Eerie 104

Kirk Reinert provides the cover for this issue of Eerie, featuring the new serial Beastworld.

First is the Rook in "The Trouble With Tin Men". Art is by Jim Janes & Alfredo Alcala while story is from Bill Dubay. Think of the usual cliches in the Rook storyline and this story has it. Rook going into the future for another adventure, telling Dane to stay there, and Dane heading off on another adventure with Manners yet again. Yawn. After the same storyline 15 times this is getting rather dull. Notable is that the Time Castle is destroyed, apparantely stranding Dane and Manners in the time they have gone to.

Second is the second part of "The Trespasser", in "Dusk" by Paul Gulacy (art) and Don McGregor (story). Dr. Cavanaugh is thrown in a prison in the basement where he finds Kelsey, the man he had seen captured before. Kelsey reveals that the Cope's house is built on a site where nuclear waste had been kept, the reason for the family's illness. Rebecca soon arrives and lets them out. As they are crossing a bridge one of the Cope family's guard finds them and a fight ensues in which the bridge is destroyed. Luckily Cavanaugh is able to throw the man into crocodile infested waters, saving himself and Rebecca. A good continuation to this story with some fine art by Gulacy and shockingly enough a good story from McGregor that doesn't go overboard with his usual polical ramblings.

Third is "City of Shadows" by Leo Duranona (art) and Jean Michel Martin (story). This story is told mostly through photographs of clay figures and toys. It features a group of people traveling through a post apocalyptic landscape looking for a mysterious city, which ends up being Manhatten.

Fourth is "Beastworld", a new series from Pablo Marcos (art) and Bruce Jones (story). A man, Tyler, and his friend Monica come across a giant beetle while flying in a ship. They meet Peter Thomas and his wife, Ruth. Peter has an inferiority complex with Tyler from their time in school together. He drugs our two heroes, but then without any explanation Tyler ends up with Ruth and Thomas ends up with Monica, seperated from each other. They fight off some giant bugs while arguing with each other. A rather poor start to a long running serial with Marcos art, an guy whose style I've never been too fond of. A poor site in a mostly good issue.

Fifth is the second part of The Open Sky, "Vladimir" by Jose Ortiz (art) and Bob Toomey (story). Moonshadow and Arianne come across a two headed man who had a hot air balloon stolen from him by Francois, the head assassin that Moonshadow is after. After convincing the two headed man to let them use their hot air balloon, they head through the sky, and are eventually seized by the winged people from the previous story, who drop Moonshadow and Arianne into the ocean.

Last is "Temple of the Ravengers" the latest story in the Horizon Seekers series. Art is by Leo Duranona, while story is by Duranona & Cary Bates. Allison and Jesse travel through the desert with Merlin and find some ruins of a mansion, leaving Merlin behind to rest while they explore. Inside they find a group of women cannibals that capture them. By convincing the cannibals that she is ill, Allison is able to start some infighting, and she and Jesse are able to escape.

Eerie 102

Sanjulian provides an odd cover for this issue. Most of it is okay, but there is no background whatsoever, just white space. A different style for this issue only, featuring mostly stand alone stories.

First is the Rook in "Terror of the Spaceways" by Lee Elias (art) and Bill Dubay (story). This story was Elias's Warren debut and its quite impressive, a large improvement over the art in prior Rook stories. Elias would for a while do the Rook's stories once the character got its own magazine. This story, which is continued in the next issue, was originally part of a large story that had been split in two after Jim Warren (thankfully) demanded that Dubay reduce the size of the Rook stories. In this story the Rook, upset over the government cutting funding for NASA heads into the future to find something to impress the government. A battle is occuring however, and at the end of the story he comes across a partially destroyed ship, looking for survivors. Ironically enough Joe Brancatelli's 'The Comic Books 'column discusses this very story (clearly before the decision to publish it had occured), with Bill Dubay talking about how he does not want to split the story in two parts for publication.

Second is "Siege", the latest "Horizon Seekers" story. Art is by Leo Duranona and story is by Duranona & Cary Bates. In this story Allison and Jesse are pursued by the giant throughout the castle. It eventually gets its hand stuck in a tower within the castle. Unfortunately for them, an even larger menace, a huge army of creatures seems to be coming from the horizon.

Third is "The Earthquake Stick" by Jose Ortiz (art) and Budd Lewis (story). This story tells of a young boy in an orphanage who is abused by the head of the place as well as his fellow orphans. He has a secret friend however, an alien creature that he is able to summon with a small device he has. Eventually he finds that he can use his fellow orphans as food for the creature.

Fourth is "Ophiophobia" by Martin Salvador (art) and Bill Dubay (story). This story features a man who is deathly afraid of snakes. The story flashes back to his childhood and how his fear in snakes got started. Eventually he gets sent to war in Vietnam, where is he is captured by the enemy and thrown into a pit filled with snakes.

Fifth is "Tracks" by Pepe Moreno Casares (art) and Roger McKenzie (story). This story takes place around a winter cabin where a man's wife dies and her corpse is eaten by some unknown menace. He goes outside trying to hunt it and eventually passes out in the snow.

Last is "Neatness Counts" by Joe Vaultz (art) and Jean Michel Martin (story). This short story with no dialogue features aliens coming to the moon, finding what the astronauts left there, and cleaning it all up, thinking it is trash.

