Psycho #22

Prieto Muriana provides the cover for this issue of Psycho, cover dated November 1974. This issue is all reprints with the exception of the first story.

Our sole new story for this issue is "Die, Frankenstein's Monster!", a continuation of the new Frankenstein series recently started up in Scream. It is written by Al Hewetson and has art by Cesar Lopez. The monster begins the story with the origins of the term Prometheus, which was used for the subtitle of Mary Shelly's original novel of Frankenstein "The Modern Prometheus". Frankenstein's monster travels through the mountains of Romania, finding an injured goat and bringing it to a cave, where he finds two coffins. He opens one and finds a man inside, Dracula, who immediately attacks him. The monster eventually knocks Dracula out only to be bitten in the neck by his female companion, who finds his blood muccused and disgusting. Dracula and Frankenstein tell each other their stories. Dracula's companion, Leah, comes up with a name for the monster, Damon, and the two kiss. When Dracula heads out in bat form to find some food, Leah reveals to Damon that the story Dracula told him of his origins, about him being a force for good is all lies, and that the power of vampirism is given by Satan. Dracula returns. He and Damon argue, and Dracula puts Leah under a trance, but finds that with the sun coming out, he must rest. He tells Damon to take Leah and go. Upon carrying Leah outside, Damon finds that her body immediately decomposes due to exposure to the sun. The shadow of Damon holding Leah's body forms a cross, which also kills Dracula. This was a fairly good story, with some decent art as well. A good thing we got some quality with our only new story of the issue.

"Die, Frankenstein's Monster!"

Next is "Revolution" by Rick Margopoulos (story) and Tom Sutton/Dan Adkins (art), originally published in Psycho #2. On the Planet Sade slaves are constantly forced to fight in "games", battles in a coliseum against giant monsters. The King upon hearing of a possible rebellion instead desires more slaves to fight in more games to quell the populace. So the games become more and more severe, leading to a revolt by the citizenry, who also release all the monsters. The King and his men are forced to flee the planet on a spaceship, landing on another one where carnivorous plants soon attack them. The men flee towards what appears to be a city sitting atop a lake. The king tosses away all his underlings and his own daughter to save his own hide, only to realize that the lake itself is a blob-like entity that consumes him. Adkins' work is barely noticeable on this story, making it look like a Sutton solo story.

Third is "The Vow!" by Pat Boyette (story & art), originally published in Psycho #6. An aristocrat named Aaron becomes a single father when his wife dies from the plague. The plague ravishing the countryside and the aristocrats being slayed by the common folk, he flees, eventually finding work as an overseer of the disposal of the bodies of those who died from the plague. Aaron soon realizes with horror that his daughter Cassandra thinks dead bodies are real and her friends! Time passes, and Cassandra starts a relationship with a local ruffian named Andrew who is rumored to be the paramour of the Empress. Aaron is scared of what will happen if she finds out about the affair, but Cassandra says she'd rather die than be without him. Aaron comes to a good solution; he rats out Andre to the Emperor, who has Andrew killed, then due to his job collects his body and provides Cassandra his body! Its always a joy to read a Pat Boyette horror story.

"The Vow"

Next is "Birth Announcement" by Al Hewetson (story) and Ramon Torrents (art), originally printed in the Psycho 1972 Annual. In this brief four page story, a man is anxious as his wife is about to give birth. He thinks of how he met his wife when he saw her swimming in the coast of Cape Cod. His wife is soon revealed to be a mermaid, and she has given birth to a large number of eggs which they bring home with them, waiting for them to hatch. A rather predictable ending to this story, but Torrents' art is excellent as usual. The story is said to take place in the town of Winchester by Cape Cod, but as someone who lives in Massachusetts, I can say the town of Winchester is actually nowhere close to Cape Cod.

Next is "Phantom of the Rock Era" by Chuck McNaughton (story) and Ralph Reese (art), originally published in Nightmare #4. A young woman, Lala, sees Roddy Skeane, a guitarist and singer perform at a club and decides to hook her ride to his, thinking he will eventually become famous. Lala is rather disgusted by his ugly face, but is convinced he will become famous and loves the lavish lifestyle she is hoping to get for them. Eventually Roddy reveals the rest of his band to Lala, and she finds out they all had died in a witchcraft ceremony and have been resurrected from the dead! Roddy wants her to join them permanently and sacrifices her so she can come back from the dead like them. I wasn't the biggest fan of this story, but Reese does a great job with the art.

Sixth is "The Midnight Slasher" by Doug Moench (story) and Pablo Marcos (art), originally published in Psycho #6. A killer known as the Midnight Slasher haunts the streets, stabbing to death any innocent bystander that comes upon him. A maid, Miss Watts, tends to a young woman she serves, only for her to be the next victim! Watts talks to the local constable, who has raised suspicion for himself due to how quickly he makes it to the murder scenes. He comes across Miss Watts later that night by a bell tower, where Watts is revealed to by the slasher, only for her to be crushed by the bell! This story packs a double twist in the end, with it not being enough for Watts to be revealed as the Slasher (which was pretty predictable anyway).

"Within the Torture Chamber"

Seventh is "Within the Torture Chamber" by Kevin Pagan (story) and Doug Wildey (art), originally published in Nightmare #5. Wildey does a good job here, providing artwork that reminds me of Angelo Torres. The story takes place in Spain in the 16th century, where a woman is executed by torture, after having had her tongue torn out. The judge and executioners leave only for a noble, Don Alexander to come down, and speak to her body, revealing he falsely had her accused because she spurned him, resulting in her execution. The judge, who had heard it all fights Alexander but is slain by his sword. Alexander flees, but goes back for his sword, not wanting evidence left behind. He starts getting quite nervous however, and the judge rises, tearing out his tongue and chaining him to the wall. The ending to this story was somewhat confusing (I have included my interpretation here).

Last is "Vault of a Vampire", featuring Al Hewetson for the story and Serg Moren for the art. This story was originally published in Nightmare #3 and was actually Hewetson's first story for Skywald. A vampire stalks ancient Rome, attacking someone in the Arena, and having previously appeared at other crowded events. A trio of men seek to destroy the vampire. During its latest attack, they follow the vampire to the graveyard and the crypt where it makes its home. They wait outside the blocked entrance, thinking they can wait out the vampire. A couple of weeks pass and they break in, finding that the vampire has started devouring its own flesh. They then kill it with swords. I question Hewetson's knowledge of vampires in this story, it should be seeking to drink blood, not consume flesh...

