Nightmare #23

With this we have hit the final issue of Nightmare, issue 23, and also identified as the 1975 Nightmare Winter Special. It is cover dated February 1975 and has a cover by Vicente Segrelles.

Gene Day draws the one page frontispiece, advertising the next issue of Psycho.

Our first story is the latest in the Human Gargoyles series, "The Human Gargoyles vs. the Human Dead" by Al Hewetson (story) and Maelo Cintron (art). This issue also includes a one page summary of the series and a Vicente Segrelles promo cover of a future Gargoyles special which was never published. Edward and Mina are now in their castle, talking about their son Andrew's schooling. Meanwhile, outside, Satan plans his next move. Edward has publicized his battles with Satan, but Satan wants humanity to stop believing in him so they can't reject him. But for now, rather than focus on that, he decides to revive a number of corpses from the dead and send them to attack the castle. Edward makes quick work of them but then he and Mina find their son has been kidnapped. With the end of Skywald coming soon, this would be the last story in the Human Gargoyles series and is mediocre as the rest. In fact it is largely pointless and a retread beyond perhaps some of Satan's scheming which will never come to pass due to the end of the series. The kidnapping of Andrew is something that this series has already done before and seems to be used largely just to give the story a cliffhanger. Once my coverage of individual Skywald issues is over, I'll do a post or two speaking to the company's main series and will offer some final thoughts on this one at that point.

"Tradition of the Wolf"

The second story is "Tradition of the Wolf" by Ed Fedory (story) and Jesus Martin Sauri (art). A blacksmith and his son work in their shop and the father tells him he is going to go out tonight, the night of the full moon, in order to hunt a werewolf. The werewolf indeed appears and slays one of the men in his party. One of the men believes he has found the werewolf and fires, only to realize he shot one of his colleagues, the blacksmith. The father tells his son something behind closed doors, and dies. The son continues his father's work as a blacksmith and heads out to hunt the werewolf on his own. But he is not really hunting him, but in fact has become a werewolf himself! While the story itself is nothing special, Sauri's artwork continues to be quite amazing. That said, probably more so than any other story of his, the numerous swipes he is making from other artists is quite noticeable. In particular the stories "Werewolf by Frank Frazetta in Creepy #1 and "A Most Private Terror" by Esteban Maroto in Creepy #52.

Third is "Death Walk" with story by Ed Fedory and art by Jose Cardona (credited to Andy  Crandon). At the funeral for a young girl, a doctor who is said to have drained her blood is told off. A gnome approaches him, wanting to buy the blood he has drained, but the doctor claims he is a phlebotomist and is doing this to research blood disease. He refuses, and the gnome claims he will still get the blood. That night, the gnome's master, the vampire Baron Korlok arrives at the doctor's home and senses that he has seen him somewhere before. The doctor shows no fear and instead uses a stake rigged up behind a canvas to slay the Baron. The doctor transforms, revealing him to be the king of death, which is why the vampire had recognized him. I was expecting a more ingenious way to slay the vampire (what if he missed?) but at least the end reveal of the doctor's true nature somewhat makes up for it.

"Death Walk"

Next is "Time for Living, Time for Dying", a brief text feature by Al Hewetson with a page of art by Gene Day.

Fourth story is "The Vampire Freaks" by Al Hewetson (story, credited as William Davie) and Paul Pueyo (art, credited as Stan Connerty). A group of freaks, about to be let go by a circus try to determine a new business to form and decide on a cruise ship, the Good Ship Fortune. Suddenly someone is found dead, bitten by a vampire. There is a lot of blame tossed around, in particular at the freaks and a smaller one in particular, Tony, who dies when the boat hits the shore. One of the little kids on board reveals that the victim actually died of a heart attack and was bit by a water rat. The freaks decide to continue their cruise and tell someone to get off their boat, although the final panel is so small we can't tell who. This is a bit of a mess of a story, with some rather weak or confusing art by Pueyo as well. I can't figure out for the life of me how Tony died or why it was a little kid who figured things out.

Fifth is The "Thing in the Ragged Mountains" by Al Hewetson (story, credited as Ted Freeman) and Amador Garcia (art, credited as Walter Fortiss). A trio of men hunting in the West Virginia mountains come across a Bigfoot-like creature. One of them shoots at it but it has no effect and the Bigfoot kills him. The other two wait in a cave but one of them swears revenge and fires right into the head of the Bigfoot, to no effect. One of the men tries to flee, but trips over a rock and is come upon by the best. It then heads towards the cave where the last one is. It suddenly turns around though. Shots fire out and the last survivor, Ted, finds a rescue party outside. It is the sheriff and some deputies come to arrest him for shooting his colleagues. There is no trace of the creature and his colleagues were killed by bullets. Ted is put into an insane asylum, with this story as his defense, which the writers claim was provided to them. He believes the creature shot the men in order to frame him! While Garcia's art is average at best, I enjoyed this story quite a lot for its uniqueness.

"The Thing in the Ragged Mountains"

Sixth is "Fistful of Flesh" by Al Hewetson (story, credited as Leslie Jerome) and Folsengo Cabrerizo (art, credited as Denis Ford). A movie shoots a scene featuring a vampire biting a young woman in an old town in Arizona. Later, when shooting a scene about a mob forming to slay the vampire they realize the actor playing the sheriff is dead, slain as if it was by a vampire. A detective has five suspects, those actors who weren't necessary for the day, but the one playing the vampire is the chief suspect. We then cut to a courtroom, where the vampire actor's defense attorney claims his client was on Malibu beach and the stuntman is the real killer. The attorney claims the stuntman is a vampire himself and was worried that he would be found out when he went under the makeup chair. He pulls open the curtains, letting the sunlight in and it kills the stuntman, who really is a vampire. This story is over rather abruptly and surprises me in that there really wasn't a twist at the end.

We wrap up with "Snakewizard!" by Augustine Funnell (story) and Jose Cardona (art, credited to Andy Crandon). Two men, Murray and Lee, travel through the jungle in search of gold, stealing from an innkeeper along the way. Lee is soon attacked and bitten by a snake, which escapes into the jungle. Soon a native comes out, claiming he can help and sucks out the poison. The native claims the snake was his pet and he is a snake wizard. They demand he lead them to the temple of the snake and he does so, at gunpoint. They are soon brought there and find a tremendous amount of gold. But the snake wizard claims they are trespassers and must be dealt with. He turns into a snake and bites them, causing them to turn into gold. The snake wizard being the snake was incredibly obvious to me from the outset, but kudos to Funnell for adding in the gold element which at least provided slightly more interest to the ending.

Nightmare 1974 Yearbook

Vicente Segrelles provides the cover for this special issue of Nightmare. For the first time since all the way back with Nightmare 2, a Skywald issue is dominated by reprints. Only the first story is new. The reprints are predominantly from early in Skywald's run, and primarily by American artists, making this issue quite a contrast to those around it.

First is "The God of the Dead" by Al Hewetson (story) and Jose Martin Sauri (art, credited as Bob Martin). While not labeled as such, this story is part of the Dracula series. His castle destroyed, Dracula swears to teach the nearby peasants a lesson by making their daughters vampires and having them kill their parents. Dracula starts biting the neck of various women, turning them into vampires. He is confronted by a man, but has his daughter, whom he has turned into a vampire, kill him. Eventually he is confronted by a boy with a small cross and finds that it is deadly, killing him. It looks like this story will conclude the Dracula series, with a rather predictable ending. The highlight of this story is easily the art; Sauri's style is really similar to that of Esteban Maroto, one of my favorite Warren artists. It will be a blast seeing the remaining Skywald stories he has for that reason.

