Vampirella 4

Today I'm covering issue 4 of Vampirella, published in April 1970 (the same month as yesterday's Creepy 32). The cover is a collaberative effort from Vaughn Bode and Jeff Jones. Tom Sutton provides the story and art for the frontispiece "Vampi's Feary Tales: Burned at the Stake!". As with many early issues of Vampirella, this issue doesn't feature a Vampirella
story, although she hosts each of the individual stories within.

First is "Forgotten Kingdom" by Ernie Colon (art, credited as David St. Clair) and Bill Parente (story). A woman finds an astronaut from a spaceship that lands on her planet. She brings him to their leader, who tells him that all men on their planet have died and that they need him to help restore their civilization. He refuses, and with the help of the woman that found him they escape. He brings her to his spaceship and they leave the planet. He soon reveals however that it is the exact opposite on his world, that there are no women, and he has similar plans for her as they had for him.

Second is "Closer than Sisters" by Mike Royer (art) and Nicola Cuti (story). A young girl, Olivegard, is staying with her aunt and uncle after her parents were killed in a car crash. The aunt and uncle hire a new governess, June, to take care of her, and wonder if she is Olivegard's long lost older sister. The two want to kill Olivegard so they can get her inheritance. The aunt tries to do so but is killed at the beach. The uncle plans to kill both Olivegard and June and digs a pair of graves at the beach for them. They get the better of him however and bury him up to his head in the sand, which results in him drowning. June reveals that she is not Olivegard's sister, but rather the future version of Olivegard, come back in the past to get revenge. As the story ends however it is revealed that these are actually the delusions of the present day Olivegard who has gone insane after murdering her aunt and uncle. The death of the uncle in this story is very reminiscent of a sequence from the movie Creepshow, making me wonder if this was inspiration for that part of the movie.

Third is "Moonshine!" by William Barry (art) and Don Glut (story). A salesman from the city has a flat tire in the Ozarks where he is told off by a pair of locals. The salesman is enamored with their attractive sister. While driving he comes across a black cat who hypnotizes him and he follows it, finding the sister. She convinces him to stay with her and become one of them, feeding him some moonshine. The moonshine transforms him into a monster, making him like her and her brothers who are a witch and warlocks.

Next is "For the Love of Frankenstein!" by Jack Sparling (art) and Bill Warren (story). Dr. Hedvig Krolleck, a descendent of Dr. Frankenstein continues his experiments with the help of her hunchbacked assistant, Eric. Eric is in love with her which is the only reason he continues to assist her. Eventually they succeed in their experiments, but a new brain is needed for the body. Eric has a change of heart and destroys it, so Hedvig kills him and uses his brain. In his new body, Eric kills her in revenge then blows up the entire laboratory.

Fifth is "Come into my Parlor!" by Dick Piscopo (art) and R. Michael Rosen (Story). A man is impressed by a daredevil at a circus, Miss Arachna. He convinces her to see him and wants to start a relationship, but she tries to avoid it. Eventually she submits to him and reveals that she has spider hands from an experiment on spiders she performed in the past and used herself as a test subject for. He wants to marry her and she tries to say no but gives in. When they move into their new home she reveals that she has taken on the mating habits of spiders as well and devours him.

The issue concludes with "Run for your Wife!" by Jack Sparling (art), Richard Carnell and Jack Erman (story). A mysterious Count Tsarov invites seven couples who his castle in Slovania. There, Tsavarov is revealed to be a woman in disguise and has the husbands killed by vicious dogs, snakes, aligators, ants and other creatures. One of the wives is revealed to be a man who is part of 'Investigators International' however and kills the count.

Vampirella 1972 Annual

Today I take a look at the 1972 Vampirella Annual. This issue is supposedly rather rare, but I was lucky enough to get a copy for not that much money a while back. The cover is by Aslan in his only Warren appearance. This cover was originally intended for Vampirella 1, but was instead passed over for the famous cover made by Frank Frazetta for that issue. The inside front cover features "Vampi's Feary Tales: The Bride of Frankenstein" by Tom Sutton.