Gene day provides a one page pin up feature on the back cover.

Psycho #6

Vicente Segrelles provides the cover for this issue of Psycho, cover dated May 1972. That's a 6 month gap since the prior Skywald issue! From what I've read Skywald had a color comics line that got into a lot of financial trouble around the end of 1971, causing a massive delay in the black and white horror magazines.

This issue is notable for featuring the Skywald premiere of Pablo Marcos, the Peruvian artist who would become quite the dominant artist for the company. By my count, only one other artist, Ricardo Villamonte, draws more stories for them. Marcos also provides a significant number of one page frontispieces/pin-ups as well. He starts off with a bang, having 3 stories here as well as the frontispiece. Marcos did a small amount of work at Warren (including a 2 part Vampirella story), and I can't recall being the biggest fan of him there. Not because he's a bad artist (he's a good one), but he just couldn't live up to the quality of the Spanish and Filipino artists that were dominating the magazines at the time.

We kick off with the one page "Psycho's Supernatural Series: Abrasax", drawn by Pablo Marcos. The Abrasax is a type of chimera, featuring a rooster's head, a humanoid body and the feet of a dragon! He also wields a whip, making it quite the odd sight!

First is "The Vow!" by Pat Boyette (story & art). An aristocrat named Aaron becomes a single father when his wife dies from the plague. The plague ravishing the countryside and the aristocrats being slayed by the common folk, he flees, eventually finding work as an overseer of the disposal of the bodies of those who died from the plague. Aaron soon realizes with horror that his daughter Cassandra thinks dead bodies are real and her friends! Time passes, and Cassandra starts a relationship with a local ruffian named Andrew who is rumored to be the paramour of the Empress. Aaron is scared of what will happen if she finds out about the affair, but Cassandra says she'd rather die than be without him. Aaron comes to a good solution; he rats out Andre to the Emperor, who has Andrew killed, then due to his job collects his body and provides Cassandra his body! Its always a joy to read a Pat Boyette horror story, both this and his story for the most recent Nightmare issue were quite strong. Alas, with just 2 stories done, Boyette will depart Skywald and not do any further work for them.

Jeff Jones' Skywald premiere with "Sleep"

Second is "The Midnight Slasher" by Doug Moench (story) and Pablo Marcos (art). A killer known as the Midnight Slasher haunts the streets, stabbing to death any innocent bystander that comes upon him. A maid, Miss Watts, tends to a young woman she serves, only for her to be the next victim! Watts talks to the local constable, who has raised suspicion for himself due to how quickly he makes it to the murder scenes. He comes across Miss Watts later that night by a bell tower, where Watts is revealed to by the slasher, only for her to be crushed by the bell! This story packs a double twist in the end, with it not being enough for Watts to be revealed as the Slasher (which was pretty predictable anyway).

Next is "Sleep" by Steve Stern (story) and Jeff Jones (art). As mentioned in my coverage for Nightmare #6, Stern may not have actually been real. This is Jones' first story for Skywald, although not his first work, having done the cover for the previous Nightmare issue. This story takes place in space on a space pod where a Doctor Zim hypnotizes his assistant, Robinson. He then has Robinson speak of what he senses an hour from now (at which point Zim expects him to have been dead from an injury) so he can find out about life after death. As the hour approaches, Zim realizes the horrible truth though, that they will both be dead as their space pod has approached the sun! Jones' art is quite good here, and this was a fairly good sci-fi story.

Fourth is The Heap in "Dark Victory" by Ross Andru (story) and Ross Andru/Pablo Marcos (art). Its disappointing to see Mike Esposito, who had been on all the previous Heap stories, no longer contributing. Where we last left off, the Heap was in a cave with some mutated humans fighting the sheriff and one of his men, only for the Heap's hands to start turning back human! The Heap continues to revert back to more of a human, causing the mutants to turn on him. Out of nowhere, a mutated giant spider appears and is also added to the fray but is able to be fought off by a beam holding up the ceiling. this causes the ceiling to collapse. The Heap, now fully back to his human form, Jim, leaves the cave with the Sheriff, and is able to escape from him due to his head injury. Jim returns to see his friend Monty, revealing that the antidote he provided has worked. As Monty leaves, his daughter arrives, who Jim starts kissing, only for him to turn back into the Heap partway through! Horrified, he breaks out of there and flees back into the woods, cursing why this had to happen to him. This series continues to be fairly fun, and we had a pretty great ending to this part.

Next is "Of a Sudden is Thy Death!" by Gus St. Anthony (story & art). This is a very quick story at a mere 2 pages. A young woman named Margo finds herself dead, but completely rejects it. Satan reveals that it is true, she isn't really dead, but she had been bitten by a vampire and now has become one herself. A very predictable ending to this rather pointless story.

Sixth is Frankenstein in "The Phantom of the Opera" by Tom Sutton (story and art). This story is unfortunately the last contribution we will get from Tom Sutton to Skywald. He was likely pushed out by the soon dominance we'll get from the Selecciones Illustrada artists, although was able to work at Warren for a couple more years despite the S.I. artists also dominating there. In any case this finale from him is quite a lot of fun! We continue where we left off the last time, with the Frankenstein monster and Lilith in a dead end in the sewers, the octopus-like Le Suub attacking them. Suddenly the wall behind them collapses, causing them to fall into a pit where they come upon the Phantom of the Opera! The Phantom explains how his pipe organ also permits the transmitting and receiving of inanimate objects, but this has caused issues with living specimens. Suddenly Dr. Pretorius arrives, with Henry Frankenstein's head, and they get to work on trying to transmit his brain into the monster's body! Lilith interferes though, causing the monster to become even more powerful than ever, causing a massive explosion! The monster is brought through time due to the power of the pipe organ, where the story ends. With Sutton's departure I believe this is the last story for a while in the Frankenstein series, although it does return later on.