"The God of the Dead"

Next is "A Rottin Deal" by Bruce Jones (story and art), using the pseudonym Philip Roland. This story was originally from Nightmare #3. A young man named Peter travels with his uncle Felix, seeking an old mine around five days away. As they travel through the desert wasteland, devoid of water, Peter decides to kill his uncle and take his canteen. He travels from oasis to oasis but finds that Felix's corpse is following him, beating him to the water, contaminating it. Peter rushes ahead of the corpse, making it to the next oasis in time to drink some water. However he soon finds that his uncle had leprosy, and having uses his canteen, he now has it too! Jones' story and art here is quite strong, making this the best reprint story of the issue.

Third story is "Let the Dreamer Beware" by Jerry Siegel (story) and Ralph Reese (art). This story is originally from Psycho #5. Alex's wife Florence makes his life absolute hell and refuses a divorce. Alex dreams of being in another realm filled with beautiful people. One of them, Dileeth, says she loves him, but he is suddenly whisked back to reality. Dileeth tells Alex he can return by killing his wife, so he poisons her with rat poison. Upon falling asleep he is back in the realm, but now the facade is gone and all the beautiful people are now demons, including Dileeth! Alex wakes and tries his hardest to not fall asleep, even after being arrested and brought to jail for Florence's murder. Eventually he does fall asleep and the demons throw him in acid, which also affects his body in the real world.

"A Rotttin "Deal"

Next is "Escape" by Dennis Fujitake (story and art) from Psycho #4. This is a brief 2 page story. The evil Baron Renphrew is captured and chained to a wall in a dungeon. He plans on getting away by having men he paid for dig him out. They are able to dig into the dungeon, but break their way through a stone above the Baron's head, which crushes him! A brief, fun story. Fujitake's art reminds me a lot of Jeff Jones.

Next is "Whence Stalks the Werewolf" from Nightmare #5 by Len Brown (story) and Carlos Garzon (art). Dr. Allan Bund has found a way to transport is patient's consciousness to the past. Using this ability, he has him go back further in time, including military battles and even a werewolf appearance! His colleague Dr. Tracy wants this to stop and leaves to get the police. However once he has come back, we find the patient has turned into a werewolf for real and goes on a rampage! Garzon provides some good art here, reminding me somewhat of Eugene Colan, but I didn't particularly care for the story, not its predictable ending.

"Hag of the Blood Basket!"

Next is "Power of the Pen" from Psycho #5, by Doug Moench (story) and Doug Wildley (art). The author Jeff Dennings is working on a new book, having already written a few characters. Having named his lead after his friend George, Jeff is shocked to find that what he writes actually happens to George in real life! George is sent to the hospital, having been struck by a car and is investigating a drug ring under cover, but Jeff decides to write things such that he forgets about it and change the name of his character to someone else. He then smashes his typewriter, thinking it is responsible for this. Jeff soon realizes he named a character in another story of his after his friend Sandy. He goes to her apartment, to find herself trapped in a mirror, and gets trapped there himself, much like in his story.

Last is "Hag of the Blood Basket"!" by Al Hewetson (story) and Tom Sutton (art, credited by Sean Todd). This story was originally published in Nightmare #4. The Hag of the title appears visually inspired by the Old Witch, one of the 3 hosts from EC's 1950s horror comics. Sutton was obviously a fan, and would eventually do a story for Warren that was a tribute to Graham Ingels, the artist primarily responsible for drawing her. Anyway, this lengthy story (16 pages!) tells the journey of the Hag of the title as she is initially executed during the french revolution, with her head chopped off in the guillotine. We witness her lengthy journey into hell, the various creatures and monsters she encounters there and her desire to escape, only for the story to end with her headless body being chained up in an insane asylum. This story didn't always make the most sense, but the journey was worth it, and Sutton does a great job with the art work.

Psycho #15

Vicente Segrelles provides the cover for this issue of Psycho, cover dated November 1973.The cover identifies this as an all ghoul issue, although the cover is a man turning into a werewolf! In fact, not all stories are ghoul related, although most are.

The frontispiece for this issue is "How to Make a Mummy" by Al Hewetson (story) and Maelo Cintron (art). It features what else, but directions on how to make a Mummy.

We kick the issue off with "The 13 Dead Things" by Al Hewetson (story) and Jesus Duran (art). This story was originally intended for issue 13, and was the cover feature for that issue, but due to a delay in the artwork wasn't published until now. It was certainly worth the wait! This is the most over the top, hilarious Skywald story yet. In the 1600s, the Count of Monte Godo lays chained in the black cells of an asylum, with rats for company. When an old man in the fellow cell dies, our protagonist gets an idea, about how he can fake his death and escape the asylum when they toss a sack with his "dead" body into the moat outside. He imagines how he will get his revenge on the 13 who wronged him. We are treated to panel after panel, for three full pages of our protagonist brutally murdering people one after another. He strangles his wife and her lover. He stabs people through the chest, he cuts their heads off. He bashes a banker's head in, he shoves a knife through the head of his lawyer, he smashes a judge in the face with an ax, on and on, and collects everyone's heads to feed to the rats in the cells. Our protagonist then realizes the downside of his plan, what if the sack is tied too tight, and he drowns? He swears that won't stop him though, and we once again are treated to panel after panel, page after page as our protagonist, now a rotting corpse, brutally slaughters the 13 people all over again. Back in reality, our protagonist decides to set his plan in motion and play dead. But when he realizes he can't move, he discovers that most of his body has been consumed by the rats! This story is such a perfect representation of the Skywald style. There's not much of a plot to this story, but wow, across 12 pages we are treated to about as much over the top mayhem one can possibly get in a short story. Just when you think page after page of our protagonist brutally murdering people is as ridiculous as you can get, we go through it all over again, even more ridiculously as his corpse does it! This was such a blast to read, the best Skywald story thus far.

"The 13 Dead Things"

Second is "When the Bad Moon Rises... I Am a Ghoul!" by Rodion Eis (story) and Maro Nava (story). Got no idea who Rodion Eis is; it wouldn't surprise me if its one of Skywald's usual authors under a pseudonym. This story features a couple of newlyweds, Peter and Tina who are on their honeymoon. When Peter gets asked by his employer to take photos of the Andes for a travel feature, they decide to go ahead with it and hire a bush pilot, Stein. Stein is a drunk and due to the plane's battery being dead they are forced to touch down in the Andes, then travel through them, making their way into the mountains where they are attacked by ghoul bats. Eventually Stein is killed and Tina reveals that she is a ghoul herself, desiring to eat his body. Nava's style here is drastically different than that which he used in his prior story, where he looked a lot like Jerry Grandenetti. None of that here. Also the art style is really grimy and dark throughout, at times making it hard to read.

