Creepy 128

This cover features a reprint of Frank Frazetta's classic Frankenstein monster cover from issue 10. Rudy Nebres provides a one page Uncle Creepy intro. This issue is actually slightly better than the garbage that came out around this period, although there's no really good stories here.

First is "Whatever Happened to Orem?" by Martin Salvador (art) and Bill Dubay (story, as Will Richardson). This story is a sequel to "Orem Ain't God No Head Cheese" from Creepy 85. It featured a cannibal old man and his young female companion who were attacked by a blob creature that was originally a cancer in one of their victims. In this story the cancer continues to plague the woods and when Orem and the Sheriff of the town end up getting killed, their deaths are mistakenly blamed on it. Orem's companion tricks law enforcement into 'killing' a pile of guts that they think is the creature; in actuality she is in love with the real one.

Second is "Outcast of Euthanasia" by Bill Draut (art) and Bill Dubay (story, as Will Richardson). This story features a reporter talking to a woman about her dead son. Her dead son worked in a lab that brought dead people back to life from cloning. The son ended up being one of them too and went on a rampage, killing them all.

Third is "Old Man at the Morgue" by Fred Carillo (art) and Mark Lasky (story). This story features an old man who works at a morgue at night who talks only to the corpses. Heading home one night, he is murdered by some gang members. That's it. A complete waste of a story.

Fourth is "Frankenstein Invades the Universe" by Romeo Tanghal & Alfredo Alcala (art) and Budd Lewis (story). Scientists work in a satellite to create energy to transmit to the Earth. When they do so, they reveal a lab under ground where a Frankenstein monster (based on the cover) is found. One of the men becomes convinced that the creature is an advanced being that he must release and he does so. The monster goes on a rampage and is eventually killed. But carnivores eat its corpse, transmitting its evil to them. And when our protagonist eats one of them, he too becomes a monster.

Last is Abelmar Jones in "Lord of the Flies". This series originally ran in Eerie, with its last part appearing in Eerie 95. Its last story appears here, with Luis Bermejo replacing Alex Nino on the art. Bill Dubay (credited here as Will Richardson) continues to write the story. In this story two people in the city pour chemicals on Abelmar by mistake. This results in a blob growing on his head. Initially he wants to get it off but can't, but when it is revealed that the blob makes him irresistable to women, some other people tear it off of him to use themselves.

Creepy 126

Ken Kelly provides the cover for this issue of Creepy, featuring a boy in a bed airborne over a city. Rudy Nebres provides a one page introduction from Uncle Creepy.

First is "Parasite" by Martin Salvador (art) and Budd Lewis (story). This story is about a parasite from a man's brain that ends up killing anyone who has touched him or his corpse. It ends up that the parasite originated from an experiment he performed to create life where he subjected himself to the experiment. Some people investigate it by going to a pyramid hidden on his property.

Second is "Nevada Moon" by Bill Draut (art) and Steven Grant (story). This story is about a werewolf plauging a town. A man who beats his wife kills a wolf, which ends up turning back into a man once dead. The man is bedridden after being hit by a car, and his wife, who had been having an affair with their assistant becomes a werewolf along with him.

Third is "...And Gus Created Woman!" by Anton Caravana (art) and Bruce Jones (story). Gus is a lonely but smart man who buys a beautiful manniquin that he transforms into someone who acts like a real woman. He becomes more and more successful in his life, but starts ignoring her and everything falls apart. He puts her back together but ends up dying afterwards. A so-so story, but Caravana's art is very good.

Fourth is "Ragged Man" by Romeo Tanghal & Alfredo Alcala (art) and Budd Lewis (story). A man and woman return to a concentration camp they were at when they were young. While they were there an old man told them of a Ragged Man that would come save them some day. The evil head of the concentration camp has their sex organs removed and thrown in a well, which eventually comes to life as the Ragged Man and enacts revenge for them.

Fifth is "Dreamer!" by Fred Carillo (art) and Nicola Cuti (story). A boy lives by himself with his Teddy Bear, which can bring his dreams to life. Eventually some adults arrive, and destroy the teddy bear, which was a device meant to protect him while they were gone. The adults want to hold him hostage from his parents, who rule the galaxy, but he is able to get a wolf to kill them.

Last is "Hot Bob" by Herb Arnold (art) and Budd Lewis (story). Hot Bob is a man returning to Earth from exile, making those on Earth very nervous of what he's going to do. When he arrives it ends up he's there to bring animals and plants to an over industrialized Earth, but what he brings is poisonous to anyone over 30.

Creepy 133

Pretty good, complex cover on this issue by Jeff Easely. Unfortunately the issue's stories are rather poor quality, as expected for this era. This issue features a one page introduction of Uncle Creepy by Rudy Nebres.

First story is "Junior" by Abel Laxamana (art) and Bill Dubay & Timothy Moriarty (story). The story is about a freak named Junior who looks like a tentacled monster. Although friendly, when he escapes into the outside world he is viewed as a monster and is killed.

Second is "The Dead Remember" by Martin Salvador (art) and Bruce Jones (story). The story is about a boy who takes a watch from a dead man who fears that the corpse will come after it to take it back. He brings it back to the body only to realize later that he brought it back to the wrong body.

Third is "Kobold" with artists Romeo Tanghal and Alfredo Alcala and writer Budd Lewis. The story is about an older man in a post-apocalyptic world who battles various monsters in order to reach his wife. Also, the world will be ending in a day. Didn't like this one.

Fourth is "Bring on the Clowns" by Fred Carillo (art) and Michael Fleisher (story). The story is about a serial killer who dresses up as a clown. An accountant gets into an encounter with a mugger and is mistaken for the killer, but he eventually comes across the real killer, who chops his head off then kills himself, leading everyone to believe for good that the accountant was the killer.

Last is "Savage Cargo" by Paul Neary (art) and Jim Stenstrum (story, as Alabaster Redzone), a sci-fi story about a woman and her bodyguard who are subdued by criminals. The criminals steal the egg of their pet, which ends up being a ferocious creature that will eat them.