Craziness in this issue's Frankenstein entry

Our last story for this issue is "Sand Castles" by Ed Fedory (story) and Pablo Marcos (art). Fedory makes his premiere here and would become one of the mainstay writers at Skywald when Al Hewetson becomes editor. For a short time he had also been contributing stories to Warren. A pilot is transporting two criminals, Benny and Tony, to Mexico, when their plane's engine explodes, forcing them down to the desert sands below. Thus starts a long journey to civilization. With their water running out, the pilot kills Tony, then fills the canteens with his blood. So it probably shouldn't come as that big a surprise pages later when the pilot reveals to Benny that he is a vampire! He kills Benny, filling his canteen with his blood but the days continue to pass and the blood congeals, becoming undrinkable. The pilot eventually finds a castle however and makes his way inside, finding Benny and Tony's ghosts waiting and they throw him down a chasm into hell. Yet again a Skywald story has a rather confusing ending though as our last panel shows their destroyed plane, with several skeletons there making one wonder if any of what happened was real. This was a fairly good story (although a bit too drawn out) and I don't mind them mixing things up at the end, I just wish it was more definitive on what was real.

The issue wraps up with the one page "Werewolf Pin-Up" by Bill Everett.

Nightmare #6

Jeff Jones makes his Skywald debut painting the cover for this issue of Nightmare, cover dated December 1971 and featuring the Love Witch character.

The one page frontispiece for this issue is "Medea" by Michael Kaluta.

We start with "Love Witch and the Battle of the Livng Dead" by Marv Wolfman (story) and Ernie Colon/Jack Abel (art). Well, I speculated at the end of the previous Love Witch story that this may be a continuing storyline and that appears to be the case here as the Love Witch is young again, and we even have her pet lizard Friji alive. This story is even more of a confusing mess than the previous one. The Stonehedge priests rise from the dead the hag Atulak to battle Burnick the Love Witch. At some point Atulak succeeds in slaying Burnick, but her spirit rises from her body and the fighting continues, with Burnick eventually winning. The story concludes saying this is only the beginning, but I really hope that is not the case as these Love Witch stories have been awful. The only redeeming part is the Ernie Colon art.

Next is "The Living Gargoyle" by Jerry Siegal (story) and Carlos Garzon (art). The ugly, bald, malformed Julio is angry at the world and the people who mistreat him solely because he is ugly. He gets assaulted on the street merely for looking at a woman. Julio makes his way into a museum where he stands before the Gargoyle Shrazzgoth. He asks for two wishes, both of which the gargoyle grants. First, he is made incredibly handsome, and second everyone else is made ugly. He goes outside to taunt people and they kill him. The ending for this story was quite easy to guess once Julio wishes everyone else ugly. The role of the Gargoyle in this story is a rather odd one as it is just there to grant wishes, something I didn't know gargoyles could even do. Skywald would eventually have gargoyles as one of its more well known continuing characters, but this appears to be an unrelated story.

Third is "Broken Sparrow" by Larry Todd (story and art). Kenzor is a tiny alien who looks somewhat like a humanoid bird. His ship explodes and he crashes on Earth, where he is found by some boys who take him and bring him home in a glass jar. Kenzor is kept there as a pet, who fascinates the family, aside from the mother, who wants him to get rid of him. Kenzor can understand everything being said but can't communicate until he fixes a translation device he has with him. He is finally able to do so and calls out to the mother, who freaks out, and flushes him down the toilet!  This was one of my favorite Skywald stories yet; I feel quite bad for Kenzor and his fate though!

Kenzor in "Broken Sparrow"

Next is "Corpse by Computer!" by Robert Kanigher (story) and Doug Wildey (art). Millionaire inventor Phillip Talbot has created the supercomputer Debbie, which operates many things in his mansion. Upon bringing a woman home with him, Debbie kills her with a mechanically controlled knight. Debbie desires Phillip as her companion and won't let him have anyone else. When Phillip starts a relationship with the psychiatrist Karen Benton, Debbie kills her too. Phillip has had enough and tries to delete Debbie's memory, only for her to electrocute him to death. Another more sci-fi type story, although not as good as the previous one.

Fifth is "The Cosmos Strain" by Steve Stern (story) and Mike Kaluta (art). Richard Arndt, in his book "Horror Comics in Black and White" speculates that Stern isn't a real person, but rather a pseudonym for Kaluta. The story features the starship Parnassus, which travels the universe, studying a contagion that has destroyed all life on the planet Medallion. The scientist Broome, his assistant Zork and the robot Darukk investigate, heading to the planet where Zork mistakenly lets out the contagion and Broome is killed. Zork and Darukk realize the only thing to do is use the Sterilibomb, blowing up the planet, and killing them. Kaluta's art is good but I wasn't the biggest fan of the story. This is now three sci-fi stories in a row! Surprising to see in what is supposed to be a horror magazine.

The Geek

The issue concludes with "The Geek" by Pat Boyette (story and art) making his Skywald debut. Its great to see some work here from Boyette, he was an artist I enjoyed quite a lot at Warren, although he didn't do too much work for them (maybe 10 stories or so). Max Schuller finds the bizarre Geek during the winter, eating one of his hens raw. Max, whose wife had died, leaving him alone, takes in the Geek. Eventually word of the Geek spreads and the local Baron has him seized, brought to his castle where he can amuse him. One day the Baron strikes the Geek, and the Geek in retaliation kills him, putting his head up on the tower with some stone ones. The Geek then flees, returning to Max's home where he seems him one last time. The Geek disappears, and is never seen again, but Max finds that he did him one final act of kindness, digging up his wife's body so he wouldn't be alone. Boyette doesn't disappoint as this is quite a strong Skywald debut for him, both the story and art.

Creepy 22

Tom Sutton provides the cover for this issue of Creepy, from August 1968. As with all issues from this era of Warren, this issue has a few reprinted stories. Its a so-so issue at best, with multiple themes repeated in the stories, giving us not a lot of variety.

The issue starts with "Home is Where" by Pat Boyette (art) and Ron Parker (story). This story features a pair of thieves who break into a curio shop. They find a set of stairs that leads to the basement and head down there where they are pursued by various monsters and beasts including snakes, crocodiles, vampires, ghouls, zombies and others. They are eventually found by the police, having been driven insane by their experience. It is revealed at the end of the story that they had broken into Uncle Creepy's home. This story is practically an exact copy of the story "When the Cat's Away" from the EC comic Vault of Horror #34 which features a pair of thieves breaking into the Crypt Keeper's home.

Next is "Monster Rally" by Angelo Torres (art) and Archie Goodwin (story). This story was originally published in Creepy #4. A mad scientist assembles a large group of monsters, all in order to find a formula that will give him eternal life. Eventually a town mob attacks him when one of his monsters, a vampire, escapes and attacks the town. The scientist frees his monsters, who kill him rather than attack the mob. The entire castle burns to the ground. There is only one survivor, a small baby... Uncle Creepy!