Third is "The Ghoul" by Al Hewetson (story) and Ferran Sostres (art). The passenger ship S.S. Captain Cook makes a trip across the Atlantic. One of its passengers is killed by a beastly ghoul. The passengers of the ship start questioning the captain, even offering their own thoughts on what it could be (a werewolf, a homicidal maniac, a vampire, etc...). The captain is hesitant to believe any of them and soon there are more victims. Because they can't find the killer, the captain believes it must be one of them doing it and orders everyone to stay in their cabins. Eventually though we realize why they couldn't find the killer, the ghouls have actually been coming aboard through nearby icebergs! Soon a group of them jump on board and kill everyone on the ship.

"When the Bad Moon Rises... I Am a Ghoul!"

Fourth is "The House of Demons" by Chic Stone (story) and Amador Garcia (art). Vincent and his wife Melanie go to visit his dying uncle Sinclair. There they meet his nurse, Christine and she leads them up to him. Sinclair tells off Vincent, saying he knows he is here because he is dying and has been foolhardy since his parents died. He nonetheless lets them stay the night. Behind closed doors Vincent and Melanie fight with one another. Meanwhile a stranger watches them, then Christine, as she goes to the basement to feast on something. A scream emits out, waking Vincent, who heads downstairs and starts coming onto Christine. She tells him of a ghoul, a being with a rare disease which eats away at its cells unless it consumes new flesh, which will in turn make it younger and more powerful. Just then we realize that both Sinclair and Christine are ghouls, and Sinclair has been able to restore his youth by eating a local visitor. Vince is killed, but Melanie and the stranger come upon them. The stranger says by shattering the reflection of a ghoul he can kill them and he does so, causing both Sinclair and Christine to age to death. The stranger reveals himself to be Sinclair's son, but then reveals that he is a ghoul as well and strangles Melanie. This story is a bit over complicated and it is hard to tell the male characters apart because they look so much alike (granted, they are related).

"The House of Demons"

Fifth is "Ghouls Walk Among Us" by Augustine Funnell (story) and Ferran Sostres (art). A trio of ghouls kills a man in a graveyard. The next day the police, Bill and Carl, find the body. They report to the police chief who refuses to believe anything supernatural is going on and thinks it is just a clever insane man. The ghouls continue to find victims, including Bill and Carl. As the story ends we find that the police chief was one of the ghouls and has been wearing a mask. Sostres' art is fairly strong here, helping make up for a story which is only so-so.

Sixth is "The Town That Crumbled" by Al Hewetson (story) and Jesus Suso Rego (art). This one pager talks about corrupt, dead places on Earth, such as a ghost corpse in the wild west and a corpse in Atlantis, underneath the ocean depths.

Seventh is "I Laugh the Laugh of the Graceful Dead!" by Al Hewetson (story) and Felipe Dela Rosa (art). Suzette is a ballerina dancer, jealous of her rival Monique who gets all the accolades. She kills Monique by stabbing her with a knife then hides her body in a coffin. When Monique fails to show for a dance, Suzette is able to take her place as she had hoped. Yet suddenly Monique appears on the stage with her and gets everyone's applause. After it is over Suzette chases after Monique, finding her in the coffin where she left her. Monique rises from the coffin and strangles her, telling her she can't kill someone who is already dead. I'm not used to seeing a Dela Rosa story with predominantly female characters. There's no indication that Monique is a ghoul, she just as easily could be a vampire or a body risen from the dead.

"I Laugh the Laugh of the Graceful Dead!"

The issue concludes with a one page advertisement for Scream, featuring some strong art from Zesar Lopez.

Scream #1

Today we see the premiere of Scream, Skywald's third horror magazine. With this issue Al Hewetson announces the start of phase 3 of the Horror Mood, focusing on the types of stories that the readership has claimed it wants. The cover is by Vicente Segrelles and it is dated August 1973. Overall this is a fairly strong issue to kick off this title.

First is "I, Slime" by Al Hewetson (story) and Jose Gual (art). An old man whose legs were shot off in the war works as a mailman, delivering mail to various places in the town including the local lunatic asylum. One day when he heads there he finds the woman who usually tends to him hanging upside down from the ceiling, with her throat ripped out. The lunatics have taken over and they grab a hold of him. They bring him to the top of a tower in the Asylum and drop him, and he splatters on the ground, dead. His remains are gathered and buried. But soon his remains, now just slime, make their way up out of the ground and to the Asylum, sealing the doors until the lunatics starve to death. This was a pretty good story including some real life photos used in the artwork. Although there is an easy work around for the ending, they could have simply knocked the doors down.

Second is "Weird Count, Black Vampire Bats and Lunatic Horrors" by Al Hewetson (story). Richard Arndt's "Horror Comics in Black and White" claims this story is drawn by Felipe Dela Rosa, but it looks much more like Fernando Rubio to me. This isn't a traditional story, but rather gets into superstitions, myths and realities about vampires, getting into facts about Transylvania, Vlad the Impaler and other matters.

Craziness in the premiere of the "Nosferatu" series

Third is "This Archaic Breeding Ground..." by Al Hewetson (story) and Jose Gual (art). This story appears to be part of the Shoggoths series, although again appears to be more of a self-contained story rather than including characters from the prior stories. This story features a crew of men on a boat who head to Antarctica, using the book Necronomicon as a guide, and find an abandoned city. Continuing further on, they find a space craft and the beastly Shoggoths, as well as many human women with whom they have bred with. The captain of the group is horrified to find the Shoggoths have killed all his men and he flees back to his ship where the Shoggoths wait for him. Hewetson does a really effective job here writing an original story that really comes off like a Lovecraft story. Not just the plot itself, but the prose is very much like that you'd get from Lovecraft. Great job.

Fourth is "...Hickory Dickory Dock..." by Al Hewetson (story) and Ferran Sostres (art). Anthony Capelli is a young man who has lived in a mental institution since stabbing his Satan worshiping mother as a young boy. The day has finally come for the doctors to let him go. Anthony eventually comes across a screening of Dracula starring Bela Lugosi and becomes enraptured upon seeing a scene where Dracula proclaims himself unable to be harmed by fire. Incidentally enough the movie theater burns down, but Anthony makes it out okay. He makes his way to a costume shop and dresses up as Dracula, then bites the neck of the woman tending to him! He flees, making his way to a funeral home and continuing to think he is Dracula, lies down in a coffin. But the coffin is for a man slated to be cremated. As the story ends we can clearly see that Anthony is not Dracula as he is burned alive! This was a pretty good story with some good art and a hilarious ending. It is clear that the doctors never should have let him out of the asylum!

Next is the two page "Dracula" by Al Hewetson (story) and Domingo Gomez (art). This appears to be another part of the Scream Scene series and is a brief scene from Dracula.

"The Comics Macabre"

Fifth is the premiere of the Nosferatu series with "Where Lunatics Live" by Al Hewetson (story) and Zesar Lopez (art). The titular Nosferatu summons various evil men to his castle, all of whom wear masks of various animals. Eventually one comes before them without a mask, Dracula himself. We go back in time to see Dracula's story and hear of how he was killed and his body beheaded. Followers of him are able to find his body and it resurrects, without a head! They then seek out his head and are able to find it, hidden away by the church. But it is soon revealed that they have been tricked and it is an ape's head! From there the narrative returns to Nosferatu and the group and the story ends. This is a pretty macabre story with some great art by Zesar. I wonder if this series will be more anthology in nature with each of the attendees telling their story.

