arrested, but the ghost is real and kills the two lovers.

The issue wraps up with "The Dorian Gray Syndrome" by Felix Mas (art) and Don Glut (story). A newspaper reporter seeks information on a young man who appears to have the same powers as the Dorian Gray of the well known Oscar Wilde story where a painting of the man ages in his place. Only it is revealed here that the painting was actually redone by the man himself, and he appears eternally young because he is a vampire! By stabbing the painting however, our hero miraculously is able to save herself and kill him.

Creepy 52

This issue's cover is by Sanjulian, featuring the interior tale "A Most Private Terror". The opening story is drawn by Esteban Maroto and written by Budd Lewis (miscredited to Doug Moench). This story takes place in a winter setting, featuring a man hiding in a cave from a snow beast. He thinks to a past encounter with such a beast, which was a beautiful woman who turned into a werewolf that he had killed. Realizing he's going to freeze to death, he sets himself on fire, then once putting the fire out heads out of the cave. He becomes so frightened however that he falls off a cliff to his death. It is revealed at the end however that all that was following him was a little white rabbit.

Second is "The Last Hero" by Ramon Torrents (art) and Steve Skeates (story). It takes place in a future where robots run society and man's life is full of leisure. A cult of bald headed men rebel against this and destroy as many robots and factories as they can. The hero of the title decides to become a superhero and fight against them, but they capture him and brainwash him such that he becomes another one of them.

Third is "Halve Your Cake and Eat It Two" with art by Adolfo Abellan and story by Doug Moench. This story takes place in a post apocalyptic world where a man finds himself seemingly alone. He eventually meets a woman and a dog and they stay together. They are attacked by a bizarre looking mutant but make it out okay. He eventually heads out to find some uncontaminated food and when he returns, finds a mutant that has seemingly killed the girl and dog. He kills the mutant then eats it. He wanders off, coming across other normal people, only to find out that he is now a mutant, as he actually ate her, she mutated after eating the dog. The normal people, seeing him as a mutant, kill him and eat him, staring the cycle all over again.

Fourth is "Them Thar Flyin' Things!" by Jose Bea (art) and Greg Potter (story). A sheriff heads home to see his family. He sees his mother, but his younger sister is off trying to hook up with a man, Ronald who does nothing but fish. Heading through the woods, she spots a flying saucer with aliens coming out of it. She tells Ronald, but he ends up being an alien scout himself and kills her to keep things a secret.

Fifth is "The Man With the Brain of Gold" by Reed Crandall (art) and George Henderson (story). This is an adaption of a story that originally appeared elsewhere, but the actual origins are not mentioned, so the original source is unknown. It is about a boy born with an extremely large head. One day it is discovered that his brain is actually made of gold. When his parents ask him for some of the gold from his head, he does so, then goes off on his own, spending for things by taking some of his brain out. He eventually gets married to a woman who causes him to spend even more money, but she soon passes away. At her funeral he sees some shoes that he likes and tries to take more gold out of his head, but by this time he's taken all of it and he dies.

The issue finishes up with "The Killer" by Felix Mas (art) and Steve Skeates (story). The story is about a man who gets married but does little to distinguish himself in life. This upsets his wife, whom he suspects is having an affair. One day he finds his wife stabbed to death and suspects he did it. He runs off and ends up getting hit by a car and killed. It ends up however that it was a burgler who killed his wife and he was innocent all along.

Across the board a fine issue. Got little to complain about here.

Vampirella 16

The cover of this issue, by Sanjulian, shows Dracula himself standing over Vampirella. The frontis, "Vampi's Feary Tales: The Gray Women" is by Auraleon (art) and Jan Strnad (story).