Third is the cover story "No Fair!" by Tom Sutton (art) and Bill Parente (story). A group of young boys follow the night watchman in a cemetary and it is revealed that he is bringing bodies to a vampire that lives in a mausoleum. The boys ask around about how to kill a vampire, then head to the cemetary where they kill the night watchman and drive a stake into the vampire's heart, killing him as well. As the story ends it is revealed that all the boys are ghouls and they killed the vampire to prevent him from taking further bodies that they could instead have for themselves.

Fourth is "Strange Expedition" by Ernie Colon (art) and Bill Parente (story). A group of 5 astronauts head to the moon and upon landing due to necessary repairs on their craft find plant life growing, despite the lack of oxygen. A few of the men go exploring but one is found torn to bits after the men split up. Two more of the men face similar fates after heading outside on their own. The repairs to the ship are completed and one of the last 2 remaining men reveals to the other that the plant they found is wolfsbane and transforms into a werewolf, killing the other man.

Next is "The Judge's House" by Reed Crandall (art) and Archie Goodwin (story), originally published in Creepy 5. This is an adaption of a Bram Stoker story. A man moves into a house that was owned by an evil judge. As the nights pass he finds a number of rats inhabiting the house with him. Eventually the ghost of the judge himself appears from out of a portrait in the house and kills him.

The issue concludes with "Perfect Match" by Sal Trapani (art) and Ron Parker (story). This story features a woman who runs a computer dating scam where she finds people their 'perfect match'. She finds that her latest customer is a wealthy man and plans to scam him through several women before taking him for herself. When he immediately returns to her claiming the woman she set him up with was a perfect match and is going to marry her, she tries to blackmail him with a contract he signed but he reveals that both him and his fiance are vampires and they kill her.

Eerie 15

My first issue coverage in a while, featuring an issue I've recently been able to acquire. This issue came out shortly after Warren's first collapse at the end of 1967 and features approximately a third reprinted material and two thirds new material. The cover by Vic Prezio is an okay one, but quite unscary.

First is "The Graves of Oconoco" by Pat Boyette & Rocco Mastroserio (art) and John Benson (story). A pair of friends, Frank and Mitchell work in Brazil near a gravesite. Mitchell is a scientist working on making edible material from soil while Frank is an archeologist, who discovers a crypt of dead warriors and a wolf. Mitchell's work on the soil finally is successful but ends up bringing the wolf back to life, which Mitchell klls. Yet it wasn't Mitchell's work that actually brought it back to life, as all the corpses from the crypt soon spring to life themselves.

Second is "Wardrobe of Monsters" by Gray Morrow (art) and Otto Binder (story). For some unknown reason Angelo Torres, who is uncredited on the story (but included in the table of contents page) handles the final page. This story is a reprint from Creepy #2. Five men find a number of sacrophoguses in a pharoah's Egyptian tomb that house various monsters including a vampire, wolf man, devil and Frankenstein monster. One of the men, a translator finds the ability to transfer himself into these monsters. He does so, killing his various partners in monster form so he can get all the credit. He also destroys the mummy of the pharoah, fearing that he also has the ability to transfer into the bodies. However when he occupies a monster to kill his last partner, the pharoah's spirit, released by the destruction of his physical body, seizes the man's own body, trapping him in monster form for good.

Third is "The Demon Wakes" by Tony Williamsune (art) and Archie Goodwin (story). The story by Goodwin was likely left over from when Goodwin departed Warren, as this issue was printed over 6 months after he departed Warren. In the prologue we meet Harry Willet, an accountant entering a bar. The majority of the story features a bizarre monster, Moloch, who awakens chained up in a pit. Moloch breaks free of his chains and climbs out of the pit, killing the guards and breaking free. In real life Harry goes crazy and kills three people before being killed himself. Moloch apparantaly was a representation of the evil within Harry getting out.

"Under the Skin" is next, with art by Joe Orlando and Jerry Grandenetti (who is uncredited) and story by Goodwin. This story was originally printed in Eerie #3. An unsuccesful actor envies another actor whose able to get great roles due to his horrific makeup. By murdering the actor and stealing his technique, he is able to get a great role, but is unable to take off the makeup when he's done. It ends up that he hallucinated the whole thing, and ends up tearing all the skin off his face. Another really good story; its a shame Grandenetti got no credit as he appears to have a lot more influence in the art that Orlando did.

Fifth is the cover story, "The Doll Collector" by Gutenberg Montiero (art) and Dave Kahler (story). A gold digging woman has a vast collection of dolls. She heads to a theater with her latest lover who uses a number of "living" dolls in his act. She demands that the owner sell her one but he refuses. That night she tries to steal one but is attacked by the dolls. She is then shrunk and forced to become a doll-like participant in the show herself.

Last is "A Change in the Moon!" by Jeff Jones (art) and Clark Dimond (story). This story takes place in the late 1800's. A man tries to drown his wife by knocking her off a boat, only for her to be saved by a bizarre bald man. The two return to land, where it is explained that the wife was attacked by a wolf. The husband visits an occultist to see if something can be done for a werewolf, and all she can provide him with is silver bullets. He tries to kill his wife again by pushing her into a train but the bald man appears again to save her. The two confrotnt the husband on the roof and the bald man is revealed to be a werewolf himself. The husband kills him, but finds he can't shoot his wife, now in wolf form, so he lets her attack him such that they'll both be wolves on the next full moon.

Eerie 129

Sanjulian provides the rather cluttered cover for this issue of Eerie, dated February 1982. Like the previous issue, this is actually quite a step up from what Eerie had been providing over the previous few years.

First is "Ode to a Dead Thing!" by Rudy Nebres (art) and Bill Dubay (story). This story features Marvin the Dead Thing, who originally appeared back in Eerie 49. While the writer of that story, Al Milgrom, made it a parody of Swamp Thing, this story is anything but a parody, actually quite serious. Marvin and the girl who became a swamp monster as well watch a couple drop a dead baby into the swamp. The father is a man who conspires with an old woman to get women pregnant, then make money off of aborting them. Here, the mother refused to abort the baby, so the old woman strangled it when it was born. The baby comes to life out of the swamp, as does the mother when she dies and is placed there as well. The villain of this story has got to be one of the most detestable people in a Warren story ever.

Second is "Ms. Liberty" by Jun Lofamia (art) and Rich Margopoulos (story). A woman travels throughout a post-apocalyptic world, searching for her husband. The vast majority of humanity has turned into mutant cannibals. As she searches, she comes across some other normal humans, but finds them either crazy, or ends up killing them due to herself going crazy. In the end she finally finds her husband, but ends up killing him, thinking he's one of them.