Sixth is "The Tale of the Perfect Crime" by Al Hewetson (story). Again, Richard Arndt credits in his book appear off this as he has this being drawn by Fernando Rubio but it is clearly Felipe Dela Rosa (perhaps he mistakenly swapped stories in his book). A man plots to kill his annoying wife. One night he grabs her and forces her to consume poison until she dies. He then puts her in his bathtub and pours acid over her until her body dissolves. He laughs maniacally as the story ends and the narrator tells us someone has pulled the plug on his brain. An example of a story without much of a plot but is rather focused more so on concept and mood.

The one page "Scream" closer

Seventh is "The Comics Macabre" by Al Hewetson (story) and Maelo Cintron (art). Frederick Werthem, writer of Seduction of the Innocent, which contributed to the Comics Code authority, along with authority president Leonard Darvin have come to the offices of Skywald. They are quite angry at the fact that their attempts to destroy horror comics, which was effective for so many years, is now being worked around by Skywald with its horror magazines. They meet with Hewetson himself, who refuses to stop making horror magazines, so they kill him with an ax. Just then, all sorts of monsters, including Dracula, a werewolf, Frankenstein's monster and original Skywald monsters like the Slither Slime Man and The Heap come out of the comics and attack the two men, killing them. This story is quite fun to read and includes several self-references to Skywald stories in this issue like "I, Slime" and "The Strange Painting of Jay Crumb", as well as a classic EC horror story, "Indisposed". In addition to the characters listed above it also features cameos from artist Maelo Cintron, Skywald publisher Herschel Waldman and writer Jane Lynch.

Eight is "The Strange Painting of Jay Crumb" by Al Hewetson (story) and Zesar Lopez (art). A group of critics decide upon the award for Best Illustrator. One such man is hesitant to give it to Jay Crumb, the one favored by the others and leaves. On the way back home he actually stops by Crumb's home and calling him a phony, decides to head inside. There he finds many horrific and monstrous paintings from Crumb, who start coming to life! As the story ends Crumb shows off his new painting, featuring said events. This story features references to artist Dela Rosa and well as Josep Toutain (called Jerry here), the head of Seleccionnes Illustrada.

The issue concludes with the one page "Scream" as drawn by Zesar Lopez and features what else, but a woman screaming.

Nightmare #13

Today I am covering Nightmare issue 13, cover dated June 1973. The cover is by Vicente Segrelles, and was also used as the cover for Richard Arndt's Horror Comics in Black and White book.

We first have the one page frontispiece "The Corpse Feast!" by Ed Fedory (story) and Juez Xirinius (art). It features a military sergeant who goes into the graveyard to feast on a corpse.

First story is "At Mind's Edge" by Ed Fedory (story) and Jesus Duran (art). A man returns to his apartment to find a hooded figure there. The hooded figure says he is a messenger of peace and upon massaging his forehead our protagonist descends into a dream like world, including one where he is thrown off a cliff, and into a weird portal. The hooded figure reveals himself to actually be the Lord of Insanity and our protagonist is eventually found dead in a sewer drainage pipe. Duran's art looks a bit like Adolfo Abellan's here (and I recall Abellan having a Warren story with a similar looking hooded man). The actual plot is a massively confusing mess.

Next is "Curse of the Werewolf", a one page feature from Ed Fedory (story) and Xavier Villanova (art). Three panels tell about three different werewolf attacks.

Jesus Duran's art here reminds me of Adolfo Abellan

Second story is "...Die Little Spider!" by Al Hewetson (story) and Fernando Rubio (art). A housewife kills some spiders with a knife, and when her husband comes home he reveals he's going to kill her! He bounds and gags her, and puts her in a giant translucent jar, then dumps a number of spiders on her. The spiders consumer her body and he eventually moves the jar to the basement. After fully consuming her, the spiders go hungry and make themselves out of the jar, killing the husband too.After consuming his body they bring his remaining bones to be put in the same jar as his wife.

Next is "The Mad Nightmare World of H.P. Lovecraft", a two page feature from Al Hewetson (story) and Felipe Dela Rosa (art). Actually just one giant panel, this shows Lovecraft sleeping and lots of bizarre visions from his dreams.

Third full length story is "...Only the Wretched Die Young..." by Al Hewetson (story, uncredited) and Ricardo Villamonte (art). Many centuries ago, Charles seeks to take his brother Doug's wife Brenda and kill him and his son, Jamie. When Doug and Jamie go to an island to fish and hunt, a monster attacks and kills Doug, and then enters into Jamie. Jamie eventually returns to get revenge, but oddly enough the story has moved into the present time. Charles tries to throw him off a skyscraper, but the monster's tentacles save him, then presumably kill Charles and Brenda. Villamonte's art is at times good, at times bad, while again the script is considerably confusing.

"Only the Wretched Die Young"

Next up is "The Corpse" by Al Hewetson (story, credited to Howie Anderson) and Francisco Cueto (art). Siegfried is a young man in East Germany and after his lover Anna dies, he works in a graveyard and saves money, seeking to escape, by using cheap material for graves and also killing people to bring in more business. He is eventually found out for his theft of castle material, tries to escape from prison but is killed, then his corpse rises from the dead. He returns to the graveyard where Anna is buried, and the corpses of those he killed also rise. They can't kill him as he's already dead, so they get the corpse of Victor Frankenstein, causing him to become a living corpse! Cueto's art is rather mediocre, but I do like how ridiculous the story gets towards the end.

Following that is "Frankenstein 1973" by Al Hewetson (story, credited as Earle Leroy) and Xavier Villanova (art). This story is a continuation of the long since paused Frankenstein Book II series. Where we last left things off, Frankenstein's Monster and the young woman Lilith got transported far away after an experiment gone bad. They find themselves in the year 1973 and meet a group of rotting corpses that were Nazis when they were alive. The Nazi corpses plan to conquer the world and desire Frankenstein to joint them, but he refuses and destroys all but the leader of them. The leader then gets in a plane and fires at them, killing Lilith before crashing. Frankenstein's head starts spinning and he finds himself transported yet again as the story ends. After this brief return, this series goes on yet another hiatus.

Pretty good splash page for the Gargoyles story

Our issue concludes with the latest story in the Gargoyles series, "Only the Strong Shall Survive" by Al Hewetson (story) and Maelo Cintron (art). The gargoyles, Edward and Mina, with their child Andrew make their way to America as illegal immigrants and get off in Manhattan. At first they steal food to survive, but come across a dwarf who brings them to a place he called The Village where they can stay. Yet when they arrive they find it is the Satanists cult once again, who seize them and Edward fights and kills a giant monster. They are taken and brought before a judge, but rather than deport them, he permits them to stay as long as they prove to be a contribution to society. This series is already starting to get old to me as the Satanists cult shows up as the villains for the third straight story. Hopefully we go in another direction next time.

Nightmare #12

Today I cover Nightmare 12, cover dated April 1973 and featuring a cover by Vicente Segrelles.

