Creepy 65

Ken Kelly provides the cover for this all reprint issue of Creepy, dated September 1974. Albert Michini provides the back cover in his sole Warren appearance.

First is "The Land of Bone" by Esteban Maroto (art) and Buddy Saunders (story). This story features a warrior Costan who finds himself in a world where every person he meets is a skeleton. He is joined by a skeleton wizard, Wikkander, who tells him that his lover Aruna has been captured by the Wizard Poxxalt. The two of them fight off various creatures and then defeat Poxxalt. Costan is surprised to find Aruna a skeleton herself, and gives Wikkander a ring on her finger. Once he gets the ring, the truth is revealed. Costan was a skeleton himself, and only thought that he was human and everyone else was a skeleton. Wikkander, a descendent of his brought him to life to free Aruna from Poxxalt.

Next is "Star-Slaughter" by Ramon Torrents (art, his Warren debut) and Rich Margopoulos (story), from Creepy 51. This futuristic story features humanoid robots battling each other. One of the robots kills one of the other ones, and realizing what he has done, kills himself. He is repaired by his creators, who mention that this is not the first time he has tried to kill himself.

Third is "The Men Who Called Him Monster" by Luis Garcia (art) and Don McGregor (story), from Creepy 43. An extremely nice art job, with the werewolf being obviously influenced by the original Wolfman movie starring Lon Chaney Jr. The main character, a black detective, who is hired to find the boy that is the werewolf, was based on Sidney Poitier. This story featured the first inter racial kiss in mainstream comics, although it only occured because Garcia misunderstood McGregor's line "This is the clincher" in his script. As usual, the story features McGregor's nonscensical political ramblings.

Fourth is "The Quaking Horror" by Auraleon (art) and Gardner Fox (story), from Creepy 42. This HP Lovecraft-esque story features a house that has a dark horror underneath it, a bizarre tentacled monster that was summoned hundreds of years ago. The entire house eventually collapses, destroying the demon for good. Some very nice art by Auraleon here.

Fifth is "Bed of Roses" by Felix Mas (art) and Doug Moench (story), from Creepy 51. This story is about a seriously deranged young woman, Rose, who works at a flower store and was apparently traumatized by being locked up by her mother as a kid. She goes completely out of control, killing with scissors a man who comes into her store, then later attacking her mother too. As the story ends she is kept in a padded cell at an institution.

Sixth is "The Accursed Flower" by Jose Bea (story & art), from Creepy 49. A farmer, Jordi, is overwhelmed by all the work he has to do on his farm. He hears of the 'Maneiros' who come from a flower and will work endlessly; killing their master if he can't find enough work for him. Jordi finds seeds of the flower and plants them, causing hundreds of Maneiros to appear the next day. He gives them plenty of work to do, but they complete them all with rapid speed. Eventually he can't think of something for them to do and they claw him to death.

Seventh is "A Chronicle!" by Jorge Galvez (art, his Warren debut) and Steve Skeates (story), from Creepy 42. This short story at only 4 pages tells of a man who pays little attention to his life, focusing instead on a research project that ends up being meaningless when someone else completes it. He then gets fired from his job and tries to rob a bank but is killed trying to escape. Not much of a point to this story, wasting Galvez's pretty good art.

Last is "The Third Night of Mourning" by Jaime Brocal (art) and Jim Stenstrum (story), from Creepy 49. This story takes place during the french revolution and features Jacque, a blacksmith who is framed for treason and executed via the guillotine. His headless corpse raises from beyond and goes after the man who framed him, sending him to a similar fate at the guillotine.

Creepy 46

Running low on Eerie's in my backlog for the moment, so I'll be tackling another Creepy today.

Sanjulian provides the cover for this issue of Creepy, dated July 1972. Two segments of Creepy's Loathsome Lore in this issue. The first, "The Undertaker's Model" by Luis Garcia (art) and Jack Butterworth (story) is in the inside front cover, while "Monsters of the Id!" by Clif Jackson (story & art) is in the inside back cover.

First is "Cross of Blood" by Esteban Maroto (art) and Doug Moench (story). This story is about a vampire, how he became one, and the many deaths he encounters. He is able to survive death by being staked multiple times due to followers and others that end up pulling stakes out of him. Eventually however he is done in by his latest lover when the shadow of a cross becomes his doom.

Second is "Behold the Cybernite!" by Tom Sutton (art) and Rich Margopoulos (story). Margopoulos's first Warren story is pretty good, too bad he didn't stay this good throughout his career. This story features an alien that exists solely as a brain; it is from a planet where all the lifeforms have given up their human bodies in exchange for robot ones controlled by their brains. He is told by his leader to take over Earth so they can use its resources. But his ship is damaged and he arrives in a junk yard where the entire ship, including him and his robot body are crushed.

Third is "On the Ninth Day of Satan" by Felix Mas (art) and Kevin Pagan (story). This story features a man that comes to a village in search of a friend, finding that the villagers are wary of him because they are said to be in the clutch of Satan. This includes Cerberus, an agent of Satan that appears in the village as a human. A so-so story that isn't that good compared to what else is here, but Mas's art is his usual good quality.