Third is "Mercenary!" by Pat Boyette (art) and Nicola Cuti (story). Quite pleased to see another Boyette story, he's an artist I quite enjoyed during the stories he did with Warren during the late 1960s and early 1970s. This story is an oddity here in that it doesn't feature any supernatural theme to it. It is about Ed Skinner, a Mercenery, and his adventures in various south american countries. Along the way, he learns a president is also the leader of revolutionaries. He takes a large payoff to keep quiet, and escapes the death the president plans for him.

Fourth is a new series, Space Force, with the story "Shipwrecked". This story was originally published in France in 1964. Art is provided by Paul Gillon and story is provided by Jean-Claude Forest. In the future Earth is attacked by alien spores. To ensure humanity stays alive, a man and a woman are put into capsules and sent out into space. The man, Chrisopher, is recovered many years in the future and is resusitated. The man finds that the spores are still around, and bigger than before. He flees, with one of the women who recovered him, in search of the woman who was shipped out to space along with him. A fairly interesting story here and some good art too. One of the panels here is strikingly familiar to one from Esteban Maroto's "Scourge of the Spaceways", one of my favorite art jobs in a Warren story ever. As this story came out first, its obvious Maroto's work was a swipe however.

Last is the latest story in the "Haggarth" story, with story and art provided by Victor de la Fuente. In this story a strange man appears before Haggarth and warns him Desirra and the Amazon warriors in the jungle. Heading through the woods, he comes by an injured man who was hurt by the Amazon warriors. As Haggarth's part in this story ends, he is attacked by the Amazon warrior he met before and her eagle. Ethan meanwhile is captured when some village dwellers find him in the canoe used by their dead comrades. Accusing him of their murder, they are set to execute him but proof of his innocence is found and he is permitted to leave in the canoe.

Creepy 39

A whopping four artists' Warren debuts highlight this issue of Creepy. The art is by Basil Gogos. The frontis is "Creepy's Loathsome Lore: The Evil Eye!" by Clif Jackson (art) and Richard Grose (story).

First story is "Where Satan Dwells..." by Sal Trapani (art) and Al Hewetson (story). This story is a rarity, it actually stars Uncle Creepy himself! Uncle Creepy, getting bored of just telling stories seeks to find an adventure of his own. He comes across a bookstore where the bookkeeper gives him a book with the same title as this story. He reads the book and suddenly finds himself in a position where he has to save the bookkepper and his family from the evil spirit Groton. It ends up being a dream, and the bookkeeper ends up being Cousin Eerie!

Second is "C.O.D. - Collect on Death!" by Dave Cockrum (art, his debut) and Dave Wood (story). A man makes a deal with the devil to spurn death, but in exchange he must kill someone each day. If he misses even a single day, he will die himself. This eventually forces him to kill his own fiance when he loses track of time due to her. Her brother leads him to a desert to kill him. He does so, but is told that he's so far away from society there's no way he'll be able to kill someone else within a day, which results in his ultimate demise.

Third is "The Water World", featuring the debut of artist Pablo Marcos. The story is written by Buddy Saunders. A trio of astronauts crash on a water filled world and drift aimlessley on a raft over very clear water. Soon two are dead and the last remaining one fishes using the remains of one of the others. This catches a fish, but one so huge that it ends up eating him!

"Death by the Wizard" with art and story by Pat Boyette is next. Not as good a story as usual from the usually excellent Boyette. It features the Wizard Merlin who is facing his own demise due to a woman he was with. He is turned into a tree by her.

Fifth is "Harvest of Horror!" by Frank Brunner (art) and Phil Seuling (story). This story interestingly enough features three different endings, surrounding a man who is on the run, finding a scarecrow in a field. A rather interesting concept, surprised that Warren didn't use it more often.

Sixth is "The Dragon Prow!" with Richard Bassford (art, his debut) and Steve Skeates (story). The story features a serf who wishes for freedom so he tries to steal a horse and escape, but he is captured and put aboard a boat as a slave. A sea storm causes the ship to crash and he thinks he finally has his freedom only to realize that he died in the crash.

Last is the debut of Gary Kaufman, in "Mad Jack's Girl". The Jack of the title is a gang leader who does a lot of bad deeds. His girlfriend tries to steer him right but can't do it. Eventually she gathers up corpses of his victims then kills him and sets him up in a dinner setting with them.

Vampirella 16

The cover of this issue, by Sanjulian, shows Dracula himself standing over Vampirella. The frontis, "Vampi's Feary Tales: The Gray Women" is by Auraleon (art) and Jan Strnad (story).

Vampi's story for this issue is "And Be a Bride of Chaos" by Jose Gonzalez (art) and Archie Goodwin (story). Vampi and Pendragon are hired to perform for Count Dracula himself, who is holding a meeting of various members of the Cult of Chaos to decide who will be the bride of Chaos and bear his child. While one of the priestesses, Lucretia strongly desires to be the bride, Dracula chooses Vampirella instead and takes her captive. Dracula tells of his origin, about how he is originally from Drakulon and is able to take on the bodies of various people. Conrad Van Helsing arrives and tries to kill Dracula, but the powers given to him by Chaos prevent him from dying. Vampirella arrives however, freed by Lucretia, and rescues Conrad. Chaos takes Dracula's powers away and he crumbles into dust since the stake remains in his heart. Lucretia meanwhile, as a mere mortal crumbles to dust as well upon Chaos's arrival. An enjoyable story that would kick start a recurring role for Dracula in Vampirella's serial over the next half a dozen issues or so.

Second is "Purification", a short 3 page story from Nebot (story & art). A mob captures the apprentice to a witch, a beautiful young woman. They tie her up to a stake and are about to burn her for her actions. Upon seeing her naked however, the mob decides to set her free and ties up the leaders instead.

Third is "Gorilla My Dreams" by Esteban Maroto (art) and Gus St. Anthony (story). A group of hunters come across a beautiful woman the woods being pursued by gorilla beasts. They kill the gorillas and bring her back with her. It ends up however that the gorillas were warning them, as she turns into a giant gorilla-like beast herself who is seeking new prey on the mainland.

Fourth is "Girl on the Red Asteroid" by Bill Dubay (art) and Don Glut (story). A spaceship crashes on a planet and only one man survives. He comes across a giant egg from which a beautiful woman comes out. He falls in love with her, but it soon becomes apparant that she is really only the child version of a much larger creature and she soon grows up into one...