First is "Nightmare in the House of Poe" by Al Hewetson (story) and Ferran Sostres (art). Rodney Serle is staying in New Orleans yet finds the partying there out of control. He goes to stay at a local rooming house only to find some small humanoid monsters grabbing him out of his bed and forcing him down some creepy stairways then into another party. Rodney awakens, revealing it to be a dream, but strange things continue to happen to him over and over again as he continues to experience bizarre dreams that come to life. This lengthy story at 15 pages is quite surrealistic and features some strong art by Sostres. It reminds me a lot of the type of stories we'd see from Jose Bea at Warren, such as the "Picture of Death" which also featured a man in a rooming house/inn who gets seized by strange monsters.

Next is "Premature Burial" by Al Hewetson (story) and Juez Xirinius (art). With the last story being named after Edgar Allen Poe, this story is an actual Poe adaption, the first we have seen in Skywald (but not the last by a long shot as it will get quite common eventually). The first few pages of the story tell us of various situations where people were mistakenly buried alive or thought dead but really weren't. Our protagonist is afraid of this happening to him and arranges several ways for him to escape his coffin such as a bell and a way out of the coffin should he be declared dead. Yet when he strikes his head while on a boat, he awakens horrified to find himself in a coffin on said boat, and not his specially made one. After calling out people realize he's alive, although the final panel reveals that he was never in a coffin after all, just a tight bunk bed. A fairly good story here (this is a Poe story I'm not too familiar with so I don't know how faithful it is) and some excellent art from Xirinius.

Things get weird in "Nightmare in the House of Poe"

Third is "Kiss of the Vampires" by Chic Stone (story & art). Chic Stone hadn't done a story for Skywald in a while, having been pushed out by the Selecciones Illustrada artists and I suspect this was an inventory story held onto for a while before publication. Our story begins with Marisa, Priestess of the Undead chopping off the head of a man so she and her followers can drink his blood. The narrative then switches to Philip and Thatcher, a pair of men that have come to the town. Thatcher actually specializes in killing vampires and was called to the town to help with the recent incidents. Meanwhile Philip meets Marissa, not realizing she is a vampire and becomes her latest victim. Thatcher, after slaying a vampire himself is able to find the tomb where Marisa's followers sleep, slaying each of them with a stake. Marisa then arrives and she tries to possess him with her beauty, then stabs him with his own stake. She walks into a bear trap however and when the sun rises it kills her. Story-wise nothing too outstanding here but it was good to see Stone doing another story.

Next is "I am Dead: I Am Buried!" by Al Hewetson (story) and Xavier Villanova (art). Prisoner Ed Warton travels through the swamps in Arkansas but is captured, then is whipped and thrown in a pit as an example to the other prisoners. To the guard's surprise, he dies. Warton's corpse rises from the pit, slays several guards then escapes into the swamp. From here on the story takes a pretty big left turn as we see the point of view of the writer of the story, trying to figure out how to conclude things. Suddenly Warton's corpse appears for real, demanding him to figure out a way to get him out of the swamps. He then requests a nearby kid to tell him how to end the story. From there the narrative returns to a few days earlier, where Warton is revealed to be dead for good and never rises as a corpse. Although oddly enough the body of a man and kid are now in the pit with him. I quite liked the left turn this story took, which made what would have been otherwise a typical corpse rising from the dead story into something more interesting.

Skywald's first Poe adaption, "Premature Burial"

Fifth is "The Night of the Corpse-Bride" by Doug Moench (story) and Xavier Villanova (art). Frank Tanner is surprised to find that his uncle Phineas has left him five million dollars in his will when he passed away.The will includes a strange requirement though, Frank must get married in three days to get the money! Frank didn't even know his uncle that well, who had been married himself but his wife died on his wedding night. Frank meets a young woman named Barbara and asks her to marry him and she surprisingly accepts! When she discovers the true reason though, she flees from him, even though Frank has fallen in love with her for real. Barbara runs from him in a stormy night, getting struck by a car, but continues going until she reaches a graveyard. There Frank realizes she is just a corpse and was actually the long dead wife of his uncle Phineas! This story had a pretty good twist to wrap things up. Still bewilders me why his dead uncle would care about him getting married that quick though.

Sixth is "The Assassin-Bug" by Al Hewetson (story) and Antonio Borrell (art). We see a giant bug attacking a woman on the splash panel, then go back in time to a soldier in Asia. In exchange for saving a girl, her father gives the soldier an assassin bug, a small bug in a tiny cage that he says has special powers. Our protagonist returns to America where he becomes a hired assassin, and in a difficult jam on how to kill a prisoner, uses the bug on him. He continues to use the bug to kill people, yet finds that the bug is growing while he is shrinking with each successive murder. Eventually the bug turns on him. As the story ends however we see this is all his imagination, he never actually saved the girl and has been laying in a cell having lost his mind. The final panel also reveals that before going to war he was a bug exterminator.

"I Am Dead I Am Buried" completely breaks the fourth wall

The issue concludes with "Monster Monster on the Wall!" by Augustine Funnell (story) and Pablo Marcos (art). This story is Funnel's Skywald debut; he would go on to become an oft recurring writer for them. A mere four pages, this story features a kid who is bullied and beat up as a kid for being ugly. Now an adult, he returns to his hometown where some of the bullies find him. Yet it being the full moon, he transforms into a werewolf and kills them! Although originally intended as a stand alone, this story would become a recurring series and we'll see more in the series soon.

Nightmare #8

Vicente Segrelles provides the cover for this issue of Nightmare, cover dated August 1972.

We start with the frontis "Andras, The Grand Marquis of Hell" as drawn by Pablo Marcos. Andras is a owl-headed humanoid wielding a large knife and riding a fierce looking wolf!

First story is "Snowbound!" by Ed Fedory (story) and Felipe Dela Rosa (art). Dela Rosa, making his Skywald debut here, would go on to be one of their most prolific artists, I believe being outpaced only by Pablo Marcos and Ricardo Villamonte. His style takes a lot of getting used to. Lots of detail, but often quite ugly looking characters. I didn't care for his art at all at first, but he has started to grow on me. In any case the premise of this story is that a ship is trapped in the Antarctic, being completely frozen solid in the water in the dead of winter. The dwindling crew has to resort to killing dogs to eat. The lack of food eventually causes the crew to start turning on each other, and roughly the last 3/4 of the story features the crew killing each other off one after another, with one of them believing it is due to them suffering from demonic madness. A rather so-so ending aside, this is a pretty decent way to kick off the issue.

Second is "Hey Creep: Play the Macabre Waltz" by Al Hewetson (story) and Ferran Sostres (art). This odd story features some people at a concert hall comes across a short, silent old man carrying a violin. Upon asking him to play the violin he does so, but this results in people being unable to control their bodies, they start dancing non-stop and even one woman collapses from the pain. Eventually everyone collapses and the old man departs. As the story ends it is revealed that he was a martian who crashed on Earth and grew frustrated at his lack of employment.

The horrific monster of "The Tunnels of Horror"

Third is "Rot, Robin, Rot!" by Al Hewetson (story, credited to Jay Wood) and Dan Sevilla (art). This is a brief, 3 page story that tells of how the famous Robin Hood and his merry men are now quite old, 700 years old in fact, and are now in modern times where they come across some hippies riding in a bus. They try to steal from the hippies but upon being told that Robin Head has been dead for 700 years, Robin and all his men immediately disintegrates to dust. While brief, this was a fairly fun story to read.