Creepy 107

This issue is an all sci-fi special issue of Creepy. The cover is by Romas Kukalis. All the stories in this issue are uncredited, although the creators would be revealed in later issues.

First is "The Rubicon" by Pepe Moreno Casares (art) and Budd Lewis (story). The issue's best story, a legitimately scary one (a rarity for this part of Creepy's life), it features a group of astronauts sent to some ruins where a number of astronauts have dissappeared. There they make a major discovery regarding the origin of mankind.

Second is "Family Ties" by Val Mayerik (art) and Bruce Jones (story). Another very good story, with some really good art from Mayerik, it takes place in a world where animals are able to talk through mental powers. The story stars a dog, who is to be the representation for the animals when humans arrive. He travels around, meeting various animals and creatures, and finally meets the humans, who are astronauts. They are unable to understand his mental communication however, and plan to blow up the whole place due to the radiation that gave the animals these powers.

Third is "The World from Rough Stones" by Joe Vaultz (art) and Jean Michel Martin (story). A group of radioactive aliens arrive at Earth only to be destroyed due to the oxygen there. They leave behind ruins, what we know as Stonehedge. A very short story at only 4 pages long.

Fourth is "Stainless Steel Savior" by Leo Duranona (art) and Len Wein (story). A robot is dumped in the trash by the family that owns him when a newer model comes out. The robot initially stays with some homeless drunks but he has a vision of god and becomes a famous prophet who gets many followers. He is about to broker peace in the middle east when he is shot by one of his friends, who just wants to get drunk. The robot is dumped in the trash, his teachings are forgotten, and everything goes back to normal.

Fifth is "Quirks" by Walt Simonson & Terry Austin (art) and Bob Toomey (story). A group of astronauts come to a planet with a lot of dangerous creatures. They find one small monkey like creature who sleeps through everything, making them wonder how he is able to do this. They are surprised to hear that its not due to any special mental powers that he is able to ignore predators, but because he's inedible. This story would have a sequel in issue 112.

Last is "Mindquake" by Garcia Pizarro (art) and Jim Stenstrum (story). This issue's poorest effort, it is about a spaceship that has a man on it who has mental powers which cause harm to come to the ship. It is later revealed that the harm is actually from spies who have infiltrated the ship who are defeated. A dissappointing story from the usually dependable Stenstrum.

Creepy 108

Terrance Lindall provides a fine cover for this issue, his first for Warren. Unfortunately there's not much fine work inside this issue. In fact this may be the single worst issue of Creepy I've reviewed to this point. While there's a few good art jobs here, the stories here are all absolutely dreadful. Please pardon the very short summaries.

First is "Hole in the Head" by Alex Nino (art) and Frank Salvatini (story). This story tells of a man in an insane asylum who claims he's not crazy, but tells a story about monsters he encountered. Some terrific, surreal artwork from Nino but a very confusing nonscenscial story.

Next is "Camelot Crosstime" by Val Mayerik (art) and Jean Michel Marin (story). This very boring story takes place in a medieval setting. That's all I've got to say.

Third is "Sultana" by Pepe Moreno Casares (art) and Budd Lewis (story). Another dreadfully boring story, it tells of a battle and the important part that a woman named Sultana takes in it.

Fourth is "Going by the Book" by Alfredo Alcala (art) and Kevin Duane (story). This story is about a fat demon and the wizard that he serves. Despite being credited to Alcala, this looks nothing like his usual work, making me wonder if it was really Alcala who drew it.

Fifth is "House of Magic" by Pablo Marcos (art) and Gerry Boudreau (story). This confusing story tells of a man who moves into a house with a painting of a magician who defied death. Various magical stuff happens, and the house is destroyed.

Last is "Hell's Playground" by Leo Duranona (art) and Jean Michel Martin (story). Devils from hell suddenly arrive in a man's backyard one day. The various things he tries to do, like bringing a priest doesn't help. Eventually he gets them to leave by building a playground.

Vampirella 84

No two ways about it, this is quite a poor issue. The cover is by Steve Harris, in his only Warren cover. Vampi's story for this issue is "Phantasmagoria of Terror" by Jim Janes & Rudy Nebres (art) and Bill Dubay (story). The story features Vampi, Pantha and Adam confronting a man with psychic powers and a motorcycle gang. Just horrid, horrid story.

The issue's only real quality story, "Vampire Bite" by Auraleon (miscredited to Jose Ortiz) and Nicola Cuti (story). A man seeks a real vampire to bite his wife since she is sick and going to die soon. Eventually he gets his wish, but she ends up being cremated without his knowledge!

Third is "Steak-Out" by Abel Laxamana (art) and Jean Michelle Martin (story). The story is about a guy who goes on a planet of vegetable people and his encounter with a vegetable vampire, which he kills by driving an actual steak into its heart.

Fourth is "Final Act" by Pizarro (art) and Pierce Askegren (story), about an actor whose consciousness is put into the movie, where he is repeatedly killed. He gets so sick of it that he kills himself.

Last is "Native Strain" by Val Mayerik & Jeff Easely (art) and Marc Laidlaw (story) about vampires plotting to use a blood blank and blood transfusion of their own blood to take over the world.

With four out of five stories featuring vampires in some form or another, this issue is just painfully repetitive. In addition, the final three stories are all done by writers that did very little for Warren; its not hard to see why as none of the stories were that good.