Fifth is "Lover!" by Pat Boyette (story & art). While Boyette is usually an excellent artist and writer, this story was a tad confusing to me. It surrounds a member of the aristocracy who pretends to be a member of the lower class. He is eventually found out and excecuted.

Last is "Cilia" by Felix Mas (art) and Nicola Cuti (story). A pair of men are in a shipwreck, but a beautiful mermaid rescues them. She marries one of the men and is able to turn into a human form, but must remain near the water. A mob finds her however and captures her. The men eventually find her, but being away from the water so long, she has become an old woman. Her lover kills her then carries her off into the sea.

Creepy 37

The cover for this issue, by Ken Barr, features a group of abominable snowmen attacking a pair of climbers. The frontis for this issue is "Creepy's Loathsome Lore: I Was Buried Alive!!" by Tom Sutton.

Up first is "The Cadaver" by Bill Stillwell (art) and Chris Fellner (story). A trio of students work with a professor to bring a dead man back to life with electricity. The dead man reveals himself as a murder victim, and they decide to have the professor kill him. But the dead man ends up killing the professor instead and takes his place at the school.

Next is "King Keller" by Syd Shores (art) and Nicola Cuti (story). The story features a rocket that crashes into a city of yetis, which causes a sound to eminate from it, causing the yetis to kidnap human sacrifices. A man, Keller, is able to stop it, but they refuse to let him leave, fearing it'll come back if he goes.

Third is "I Hate You! I Hate You!", by Mike Royer (art) and Bill Warren (story), a time traveling story about a man who hates his father, kills him, goes back in time and kills him back then, only to end up finding out that he is his own father, which is why his father treated him so bad throughout his life, knowing that he would kill him some day.

Fourth is "Tender Machine 10061" by Ernie Colon (art & story). The story features a man treated like a machine called 10061 who saves a factory's machine by stopping a 'deviant'. But it is only a matter of time before 10061 starts to think for himself due to a note he receives, and he too is considered 'deviant' and is killed.

Next is "Coffin Cure" by Don Brown (art) and Doug Moench (story). This story is about some sort of con where a guy convinces a man to have himself buried alive to avoid being captured by the police. The ending for this story and the art is rather confusing, so to be honest I don't know exactly what happens!

Next up is "The Castle" by Pat Boyette (art & story). The story is about a man who has a party in a castle and tells the guests about the evil baron who used to live there, who was horrifically burned and brought in many women who he blinded so they couldn't see his face. The Baron arrives in the present and takes the eyes of the host.

Last is "The Cut Throat Cat Blues" by Ernie Colon (art) and T. Casey Brennan (story). The story is about an artist who commits murder then later finds himself killed by cartoon characters. The last page, on the inside back cover, is in color.

Eerie 33

Our odd looking cover for this issue is for the interior story Starvisions, both done by Larry Todd. The frontis for this issue is "Eerie's Monster Gallery: The Minotaur" by Clif Jackson.

First up is "A Trip in Time!" by Jack Sparling (art) and Steve Skeates (story). A man creates a time machine, thinking that his appearance in the past will have no impact. And it doesn't, because as he arrives in the past, he and his time machine quickly vanish entirely!

Second is "243 Blank Pages" by George Roussos (art) and Steve Skeates (story). A man finds a book which will cause anyone whose name is written in it then consequently burned to vanish. He does so to an enemy of his, but then becomes paranoid that the police are after him and destroys the book in a fire, having forgotten that he wrote his own name in it!

Next is "Whom the Gods Would Destroy" by Ken Barr (art) and Marvin Wolfman (story). A well written story about a battle consuming all who remain on Earth. It is eventually revealed that our heroes are battling only a hospital with self-defense forces, and soon only two are let, who die as well.

Fourth is "Escape Into Chaos" by Ernie Colon (art) and Steve Skeates (story). Probably the issue's worst story, it is about a man who keeps being plagued by bugs and other monsters, yet forgets about it and encounters the same fate over and over.

The cover story, "Starvisions" by Larry Todd (story & art) is our next one, a bizarre story about a large funnel like creature that appears to be made up of many stones that encounters a few stranded astronauts which it believes are just a figment of its imagination.

"The Pest" is next, by Richard Corben (art) and Al Hewetson (story). A bug killing device is created that uses toxic gas, and causes problems for ill adults or children. Its creator is getting rich off of it and could care less until he turns into a bug himself, well at least thinks he does, and dies of a heart attack.

Last is "The Painting in the Tower" by Pat Boyette (art) and Gardner Fox (story). An evil baron takes an artist's daughter and has his hands cut off when he refuses payment. The girl hangs herself soon after. The baron sees her corpse come back to life and lead him to a part of his castle where the father's chopped off hands paint a picture of him being tortured, and he slowly vanishes as the painting is completed.

Eerie 30

A funny cover for this issue, by Basil Gogos, featuring a stalking mummy being pulled apart by a boy behind him! This issue's frontis is "Eerie's Monster Gallery: BEM!" by Dan Adkins. The art for this story is an obvious swipe from Adkin's mentor, Wally Wood, from the cover of the EC comic Weird Fantasy #27.

First up is "The Entail" by Pat Boyette (story & art). A young man is invited to a town run by a Baron, who offers him eternal life if he becomes a king, working under his influence. The young man refuses since the drink the Baron gave him already gave him eternal life and he has no reason to be loyal to him. The Baron has his minions eat him, and he is turned into a scarecrow! Pat Boyette was a consistently good artist and writer, and this story is no exception to that trend.

Next is "Mirror, Mirror" by Frank Bolle (art) and Nicola Cuti (story). This story stars 'October Weir', a recurring character that appeared in this issue and the next one. It features him solving a case regarding a man who was killed by a demon. His travels bring him and his wife into a mirror to a seperate world where things are backwards. An okay story, but not great.

Third is "Life Species" by Bill Dubay (story & art). This is a very short story about astronauts arriving at a destroyed planet and piecing together a habitant of the planet. It ends up the planet is Earth, but the interesting twist is that put together a car and think it was the dominant species of the planet! Very short, but good story by Dubay.

Next is "I, Werewolf" by Ken Barr (story & art). The story features a man picked up by gypsies who was turned into a werewolf by a vampire. He battles the vampire while he's a werewolf and manages to defeat him. A segment of this story seems highly influenced by Frank Frazetta's cover to issue 7 of Creepy.