Fourth is the cover story "The Tunnels of Horror" by Al Hewetson (story) and Pablo Marcos (art). Walking the streets of New York, a woman, Alexandra, comes across a horrifying monster, which has a snake-like form, but a more humanoid-like face. The monster chases her and she flees to the police, who convinces an officer, David, to help her out. Upon finding some slime, Davis decides to go down to the sewers with a shotgun to find the creature, but it immediately grabs him! They are able to kill the creature by shooting it in the face, but as its blood fills the sewer, they get covered head to toe and pass out. They later wake up in a long, foul tunnel, that seems to be moving. They make their way through it, only to find that they had been ingested by the creature's far larger mother! This is quite the strong story, and Marcos provides some great artwork with a truly horrifying looking monster.

Fifth is "Satan's Graveyard" by Al Hewetson (story) and Syd Shores/Dan Adkins (art). Shores is credited as Jim Elder, a pseudonym already used for Pablo Marcos. Friedrich is a horrifyinly ugly looking man who is mocked and disrespected due to his appearance and the fact that he worships Satan. Satan arrives, and provides him everlasting life. Meanwhile the townsfolk have had enough with Friedrich and form a mob, who grabs him and sets his home aflame, then bury him. As the story ends Friedrich finds that he does indeed have everlasting life, but as a spirit, accompanied by many other people. A decent art collaboration here, I particularly like the usage of real life photos in several shots, something that was quite rare. I seem to recall Ernie Colon and Leo Duranona occasionally doing it at Warren. The story on the other hand is quite "eh" and this is the first of two stories in this issue where Satan is summoned to grant eternal life. Both written by Hewetson by the way.

A Berni Wrightson cameo in "Hung Up"

Sixth is "Hung Up" by Bruce Jones (story and art). A man named Jeff has killed his friend Bernie and wife Mary, having beaten them to death with a large wrench. He gets to work pouring kerosene around his New York apartment, then sets the place ablaze. He then throws their bodies out the window, trying to make it appear as if they jumped to their deaths due to the fire. The story then flashes back to how this arose. Jeff longed for Louise, Bernie's wife for years and grew sick of his wife Mary. They started pursuing each other romantically and started sending fake letters from their spouses to each other, trying to get it so they would have an affair themselves. This led to Jeff catching them together at his apartment, as he hoped would happen, and killing them. When Jeff leaves his apartment and returns later, he immediately finds himself arrested however. With all his planning, he got quite unlucky as the beads Mary was wearing around her neck caught around a flag pole just under their apartment. Jones' art is quite strong as usual, as is his story, which shows a level of depth and a twist ending that we would often get from him a few years later when he became a prolific writer for Warren. What I find most interesting about the story though is that most of the characters appear based on real life people. Jeff looks like the artist Jeff Jones (who appeared in Skywald not that long ago), Bernie is the famed horror artist Berni Wrightson, and I would assume that Louise is based on Jeff Jones' at the time wife, who would eventually become an editor at Warren. Although her character doesn't resemble the real life individual as much as Jeff and Bernie do.

Seventh is "The Sting of Death" by Chic Stone (story & art). A man named Otto brings a doctor to his lair, located by a cemetery. Otto is convinced that a soul exists, as studies have found some sort of aura departing the human body at the moment of death. Otto decides to try this out, and locks the doctor in a glass force field after stabbing him, so he can see his soul. Otto's cape mistakenly opens up the force field though, causing the soul to escape. Otto is soon attacked by a wasp and dies after his body becomes covered in welts. It is revealed that the doctor had been reincarnated into the wasp.

The Devil appears in "The Weird and the Undead"

The final story of the issue is "The Weird and the Undead" by Al Hewetson (story) and Ferran Sostres (art). A man named Smith works for an advertising agency but isn't too happy at being just a salaried employee. He desires for the devil to appear, only for him to do so! The devil agrees to give Smith eternal life. Smith happily heads outside, only for people to start collapsing around him. Some sort of noxious gas has started spreading around. Soon the city starts getting flooded as well. Smith finds himself the only person left alive and the water continues further up, sinking all of Manhattan underneath it. We then discover that Smith and all of our society is part of a microscopic society on a slide being investigated in a laboratory. Suddenly the scientists in the laboratory notice it is flooding and they die from a noxious gas, so the cycle continues... This was an odd one. It seemed somewhat like two disjointed ideas, the Devil giving Smith Eternal life, and human civilization being microscopic, crammed into one. The end twist of the scientists investigating us on a slide also being microscopic themselves and having the same thing happen to them was totally unnecessary though.

Our issue concludes with a one page pin-up of the Phantom of the Opera by Pablo Marcos.

Psycho #7

Vicente Segrelles provides the cover for this issue of Psycho, cover dated July 1972, featuring the interior story "The Asylum of Frozen Hell".

We kick things off with the one page frontispiece drawn by Pablo Marcos, "Pit and the Pendulum" featuring the pendulum scene from Edgar Allan Poe's story of the same name.

This issue's first story is "Kerene" by David Anthony Kraft (story) and Domingo Gomez (art). A man is sacrificed by some priests. Upon being stabbed he finds himself in another realm, perfectly fine, with a beautiful naked woman named Kerene, who says she was his love and his name is Kying. She tells of how he was a hero but the evil Narhlis seeked to usurp his powers. He convinced Kying to attack some forest dwellers and during the battle slain him, claiming Kerene for himself. Now, his worshipers sacrifice people. Kying awakens, back to reality as he is being dragged along by some of the worshipers, but is still alive, knowing that Kerene has kept him alive. Abrupt ending aside, this is a fairly strong start to the issue. Domingo Gomez, making his Skywald debut here provides some strong art. In fact his style reminds me quite a lot of Luis Garcia, who was my favorite of the S.I. artists who worked for Warren. His story includes some highly detailed, realistic panels and others that are looser in nature for the more romantic scenes, much like what Garcia would do.

Next is another story drawn by Domingo Gomez, "Horror Has 1 Thousand Faces!", written by Al Hewetson. The famous actor Lon August is celebrated at a dinner. August is a famed movie actor who has starred in numerous horror movies, wearing various forms of makeup. In his 50 years as an actor, no one has seen his real face. We find out that even August's wife hasn't seen his real face and when she tears it off, reveals a horrific, skull-like face which causes her to have a heart attack. But even this is revealed to be a mask. At the dinner people grab a hold of August, demanding to see what he really looks like. They tear off the bandages he's wearing, revealing that his face is completely blank! My favorite story of the issue, Domingo provides another strong art job. This story seems like a dedication to Lon Chaney, the silent film-era movie star who played numerous monsters (most notably the Phantom of the Opera), often undergoing a lot of make-up to do so. His attire at the dinner is based on that of the titular character in the movie The Invisible Man.

Gomez's art here on "Kerene" reminds me much of Luis Garcia

Third is "The Family Jewels!" by Dennis Fujitake (story & art). Lester is a wealthy hunter, who in the jungles of India saves a woman and her child by shooting a tiger. She leads him to her village, that of the Rapo, a tribe that is supposed to possess prized "family jewels". He meets Tun, Chief of the village and husband to the woman. He says he is indebted to Lester and will reward him with his most prized possession. Lester thinks he will get jewels and as he eats some food, Tun tells him of how his tribe came from the cold north and due to some radioactive particles in the fish they eat only have one child for every ten couples. Upon finishing his meal, Lester is told that he was given Tun's most valuable possession, that he has eaten his son! Lester feels sick (presumably from the radiation) and dies. Quite a big twist to wrap up this story! Fujitake as usual provides a strong story and art.