Vampi's story for this issue is "And Be a Bride of Chaos" by Jose Gonzalez (art) and Archie Goodwin (story). Vampi and Pendragon are hired to perform for Count Dracula himself, who is holding a meeting of various members of the Cult of Chaos to decide who will be the bride of Chaos and bear his child. While one of the priestesses, Lucretia strongly desires to be the bride, Dracula chooses Vampirella instead and takes her captive. Dracula tells of his origin, about how he is originally from Drakulon and is able to take on the bodies of various people. Conrad Van Helsing arrives and tries to kill Dracula, but the powers given to him by Chaos prevent him from dying. Vampirella arrives however, freed by Lucretia, and rescues Conrad. Chaos takes Dracula's powers away and he crumbles into dust since the stake remains in his heart. Lucretia meanwhile, as a mere mortal crumbles to dust as well upon Chaos's arrival. An enjoyable story that would kick start a recurring role for Dracula in Vampirella's serial over the next half a dozen issues or so.

Second is "Purification", a short 3 page story from Nebot (story & art). A mob captures the apprentice to a witch, a beautiful young woman. They tie her up to a stake and are about to burn her for her actions. Upon seeing her naked however, the mob decides to set her free and ties up the leaders instead.

Third is "Gorilla My Dreams" by Esteban Maroto (art) and Gus St. Anthony (story). A group of hunters come across a beautiful woman the woods being pursued by gorilla beasts. They kill the gorillas and bring her back with her. It ends up however that the gorillas were warning them, as she turns into a giant gorilla-like beast herself who is seeking new prey on the mainland.

Fourth is "Girl on the Red Asteroid" by Bill Dubay (art) and Don Glut (story). A spaceship crashes on a planet and only one man survives. He comes across a giant egg from which a beautiful woman comes out. He falls in love with her, but it soon becomes apparant that she is really only the child version of a much larger creature and she soon grows up into one...

Fifth is "Lover!" by Pat Boyette (story & art). While Boyette is usually an excellent artist and writer, this story was a tad confusing to me. It surrounds a member of the aristocracy who pretends to be a member of the lower class. He is eventually found out and excecuted.

Last is "Cilia" by Felix Mas (art) and Nicola Cuti (story). A pair of men are in a shipwreck, but a beautiful mermaid rescues them. She marries one of the men and is able to turn into a human form, but must remain near the water. A mob finds her however and captures her. The men eventually find her, but being away from the water so long, she has become an old woman. Her lover kills her then carries her off into the sea.

Vampirella 22

A pretty good issue from early in Bill Dubay's era. The cover artist is uncredited, so its a mystery who actually did it. I've seen it credited to both Enrich and Auraleon, and even Warren expert Richard Arndt isn't sure who did it. Hmm. The frontis for this issue is a two page feature, "Silent Night, Unholy Night" by Bill Dubay.

Up first is "Hell From On High" by Jose Gonzalez (art) and Steve Englehart (story) Englehart was a pretty good writer who took on Vampirella for a very short period of time in 1973, doing only three stories. The story features Vampi & co seeking out the true killer of Conrad Van Helsing's brother since by this point its been proven that Vampi wasn't responsible. They head to the snowy mountains where they meet a priest and the suspected killer, but it ends up that the killer was actually under the priest's control, and Vampi is able to defeat him. Pretty good story, a rarity for Vampirella!

The final Tomb of the Gods story is next, "Orpheus" by Esteban Maroto (art & story). The story features the poet Orpheus going to hell to reclaim his lover Eurydice. Pretty good art by Maroto but not that great a story.

Another solo Maroto story is next, "The Viyi". This story, which was originally printed in Europe in the Dracula anthology is the first full color story to be printed in a Warren mag. It was also printed at the same time in Creepy 51. The story features a man coming to destroy a beautiful woman who has become a vampire. He becomes enamored with her looks however and she awakens and turns him into one too.

Next is "The Sentence" by Jose Bea (art) and Steve Skeates (story). A thief steals a purse and runs into an old house when another man chases him. There he finds a head on a table which is he touches, which results in his head appearing on the table and the head getting to leave the house as part of a full body. An odd story which is very similar to the story Head Shop from Eerie 39, which was also drawn by Bea.

"Cry of the Dhampir" is next, a terrific vampire story by Auraleon (art) and John Jacobson (story). The story features a pair of vampires on the run from a 'Dhampir', a human with vampire blood who has the power to easily destroy vampires. Although the Dhampir ends up being killed when mistaken for a vampire by a mob, his twin sister, also a Dhampir gets to defeat the vampire once and for all.