Fourth is "I Invisible" by Jose Bea (story & art). A very fun to read story, featuring a scientist who creates a formula that can make a person invisible. He uses it on himself then goes to sleep. He awakens later to find that it only partially worked; his skin is now invisible, but his organs are clearly visible! He goes to the lab to try and find a solution and passes out. An intern responsible for disposing of bodies then thinks he is one, and puts him in the furnace! Bea was an expert at extremely bizarre looking stories and this is certainly one of them.

Fifth is the cover story "Spellbound" by Luis Garcia (art) and Lynn Marron (story). A powerful knight, Delmar is recruited by an old crone to obtain a magical box from a neighboring kingdom for her. In exchange, he will rule the country by her side. He travels to the neighboring country where he rescues a beautiful woman, Eileen from a pack of wolves. She brings him to her home where she lives with Flavin, a scholar. When Delmar follows Flavin to the basement to find where the box he is looking for is he is imprisoned. Eileen frees him, under the assumption that he'll depart with her. But he instead takes the box and leaves on his own. As soon as he leaves with the box the entire castle and its inhabitants, including Eileen and Flavin decay and die. Delmar returns the box to the crone, who immediately becomes young and beautiful. He passes on his reward however and leaves. Fairly good story, certainly helped a lot by Luis Garcia's tremendous artwork. It was the first story of his I'd ever read so it certainly is a memorable one to me.

Sixth is "Night Watch" by Jorge Galvez (art) and E.A. Fedory (story). This story was originally a fan page submission that got turned into an actual official Warren story. It features a pair of night watchmen who for fun go hunting for bats during their shift. One of the men comes across a vampire during his hunt and is bitten by it. Later the other man goes hunting and ends up killing his former colleague, who is now a vampire himself.

Last is "Friedhelm the Magnificent" by Richard Corben (art) and Greg Potter (story). A daredevil is famous for his ability to jump from high heights and survive the fall. In actuality he only survives the falls because of a deal he has with two men who have the power to keep him alive. When they request he uphold his part of the bargain by killing himself however, he refuses and instead kills one of the men. The next day he goes on his latest jump however and falls straight down to hell, into the hands of their master, Satan.

Creepy 43

Ken Kelly provides the cover for this issue of Creepy.

First is "Three Way Split" by Jorge Galvez (art) and Dennis P. Junot (story). This story features two businessmen who are enemies of each other. A doctor who was fired by one of them goes to the other, with a way to get revenge on the rival by becoming him through a brain transplant. The operations is successful, although the rival convinces the doctor to help him as well. By the end of the story all three have switched bodies with each other, and all three end up dying.

Next is the cover story, "The Mark of Satan's Claw" by Jaime Brocal (art) and Fred Ott (story). A man comes to a small town, curious of some murders of children that are occuring. Law enforcement is unwilling to help him, but a man there admits to him that the town is full of Satan worshippers and that he left them when they started sacrificing children. Satan himself kills the man, but our protagonist is led to his girlfriend, who also left the Satan worshippers. Our protagonist is revealed to be Satan himself, and kills her too for betraying him.

Third is "The Men Who Called Him Monster" by Luis Garcia (art) and Don McGregor (story). This story was Luis Garcia's Creepy debut. An extremely nice art job, with the werewolf being obviously influenced by the original Wolfman movie starring Lon Chaney Jr. The main character, a black detective, who is hired to find the boy that is the werewolf, was based on Sidney Poitier. This story featured the first inter racial kiss in mainstream comics, although it only occured because Garcia misunderstood McGregor's line "This is the clincher" in his script. As usual, the story features McGregor's nonscensical political ramblings.

Fourth is "Quest of the Bigfoot" by Jerry Grandenetti (art) and R. Michael Rosen (story). This story features a pair of scientists investigating bigfoot. They eventually come across an Eden occupied by the bigfoots. One of the scientists morphs into bigfoot and attacks the other scientist. But that scientist reveals that he is the abominable snowman and kills him, wanting to take over the bigfoot's realm for his species.

Last is "Mirage" by Felix Mas (art) and Gerry Conway (story). A man and a young boy wander the desert after a plane crash. They eventually come across a group of women that end up eating him. At the end of the story it is revealed that the whole experience was a mirage, caused by the boy because he was upset at the man for hitting him.

Creepy 42

Sanjulian's first ever Creepy cover starts off this issue, the first of three S.I. artists making their Creepy debut in this issue. The frontis, "Creepy's Loathsome Lore" is drawn by Ken Kelly (a rare non-cover appearance) and written by T. Casey Brennan.

First up is "The Quaking Horror" by Auraleon (art, his Creepy debut) and Gardner Fox (story). This HP Lovecraft-esque story features a house that has a dark horror underneath it, a bizarre tentacled monster that was summoned hundreds of years ago. The entire house eventually collapses, destroying the demon for good. Some very nice art by Auraleon here.

Next is "A Change of Identity!" by Dave Cockrum (art) and Don Glut (story). A hunchbacked man attepts to get revenge on the townfolk that haven't treated him well by rescuing a killed werewolf, who becomes a vampire. The vampire promises to turn the hunchback into a werewolf so he can get revenge, but decides instead to kill him and turn him into a zombie guard.