Fourth is The Heap in "A Spawn of Satan" by Al Hewetson (story) and Pablo Marcos (art). Ross Andru has now also departed from The Heap, with the writing handed over to Hewetson and Marcos now handling the art solo. The Heap takes on some men in the woods, then makes his way to the chemical plant that was responsible for his mutation. When a lightning bolt strikes a vat of chemicals, the Heap is covered in them, but they actually transform him back into his human form of Jim Roberts. Jim returns to see Laurie, but finds that when night arrives he turns back into a more human-looking version of the Heap. After transforming again in public, he decides to head on a ship that is going out to see, living off of rats for weeks until he is found. He is brought before the captain, but then suddenly a giant squid attacks! The Heap fights the squid and is successful in killing him then is washed ashore as the story ends. Some interesting developments here with the Heap's transformation now somewhat inspired by that of a werewolf (although it doesn't require a full moon, just nighttime). I did prefer the Heap's original design though.

Fifth is "The Terrible Tragedy of the Tormented One!" by Marv Wolfman (story) and Pablo Marcos (art, credited to "Elder"). I wonder if crediting of Marcos was a typo, or intentional, given that he has so much content in this issue (3 stories and 2 frontispieces). A woman named Cheryse runs through a dark mansion as an axe wielding monster pursues her. Suddenly a man arrives, seeking to get some peace and quiet. Our protagonist rescues her and the monster flees. Cheryse reveals to him that the maniac was her fiance Paul, who refused to let her leave him and crashed their car into a river. When Paul came out of the river he was transformed into the monster. Paul returns but our protagonist hits him with an axe to the chest. Paul then turns back to human and claims Cheryse has lied. Cheryse is revealed to be a succubus, and tries to suck the life force out of our protagonist, but is slain by him. A pretty decent story with an interesting twist at the end. There is an error on one of the panels on the last page where a word balloon was included but there is no dialogue in it!

More Gomez in "Horror Has a Thousand Faces"

Sixth is "I Am Demona: The Feastings of Prince Yamm" by Gardner Fox (story) and Steve Englehart/Vince Colletta (art, Colletta uncredited). Demona is the daughter of a human man and a witch alien mother as explained in the prologue. She acts as a kind of sorceress superhero. In this story while about to go on a date with her friend Jim Croft, she feels a ghastly aura and heads to a tower where a woman is being sacrificed to the great Yamm. The High Priest there has her seized by skeletons, but she vanishes, then researches things with Jim, finding that if enough sacrifices are made to Yamm, he can stay on the Earth forever. She returns to the tower to battle the high priest and defeat Yamm. I've never been much of a fan of superhero comics and this comes off much like one, even though it has a supernatural element. In most issues this would be the weakest story, but just wait til what we have later!

Seventh is "The Asylum of Frozen Hell" by Al Hewetson (art) and Pablo Marcos (story). This story has an interesting art structure in that you see things from the eyes of the protagonist. I don't know if I've ever seen this style used before in a comic book story. Anyway, you act as a newspaper reporter, who heads to a weather station in the arctic in pursuit of a story, along with a female colleague. Upon arriving you find many dead bodies and then head to a nearby cave. There you find a ranting humanoid alien monster who appears to be blind. He rants on how he was ordered to come here to dump some mutants, but he never got picked up to return. All around him are men that are tied to stakes in the ground. You battle the priest and your woman colleague stabs him in the back. Upon approaching one of the tied up men it is revealed they truly are mutants and were responsible for the dead people at the weather station, with you joining them!

Eighth is "Forewarned" by Jim Pinkoski (story & art). This extremely confusing two page story features an astronaut coming across a strange object in space. He starts drilling into it and hears voices. Then there is an explosion. The final panel shows what I assume to be some sort of craft floating in space, but I can't really tell what is going on with it as its drawn so small. I got no clue what Pinkoski's point was in this story, both the writing and the art make it very tough to figure out what is going on.

The cover story "The Asylum of Frozen Hell"

Ninth is "The Discombobulated Hand" by Al Hewetson (story, credited to "Wood") and Ramon Torrents (art). Another big disappointment, this is a three page story featuring a television reporter advertising the hand of the title, which can be used to hold jewelry, gloves, ties and many other purposes. He and his colleague complain about things after the TV spot is over. Torrents' art is strong as always, but this is another brief story where I don't understand the point at all. Quite a mediocre last couple of stories to finish out the issue.

The issue concludes with a one page pin-up by Pablo Marcos of a hooded skeleton.

Psycho #6

Vicente Segrelles provides the cover for this issue of Psycho, cover dated May 1972. That's a 6 month gap since the prior Skywald issue! From what I've read Skywald had a color comics line that got into a lot of financial trouble around the end of 1971, causing a massive delay in the black and white horror magazines.

This issue is notable for featuring the Skywald premiere of Pablo Marcos, the Peruvian artist who would become quite the dominant artist for the company. By my count, only one other artist, Ricardo Villamonte, draws more stories for them. Marcos also provides a significant number of one page frontispieces/pin-ups as well. He starts off with a bang, having 3 stories here as well as the frontispiece. Marcos did a small amount of work at Warren (including a 2 part Vampirella story), and I can't recall being the biggest fan of him there. Not because he's a bad artist (he's a good one), but he just couldn't live up to the quality of the Spanish and Filipino artists that were dominating the magazines at the time.

We kick off with the one page "Psycho's Supernatural Series: Abrasax", drawn by Pablo Marcos. The Abrasax is a type of chimera, featuring a rooster's head, a humanoid body and the feet of a dragon! He also wields a whip, making it quite the odd sight!

First is "The Vow!" by Pat Boyette (story & art). An aristocrat named Aaron becomes a single father when his wife dies from the plague. The plague ravishing the countryside and the aristocrats being slayed by the common folk, he flees, eventually finding work as an overseer of the disposal of the bodies of those who died from the plague. Aaron soon realizes with horror that his daughter Cassandra thinks dead bodies are real and her friends! Time passes, and Cassandra starts a relationship with a local ruffian named Andrew who is rumored to be the paramour of the Empress. Aaron is scared of what will happen if she finds out about the affair, but Cassandra says she'd rather die than be without him. Aaron comes to a good solution; he rats out Andre to the Emperor, who has Andrew killed, then due to his job collects his body and provides Cassandra his body! Its always a joy to read a Pat Boyette horror story, both this and his story for the most recent Nightmare issue were quite strong. Alas, with just 2 stories done, Boyette will depart Skywald and not do any further work for them.

Jeff Jones' Skywald premiere with "Sleep"

Second is "The Midnight Slasher" by Doug Moench (story) and Pablo Marcos (art). A killer known as the Midnight Slasher haunts the streets, stabbing to death any innocent bystander that comes upon him. A maid, Miss Watts, tends to a young woman she serves, only for her to be the next victim! Watts talks to the local constable, who has raised suspicion for himself due to how quickly he makes it to the murder scenes. He comes across Miss Watts later that night by a bell tower, where Watts is revealed to by the slasher, only for her to be crushed by the bell! This story packs a double twist in the end, with it not being enough for Watts to be revealed as the Slasher (which was pretty predictable anyway).