"In Close Pursuit" by Jerry Grandenetti (art) and Gordon Matthews (story) is about a man who made a lot of money using cheap material to build a skyscraper and got it blamed on his partner, resulting in him getting off scott free. However he ends up being pursued by someone after getting off a bus and falls to his death while running from him. Only it ends up that the man meant no harm in the first place.

The cover story is "The Return of Amen-Tut!" by Jack Sparling (art) and Don Glut (story). A mummy is excavated and brought into a museum. He comes back to life and seeks to commit murder, but the boy of one of his prospective victims pulls the wrappings off of him, reducing him to dust! Hilarious ending to this story.

Last is "The Creation" by Carlos Garzon (art) and Doug Moench (story). Yet another one of Warren's countless Frankenstein-influenced stories, this one isn't any more original then the others. A doctor seeks to create life, has a hunchbacked minion kill a former assistant, only for the assistant's brain to end up in his creation and kill him. Nothing special here, although the art is nice.

Creepy 35

This issue is a rarity in that its Creepy's only non-ad issue ever. From what I've heard, a competitor of theis was putting out a no ad horror magazine, so Warren decided to do the same thing. Unfortunately the experiment only lasted for a single issue (although 1984 would be no ads in the early days of its existence as well). As a result, this has more stories than any other Creepy issue with new content (I believe some of the all reprint issues may have more). The cover, by Kenneth Smith features a small green creature on a skull.

Our first story is "Tough Customers" by Tom Sutton (art) and R. Michael Rosen (story) about a group of mobsters that hustle a butcher for protection money who always refuses. Each hit man sent to kill him never comes back, so finally the boss himself arrives, and realizes that the butcher has killed all his men and served them to ghouls, which quickly arrive for him as well.

Next is "Legend in Gold" with art by Roger Brand and writing again by Rosen. This story features a pair of men searching for a rock that can turn things into gold. One of the men gets too greedy and touches it, turning himself into gold. Somewhat of a fantasy story which seems out of place with all the horror stuff here.

Third is "Polly Want a Wizard?" by Ernie Colon (art) and Howard Waldrop (story). A man tells the police about what happened to a magician he was working for, Mr. Black. Mr. Black was a talented magician who was teaching our protagonist various tricks, some of which involved the killing of birds. As our protagonist is about to kill a parrot for Mr. Black, demons suddenly arrive while he's working on his magic and kill him. Not a good story, but Colon's art is very nice here.

Fourth is "Army of the Walking Dead!" by Syd Shores (art) and R. Michael Rosen (story, yet again!). In Germany during World War II, a doctor finds a way to bring dead soldiers to life as zombies. The zombies initially result in things turning out quite well for the nazis, but the zombies go out of control and the doctor, the only one who can control them, ends up getting killed. Hitler orders the zombies and anyone who knows about them to be wiped out, erasing the story from the history books.

"Godslayer" is next, with art and story by Bill Stillwell. A swords & sorcery tale with nice art, but a just horribly boring story, as many in this genre were.

"It's Grim" features art by Syd Shores and story by Al Hewetson. A businessman who owns a taxidermy store fears that his business partner and wife are going to kill him. He gets all worked up over his partner's bizarre behavior, only for it to end up that he was simply working on stuffing a puma. Or was he? Uncle Creepy explains in the ending that he actually just coated the puma with a substance that would temporarily freeze it and as soon as it wears off, the puma will kill him. None of this is ever shown though, making this an odd way to finish the story.

Next is "The Druids Curse" by The Ciochetti Brothers (art) and Buddy Saunders (story). Its about a crucified druid who curses the soldiers who killed him, saying that they will all drown. Soon all but one have died from drowning. The last survives a shipwreck and heads to the desert, thinking he's beaten the druid's curse, only to drown in his own blood when he's mortally wounded. Rather odd and unique looking art by the Ciochetti Brothers in their only Warren appearance.

"Gunsmoke Charly" by Alan Weiss (art and story) is our next tale, about a gunfighter who makes a deal with the devil such that he'll never be harmed by a bullet. It works and he becomes a great gunfighter, but eventually is done in by something other than a gun, the heat of the desert.

Last is "Justice!" by Pat Boyette. An accountant whose boss catches him leering at his wife can't resist doing it again, but goes overboard and kills her when she screams. He then kills his boss as well and tries to get away with their dismembered bodies, but is chased by the police. He hides in the sewers but is eventually put on trial for being a ghoul. He tries to prove himself innocent by putting their bodies back together, but isn't that successful.

Creepy 33

TWO issues of Creepy today to make up for the all the recent days I've missed. Pat Boyette handles the cover duties for this issue, featuring his own story, which I'll cover soon. This issue's frontis is "Creepy's Loathsome Lore: Mermaids!" by Tom Sutton.

Up first is "One Too Many!" by William Barry (art) and Buddy Saunders (story). A man leaves a planet killing all of the zoo animals he possesses except for one, which escapes. A year later he comes back with colleagues to retrieve his property, only for the creature who have escaped to have breeded into thousands within the year, which completely overwhelm them.

"Royal Guest" with art and story by Pat Boyette is second. It tells the story of a boy whose grandfather kept a woman locked up in a golden mask. When the grandfather became sick and passed away, the boy brings her food. Years go by and the plague follows him everywhere he goes. Thinking she's actually the Queen, he returns to where the masked woman is, and finds that she had died of the plague long ago and that he was a carrier of the disease and was responsible for spreading it around Europe. Knowing this, he kills himself. Really good story, best of the issue.

"Blue Mum Day" by Reed Crandall (art) and R. Michael Rosen (story) is next. A group of archeologists find an egyptian tomb of a cursed mummy. Inside they also find a glowing meteorite and the mummy, which is an odd blue color. The mummy becomes alive then turns into a blob like creature. While it is trapped in the tomb with the use of dynamite, our heroine ends up turning into a blob like creature as well.

"Dr. Jekyll Was Right" by Tony Williamsune (art) and Bill Warren (story) is our next story. It features a descendent of Dr. Jekyll who pays scientists to create a formula that will bring out the good Mr. Hyde in people. While the formula works, one of the scientists kills him after he uses it. Didn't get that ending.

"I'm Only In It For the Money" by Juan Lopez Ramon (art) and Al Hewetson (story) is fifth, featuring a tv host who travels to see a voodoo tribe. Although they initially let him video tape them, they eventually chop off his head and shrink it.