The issue ends on a high note with "Minra" by Felix Mas (art) and Ed Newsome (story). A psychic explosion of hate suspected to have come from another dimension wipes out 3/4 of humanity. Psychic mutants start appearing among the population, who have the ability to set off incidents of hate and violence, so people band together and take them out. The story focuses on a pair of men heading after a teenage girl, Minra, who is accused of being one of the psychic mutants and causing an incident. One of the men does come across her, who explains that there never were any psychic mutants, hatred among humanity reached a boiling point and they accused people of being mutants as a scapegoat. Alas, the other man comes along and kills her and the story ends. Definately one of Mas's high points and a terrific story from Newsome in his sole Warren appearance.

Creepy 50

Today I'm going to tackle Creepy #50, a landmark issue for Warren that unfortunately failed to meet expectations. A very dissappointing issue in my opinion, an opinion that is shared by fellow internet Warren commentator Richard Arndt as well as Stephen Sennit's book Ghastly Terror. The cover of the issue, by Sanjulian, features various Warren characters such as Uncle Creepy, Cousin Eerie, Vampirella and Dracula. Sanjulian was one of Warren's most prolific cover artists and was with them for over a decade. The frontis for this issue is "Odd Worm" by Auraleon (art) and Al Hewetson (story).

First up is the issue's best story, "Forgive Us Our Debts" by Esteban Maroto (art) and Jim Stenstrum (story). The story is about a pair of drug smugglers whose plane crashes in the jungle. One of the smugglers, Manning, escapes while the other, Hunter, loses one of his arms to a crocodile. He gets his revenge by later taking Manning captive and forcing him along with his collegue Sharon in the jungle to recover their lost drugs. Along the way they encounter a bizarre group of humanoid creatures who are guarding the drugs along with a large amount of treasure. When Hunter goes to get the drugs, Manning shoots him in the back. He goes to claim the treasure himself, but when Sharon is unable to cover him due to going insane from fright, the creatures kill him. Pretty good story with very good Maroto art, although its a tad long and drags a bit in the middle.

Up next is "Frog God" by Adolfo Abellan (art) and E.A. Fedory (story). The story is about an archaeologist who discovers an ancient temple of a civilization that worshipped a 'Frog God'. He finds a monument which he thinks will give him magical power, but it ends up turning him into a frog instead. Fedory's narrative quality is quite poor and Abellan's artwork is extemely ugly, like his artwork in pretty much all of his Warren stories.

"Side-Show", drawn by Jose Bea and written by Fred Ott is about a jealous husband who thinks his wife is cheating on him when he catches buying a ring in a store with another man. He meets a sideshow magician who shrinks both of them for him, but when he realizes that the gift was for him, he tries to renege on the deal with the magician and suffers the same fate himself. While Bea's artwork is good, the main character is a complete and utter idiot, completely forgetting that his wife may be buying him a birthday present. That lapse of logic is enough to ruin the story for me.

"The Sum of Its Parts" by Reed Crandall (art) and Doug Moench (story) is fourth. The story is about a bunch of dismembered body parts that suddenly start appearing in various places. Each person who finds them ends up losing various limbs themselves. Eventually all the dismembered parts, sans a head, come together and run amock with an axe until they can find one. Moench's story is pretty good, but Crandall's art is quite poor, which was unfortunate considering how good of an artist he was with EC and just a few years earlier at Warren.

Last up is "The Climbers of the Tower" by Felix Mas (art) and T.Casey Brennan (story). The story surrounds two friends, Druin and Tarran, who have spent their entire lives climbing a tower. When they approach the top, Druin gets greedy, wanting the glory of being the first to reach the top and loses his life in a confrontation with Tarran. Tarran reaches the top only to realize that he never knew why he wanted to reach the top of the tower, and goes crazy. As I mentioned in my review for Eerie #38, Brennan's stories were usually quite nonscensical and this is definately one of them. A compeltely pointless and piss poor story that wastes Mas's talented artwork.