Next is "Sleep" by Steve Stern (story) and Jeff Jones (art). As mentioned in my coverage for Nightmare #6, Stern may not have actually been real. This is Jones' first story for Skywald, although not his first work, having done the cover for the previous Nightmare issue. This story takes place in space on a space pod where a Doctor Zim hypnotizes his assistant, Robinson. He then has Robinson speak of what he senses an hour from now (at which point Zim expects him to have been dead from an injury) so he can find out about life after death. As the hour approaches, Zim realizes the horrible truth though, that they will both be dead as their space pod has approached the sun! Jones' art is quite good here, and this was a fairly good sci-fi story.

Fourth is The Heap in "Dark Victory" by Ross Andru (story) and Ross Andru/Pablo Marcos (art). Its disappointing to see Mike Esposito, who had been on all the previous Heap stories, no longer contributing. Where we last left off, the Heap was in a cave with some mutated humans fighting the sheriff and one of his men, only for the Heap's hands to start turning back human! The Heap continues to revert back to more of a human, causing the mutants to turn on him. Out of nowhere, a mutated giant spider appears and is also added to the fray but is able to be fought off by a beam holding up the ceiling. this causes the ceiling to collapse. The Heap, now fully back to his human form, Jim, leaves the cave with the Sheriff, and is able to escape from him due to his head injury. Jim returns to see his friend Monty, revealing that the antidote he provided has worked. As Monty leaves, his daughter arrives, who Jim starts kissing, only for him to turn back into the Heap partway through! Horrified, he breaks out of there and flees back into the woods, cursing why this had to happen to him. This series continues to be fairly fun, and we had a pretty great ending to this part.

Next is "Of a Sudden is Thy Death!" by Gus St. Anthony (story & art). This is a very quick story at a mere 2 pages. A young woman named Margo finds herself dead, but completely rejects it. Satan reveals that it is true, she isn't really dead, but she had been bitten by a vampire and now has become one herself. A very predictable ending to this rather pointless story.

Sixth is Frankenstein in "The Phantom of the Opera" by Tom Sutton (story and art). This story is unfortunately the last contribution we will get from Tom Sutton to Skywald. He was likely pushed out by the soon dominance we'll get from the Selecciones Illustrada artists, although was able to work at Warren for a couple more years despite the S.I. artists also dominating there. In any case this finale from him is quite a lot of fun! We continue where we left off the last time, with the Frankenstein monster and Lilith in a dead end in the sewers, the octopus-like Le Suub attacking them. Suddenly the wall behind them collapses, causing them to fall into a pit where they come upon the Phantom of the Opera! The Phantom explains how his pipe organ also permits the transmitting and receiving of inanimate objects, but this has caused issues with living specimens. Suddenly Dr. Pretorius arrives, with Henry Frankenstein's head, and they get to work on trying to transmit his brain into the monster's body! Lilith interferes though, causing the monster to become even more powerful than ever, causing a massive explosion! The monster is brought through time due to the power of the pipe organ, where the story ends. With Sutton's departure I believe this is the last story for a while in the Frankenstein series, although it does return later on.

Craziness in this issue's Frankenstein entry

Our last story for this issue is "Sand Castles" by Ed Fedory (story) and Pablo Marcos (art). Fedory makes his premiere here and would become one of the mainstay writers at Skywald when Al Hewetson becomes editor. For a short time he had also been contributing stories to Warren. A pilot is transporting two criminals, Benny and Tony, to Mexico, when their plane's engine explodes, forcing them down to the desert sands below. Thus starts a long journey to civilization. With their water running out, the pilot kills Tony, then fills the canteens with his blood. So it probably shouldn't come as that big a surprise pages later when the pilot reveals to Benny that he is a vampire! He kills Benny, filling his canteen with his blood but the days continue to pass and the blood congeals, becoming undrinkable. The pilot eventually finds a castle however and makes his way inside, finding Benny and Tony's ghosts waiting and they throw him down a chasm into hell. Yet again a Skywald story has a rather confusing ending though as our last panel shows their destroyed plane, with several skeletons there making one wonder if any of what happened was real. This was a fairly good story (although a bit too drawn out) and I don't mind them mixing things up at the end, I just wish it was more definitive on what was real.

The issue wraps up with the one page "Werewolf Pin-Up" by Bill Everett.

Creepy 44

Vicente Segrelles provides the cover for this issue of Creepy, from March 1972, one of only two Warren covers.

First story is "With Silver Bells, Cockle Shells And..." by Irv Docktor (art) and F. Paul Wilson (story). A former convict encounters a scientist at a bar that he thinks has money, but he only has seeds. The convict kills the man, then buries his seeds in the ground. He finds out the seeds will make him rich, but they also reveal him as the killer when they look like the very man he killed. Some very interesting art from Docktor in his sole Warren appearance.

Second is the cover story, "Something to Remember Me By!" by Tom Sutton (story & art). A man's wife and her lover get him to die by scaring him to death with a fake grave. They bury him without a locket of his, and believing in a curse that he'll come back to take it, they dig up his grave to put in in his coffin, but his grave ends up falling on them, crushing them.

Third is "A Certain Innocence" by Nebot (art) and Steve Skeates (story). Normally a very dependable writer, Skeates turns out quite an odd one here, this story I'd expect more from a T. Casey Brennan or Don McGregor than him. Its about some hippie girls who enjoy some records, but find some weird words on them, which when they speak turn men into giant monsters.

Fourth is "The Last Days of Hans Bruder" by Frank Bolle (art) and T. Casey Brennan (story). This story features a nazi concentration camp doctor's sad history as he tries to end people's misery as soon as possible, including killing his former lover knowing what the other nazis are going to do to her. In the present time he takes an experimental drug rather than testing it on other people, and it kills him.

Fifth is "Like A Phone Booth, Long and Narrow" by Jose Bea (art) and Jan Strnad (story). This was Strnad's Warren debut. A man's phone obsessed wife convinces him to bury her with a phone in the event she dies, as her family has a history of being buried alive due to an illness. It happens to her, but when she calls him, he's too drunk to pick up the phone.

Sixth is "The Ultimate High!" by Martin Salvador (art) and Steve Skeates (story). This was Salvador's Warren debut. A man is about to settle down with his girlfriend, but before decides to go on one last big adventure to experience the ultimate high from a drug used by Tibetan monks. He uses the drug but the high is so intense that his entire life passes him by and he's an old man by the time he feels normal again.

Seventh is "Dorian Gray: 2001" by William Barry (art) and Al Hewetson (story). In this story Gray retains his looks not because of a deal with the devil, but because he's a vampire! Eventually he's found out however, and ends up falling into a vat of chemicals, which completely destroys his body. Another Dorian Gray themed story appeared in Vampirella around the same time as this story.

Last is "Sleep" by Mike Ploog (art) and Kevin Pagan (story). A pair of thieves are able to steal from people by cutting the hands off a corpse and lighting a finger on fire when they enter someone's house, which causes everyone to fall asleep. Eventually one of the thieves kills the other and heads into his final house, but lighting the fingers don't work as the house is filled with vampires!

This issue would mark the last Creepy appearance by Ploog and the last Warren appearances overall by Bolle and Barry, as the spanish artists quickly became the dominant artists of Warren.