"The Full Service" by Jack Sparling (art) and Nicola Cuti (story) is next. A man mourning the death of his wife in a car crash is given the opportunity to bring her back to life by the funeral home. He is brought back in time and is given the opportunity to save her. A rare Warren story with a happy ending.

This issue wraps up with "Boxed In" with art and story by Tom Sutton. A boy playing with friends is forced to play a corpse and is buried alive. When adults come, his friends are forced to run off without rescuing him. One of the friends sees the coffin crushed and then sees the boy's ghost. While it ended up being a joke, he ends up trapped in a refridgerator that falls into a body of water, such that he is essentially buried alive.

Overall, a so-so issue. Boyette's story is terrific, and Sutton and Rosen's stories are okay. Nothing particularly special from the remaining stories.

Eerie 28

Up today is Eerie #28. It features a cover by Pat Boyette, one of only two covers he did for Warren (the other being Creepy #33, which came out right around the same time as this issue). the frontis is "Eerie's Monster Gallery: Saucerians!" with art and story by Tom Sutton.

Up first is "The Hidden Evils!" by Dan Adkins (art) and James Haggenmiller (story). The son of a mayor is possessed by an evil demon. The church attempts to stop him to no avail. A mysterious man named Astan arrives and says he'll be able to stop him. Through an exorcism he is able to get rid of the demon from his body. The demon swears revenge until Astan reveals that he is Satan himself, upset that the demon didn't go after a bigger target like the mayor himself.

Second is "The Beast in the Swamp" by Billy Graham (art) and Bill Warren (story). This rather dull story is about a barbarian and the various creatures he encounters. He eventually kills a 'monster' that ends up being an astronaut from Earth. Nothing all that interesting here.

"The Rescue Party" is third, with art by Jack Sparling and story by Buddy Saunders. An owner of a mine repeatedly puts little effort in saving the lives of those trapped in mine cave-ins, not wanting to spend too much money. When he is trapped in a cave in he finds a group trying to dig him out... the corpses of those killed before! Sparling's art seems somewhat better than usual here.

"Follow Apollo" with art by Tom Sutton and story by R. Michael Rosen is the 'true' story about what happened during the first moon landing, where one of the astronauts apparantly passes away after his spacesuit is torn apart on the moon's surface. During quarantine back on Earth the truth is revealed, germs from the moon infected him and take over the other astronauts. When the astronauts are released from quarantine a few weeks later, they're ready to infect the entire planet.

"Ice Scream" with art by Bill Dubay and story by R. Michael Rosen is up next. This story is about the dissappearance of multiple bodies from the cryogenics section of the hospital. No one is able to solve the mystery, and even the Director falls victim when he suffers from a blood clot that forces him to go under cryogenics as well. It ends up that the janitor, a ghoul, has been stealing the bodies to feed his ghoul body.

Sixth is "Pit of Evil" by Dick Piscopo (art) and Al Hewetson (story). This story features a boxer who is transported to a mysterious dimension where he must fight a large humanoid creature, with the prize being a planet for a whole year as a reward. This story isn't very interesting at all, and Piscopo's art is hardly too good.

Last is the cover story, "The Last Train to Orion!" with both art and story by Pat Boyette. In the far future the young of society have taken control and either kill the old or force them to cover themselves with masks. They travel from planet to planet finding more space to live. Suddenly, an atomic mass arrives and wipes all of them out. It ends up that they, and all of humanity were just germs within the body of a giant hideous alien. A pretty good story, although it goes a number of different directions for such a short story. Probably this issue's best.

Overall, not that impressive an issue; then again few from this period of time were.

Creepy 18

For my second Creepy review, I'm going to tackle issue 18, the first issue of Creepy to come out in the what is generally called the dark age of Warren. After 17 issues of Creepy (and 11 of Eerie), Warren hit some financial difficulty, and as a result editor Archie Goodwin resigned and all the artists except for Tom Sutton and Rocco Mastroserio departed as well. Not only were the issues reduced to far lower quality artists and writers, but reprints started populating the magazines like mad. At the very least, Creepy was lucky in that no issues were all reprint, although some Eerie ones during this time were.

The cover is by Vic Prezio and is of a sea monster attacking a couple on a raft. The frontis for this issue is "Creepy's Loathsome Lore!" which was a continuing feature included on all of the early Creepy issues. This particular one was written by Goodwin, and had art by Roy Krenkel. It was a reprint from issue 9.

Our first story is "Mountain of the Monster Gods" by Roger Brand (artist) and Ron White (writer). The story is about a pair of brothers who climb the mountain named in the title. One of the brother kills the other, only for him to come back from the dead and seek his revenge. Not a bad story although Brand's art is very simple and compared to the excellent artists who were mainstays at Creepy just an issue before, it just isn't on the same level. Brand's ex-wife Michelle would later join Warren herself as a colorer in the mid 1970's.

Next up is "The Rescue of the Morning Maid", the story's best issue. The art is by Rocco Mastroserio and Pat Boyette (who was uncredited) and the story was by Raymond Marais. The story surrounds a monster who finds a sorceress and a young girl who is kept captive by her. The monster is able to kill the sorceress only for the young girl to crumble to dust, having actually been much older and just trapped in the form of a young girl. Very good story, its unfortunate that Marais didn't do more work for Warren.

"Act Three" is written and drawn by Johnny Craig and is about an actress whose husband has turned into a werewolf. The two of them are able to get a doctor to create a cure, but when he injects both of them with the serum, the actress turns into a werewolf herself. Craig was my personal favorite of the EC artists and his Warren work was quite good as well. Unfortunately he would depart Warren for good after only a couple of more stories after this one.

The next story, "Footsteps of Frankenstein" is a reprint from Eerie #2. It is drawn by Reed Crandall and written by Archie Goodwin. The story is about a mad scientist who has created a Frankenstein monster and gets an old collegue to transplant his brain into the creature's body. Just as he's about to wreak havok on the villagers however, he is struck by lightning and is killed. Very good story by Goodwin and great Crandall art, although it is a reprint.

Last is "Out of Her Head!" by Jack Sparling (artist), in his first Warren story, and Clark Dimond & Terry Bisson (writers). The rather poor story surrounds a haunted mansion where a headless ghost seeks a head from someone else's body. Not that much special here.

Considering the era its from, this actually isn't that bad an issue. Unfortunately things would go quite downhill even further from here.