Third is "The Amazing Money-Making Wallet" by Joe Staton (art) and Steve Skeates (story). This story is about a wallet that generates money on its own, but if you ever get rid of it, you'll dissolve. A thief steals the wallet, causing his victim to dissolve, and eventually he dissolves as well when he gets rid of the wallet.

Fourth is "Spacial Delivery" by Larry Todd (art) and R. Michael Rosen (story). This story is about a shapeshifting alien that crashes to our planet. In order to repair his ship he needs a metallic substance called Argentium. Taking the appearance of a wolf, he is accused of being a werewolf and is shot with a silver bullet, which ends up being the Argentium he needed to repair his ship and leave.

Fifth is "A Chronicle!" by Jorge Galvez (art, his Warren debut) and Steve Skeates (story). This short story at only 4 pages tells of a man who pays little attention to his life, focusing instead on a research project that ends up being meaningless when someone else completes it. He then gets fired from his job and tries to rob a bank but is killed trying to escape. Not much of a point to this story, wasting Galvez's pretty good art.

Sixth is "Escape From Nowhere World" by Jerry Grandenetti (art) and T. Casey Brennan (story). This story is a sequel to Brennan's very poor story "On the Wings of a Bird" from issue 36. A woman, Janeen suddenly appears in the mysterious nowhere world where Ahzid and the statue are. She and Ahzid try to escape, dragging the statue with them. The statue collapses, and using its sword Janeen and Ahzid tear their way out of the world and escape, while the broken statue lies there alone.

Last is "Ice Wolf" by Gary Kaufman (story & art). This would be Kaufman's final Warren appearance. Unfortunate, as he was quite a unique artist and a pretty good writer too. A tribe of wolf hunters in a winter landscape completely run out of wolves to hunt, so they head through the mountains, still to no avail. One of the men on the night of the full moon gains special powers. Tribe members start dying, obviously due to him. Eventually a wolf finally does appear, and kills him.

Creepy 80

A very good issue of Creepy, one of the first ones I ever read. The cover featuring a couple of demon like creatures and their victim is by Ken Kelly.

Up first is "Benjamin Jones and the Imagineers" by Luis Bermejo (art) and Budd Lewis (story) about a boy whose toy soldiers can summon monsters. Naturally his mother doesn't believe him, until she is confronted by one of them.

Next is "Second Genesis" by Esteban Maroto (art) and Gerry Boudreau (story). In the distant future a man who grew up not knowing who his parents were seeks to find out by traveling back in time. To make a long story short, it ends up that he was his own father. A pretty good story in my eyes that doesn't seem to be that popular. Maroto's art is nowhere close to its usual beauty though.

Third is "The Fable of Bald Sheba and Montebank the Rouge!" by Jose Bea (art) and Bill Dubay (story). The story features a man ignoring warnings about visting the grave of the witch Sheba, and when he arrives at the grave he ends up not being able to escape because she grabs him. Or does she? It ends up that he had merely gotten stuck due to planting his sword in her grave which caught to his cape. Nonetheless, he passes away of a heart attack due to it. This was Jose Bea's first story from Creepy in approximately 2 years, and unfortunately would be his last story in Creepy.

Fourth is "Proof Positive" by Alex Toth (story & art). Taking place in the late 1800s, the story features a man who invents a camera and goes to see patent attorneys who try to steal his idea. He takes revenge by poisoning them. An explosion ends up going in his darkroom however, killing him as well. As always, Toth's art is terrific, and is printed sideways in this story.

Fifth is "Ain't It Just Like the Night" by Martin Salvador (art) and Doug Moench (story). The story features a trench coated man with his face hidden from us by shadows capturing various people and suspending them in glass containers. He reveals that he is here to save humanity, which will soon face a nuclear holocost, by using suspended animation to protect a select number of people who can later repopulate the world. The ending reveals his bug-like face. Really enjoyed this story, with a better than usual job from Salvador and pretty good writing by Moench.

"The Axe-Man Cometh" is next, with art by Jorge Galvez (in his final Warren story) and story by Gerry Boudreau & Carl Wessler. An axe murderer escapes from jail with the help of his sister and quickly returns to his axe murdering ways. His wife brings him home to meet his husband and then kills her husband, planning to blame it on her brother. Yet he discovers her plans and ends up killing her too. A very abrupt ending, but a pretty good story.

Last is "The Last Chronicle" by Jose Ortiz (art) and Budd Lewis (story), a sequel to the earlier story, "The Escape Chronicle from Creepy #75. The first story dealt with a man, Charlie, seeking escape from a Big Brother-esque future who befriendeded another man Bernie. Charlie was able to escape in a hot air balloon, but Bernie was left behind. This story features Bernie pining for his old friend and wondering what wonders he is experiencing. Eventually Charlie returns and takes him away with him. The first story (which I'll eventually cover when I get to that issue) was terrific, this one just isn't that great, as it seems little more than a postscript to the first, with a happy ending that the original story avoided.

Overall a terrific issue!