Vampirella 77

Here's another issue of Vampirella featuring Barbara Leigh on the cover. This issue's Vampi story, "Shadow of the Dragon" is by Gonzalo Mayo (art) and Bill Dubay (story). This is a rare actionless Vampi story, in which Vampi is barely even featured at all. Our entire group of heroes are in Hong Kong, where some mysterious murders have taken place. While Vampi and Pantha are touring the city, and Pendragon is getting in trouble at a local bar, Adam and Conrad are told of mysterious murders taking place in the city, and how they may be tied into legends of Dragons and events that happen in the year of the Dragon. That's about it from this entry, which continues into the next issue.

First backup for this story is "The Night of the Yeti" by Russ Heath (art) and Michael Fleischer (story). A man falls off a cliff while hiking in the himalyas while his wife and colleague watch. The man survives the fall, but is forced to hike for days to get back to civilization. Along the way he confronts a bear in a cave and has his throat slashed and his winter clothes destroyed. He wears the bear's pelt, making him look like a yeti. He eventually finds his wife and colleague, who desires her, and she is accidently killed when he is shot at. The shots cause an avalanche, burying his collegue. Our protagonist continues the wander the himalayas, becoming the yet if legend. Very good art by Heath, as usual.

Third story is "The Night the Birds Fell" by Moreno Casares (art) and Nicola Cuti (story). Casares was a very good Spanish artist whose style was nothing like that of the other Spanish artists who worked at Warren. This story features an air traffic controller terrified of birds who goes on a rampage at an airport, resulting in planes crashing into each other, causing a horrific disaster at the airport.

Fourth is "Siren of the Seekonk" by Auraleon (art) and Jonathan Thomas (story). A man falls in love with a water woman he finds by a bridge. With his life crumbling around him, the man decides to kill his ex-wife and feed her flesh to the water woman. Upon finding that she already has a mate, he loses it and jumps off the bridge, trying to join them.

Next is "Weird Wolf", with art by Jeff Easley (a rare solo appearance by him, he usually is paired with Val Mayerik) and story by Gerry Boudreau. This short story, at only 3 pages, features a civilized werewolf who is pursued by the sheriff of a small town. The sheriff is able to take out the werewolf by tricking him into using a gun that fires backwards, killing him while not causing the sheriff to turn into a werewolf himself when killing him.

Last is "Futura House is Not a Home" by Isidro Mones (art) and Nicola Cuti (story). Mones was a terrific artist during his original run with Warren from 1973-1976. After a couple of year absense from Warren he returned for a little while, but his art had declined tremendously. This is one of those stories. Its unfortunate, as he was quite a good artist, with a very realistic style during his original run. Anyway, this story features a family testing a new futuristic home. It ends up that the computer running the house has been creating robot clones of the family member in a plot by the president to replace the entire populace with easy to manipulate robots.

Overall, a slightly above average issue. No particularly great stories (although Thomas's is quite a good one), but at the same time no lousy ones.

Creepy 123

This issue of Creepy came during Bill Dubay's second period of editorship, while he was under the alias "Will Richardson". During this time period the quality of Warren's magazines were steadily going down, although overall this is a fairly good issue. The sexy cover is by Ken Kelly, one of his better ones.

First story is "Kiss of the Plague!" by Leo Summers & Alex Toth (art) and Doug Moench (story). Given that Summers stopped working for Warren around 1975, and Moench likewise vanished from the pages of Warren around that period (outside of the 3 part series 'Blood on Black Satin' published in Eerie towards the end of Louise Jones's time as editor) one wonders if this story wasn't prepared years before and just sat around for a few years. Anyway, any story with Alex Toth art is something easy to enjoy and this story is no exception. The Summers/Toth combo provides an interesting art style, although this would be their only work together at Warren. The story surrounds a woman who dies of the plague. Her family and husband's family slowly start being murdered. Suspecting it was the husband, the last 2 remaining relatives kill him, only to find out that it was her all along, and that she was never actually dead, just horrifically disfigured from the plague. Very good story here.

Up next is "Hands of Fate" by Martin Salvador (art) and Carl Wessler (story). Wessler is another writer who was prominent at Warren in the mid 1970's, but by this point had left the company, making me wonder if this is another story that was held in reserves for a while. The story is about a murderer held in an institution who killed three different people with his hands. One night he finds his cell door unlocked and he takes the opportunity to escape. He hitchhikes and ends up getting picked up by the ghost of one of his victims. The other two victims soon arrive and chop off his hands. Although the whole experience ended up being a dream, it frightens him so much that he loses the use of his hands permanently.

Third is "They Don't Make Movies" by Carmine Infantiono & Alfredo Alcala (art) and Gerry Boudreau (story). Except for a single story in Creepy #83, Infantino never inked his own artwork at Warren and was often paired with one of many different inkers including Alex Nino, Walt Simonson, Dick Giordano and Alacala. The result was a somewhat unique style of art each time. Although admittingly here Alcala's inks are so strong that the Infantino influence is hard to notice. The story is about a newspaper reporter investigating the death of a prostitute who was killed in a porn movie. Not a bad story, although there's no horror element whatsoever to it.

The cover story, "The Slave" is fourth, with art by Jesus Blasco (miscredited to Jaime Brocal) and story by Jim Stenstrum (credited to his pseudonym, Alabaster Redzone). Blasco, a well known spanish artist, did three stories for Creepy around this period but all were miscredited to Jaime Brocal or Joaquin Blazquez, artists whose style looked nothing like his. In medieval England a War Lord's slave/lover convinces him to refrain from imposing taxes for a full year if she can ride through town on a horse with no one looking at her. One man tries to look but ends up being struck by lightning, horrifically scarring his face. The slave befriends the man, admitting to him that she used her magic to strike him with lightning so the town wouldn't be punished for his deed. She then transforms his deformity to the War Lord. Short, but good story, the best one in the issue.

"Harriman's Monsters!" is next, with art by Dan Adkins and story by Greg Potter. Potter was another writer who left Warren years ago. It's been said that in the last few years of Warren's existence, they used up a lot of inventory & rejected stories as well as reprints of stories done in other countries (like the prior story, The Slave), and this issue is ample proof of that with so many stories by writers that were long gone from Warren at this point. A special effects expert is jealous of another special effects guy who does even better than he by making his models look extremely realistic when moving. He confronts the man only to find out that the models look so realistic because his adversery can use telekinesis, which he uses to kill him.

The issue's worst story is "Always Leave Them Laughing" by Rudy Nebres & Val Mayerik (art) and Michael Fleischer (story). This story surrounds a depressed old clown whose about to die. Yawn. Did not like this one at all.

Last up is "Jelly" by Herb Arnold (art) and Nicola Cuti (story). Arnold's art looks kind of like Richard Corben's, but his skill isn't anywhere as good as Corben's is. The story is about blob-like creatures called jelly which are accidently mixed with the food of that name. A very short story at only 4 pages, but it is at least somewhat better than the previous one.

Overall, a fairly good issue considering when it came out. Although that likely has to do with having multiple stories that were probably drawn 3-4 years earlier.