First is "The Origin of Vampirella" by Jose Gonzalez (art) and J.R. Cochran (story). This story features Vampirella on Drakulon with her lover Tristan. The planet is dying and while Vampirella seeks to kill animals for their blood, Tristan doesn't want to do so, nor does anyone else, resulting in the people all dying off. Eventually people from Earth arrive on Drakulon as well and end up killing Tristan, He rises up again however and confronts Vampirella one last time before she heads to Earth.

Next is "The Curse of Circe" by Jerry Grandenetti (art) and Gardner Fox (story), from Vampirella 6. A man is lost at sea and ends up landing on an island, populated by beautiful women, the most beautiful of which is named Circe. After a night of passion, he wakes up, to find that he's been turned into a pig! With the help of another woman he is able to return to his human form and the two escape, only to end up dying while at sea.

Third is "Goddess From the Sea" by Neal Adams (art) and Don Glut (story), from Vampirella 1. Adams' art is pencils only. A woman, Lanora, appears outs of the sea and tells a man who lives nearby that she's from Atlantis and is fleeing from those of her kind. Her fellow sea dwellers soon come out after her and grab ahold of her. He heads into the sea after her and ends up drowning.

Fourth is "The Curse" by Wally Wood (story & art), from Vampirella 9. A man has no memory of his past and finds himself in a bizarre reptilian man like form. A beautiful woman, Zara, tells him that he's been transformed into this state by a sorceress that they need to kill using an enchanted sword. Our hero fights off many beasts and eventually the sorceress herself. It ends up however that Zara was the one who transformed him, as she was given eternal life and wanted to die, which could only be done by killing the sorceress. After her death our hero turns back into his true form, a lowly lizard.

Fifth is "Snake Eyes" by Jack Sparling (art) and Nicola Cuti (story), from Vampirella 8. It's about a girl who has very snake like features, and she looks more and more like one as she gets older. She gets angry with her boyfriend and kills him when he sells a pendant of hers. It ends up that she is the decendent of royalty. She gets it back and uses it to get to a secret chamber, where she is confronted by a Mongoose man who was responsible for wiping her family out.

Sixth is "Vampi's Feary Tales: Love!", a one page feature from Tom Sutton.

Seventh is "Forgotten Kingdom" by Ernie Colon (art) and Bill Parente (story). A woman finds an astronaut from a spaceship that lands on her planet. She brings him to their leader, who tells him that all men on their planet have died and that they need him to help restore their civilization. He refuses, and with the help of the woman that found him they escape. He brings her to his spaceship and they leave the planet. He soon reveals however that it is the exact opposite on his world, that there are no women, and he has similar plans for her as they had for him.

Last is another one pager, "Vampi's Feary Tales: Lilith" by Jeff Jones (art) and Nicola Cuti (story), from Vampirella 9.

Creepy 36

An early issue of Creepy featuring a terrific cover by Kenneth Smith. The frontis is "Creepy's Loathsome Lore: The Body Snatchers Who Stole A Giant!" by Tom Sutton.

First is "One Way to Break the Boredom" by Jack Sparling (art) and James Haggenmiller (story). A rich man is bored with his life, and when the devil arrives he gives him his soul in order to become a vampire, a life that he plans to be very exciting. It is exciting for a while, he travels from place to place, kills many people, and always survives the execution whenever he is captured. Eventually however he arrives at an old city in the country with an old custom for executions, shooting with wooden arrows, something which kills him for real.

Next is "Weird World" by Tom Sutton (art) and Nicola Cuti (story). An astronaut arrives at a bizarre planet where he meets a beautiful woman, but also a talking frog and her father, a bizarre looking alien creature. He soon finds out that the planet is a mental asylum for crazy aliens. He heads into his ship to take off from the planet, but once he goes inside he becomes insane for real.

Third is "Frankenstein is a Clown" by Carlos Garzon (art) and Bill Warren (story). A famous clown later in his career becomes well known as an actor playing a friendly monster on TV. Unfortunately for him he perishes in a car crash. A mad scientist brings him back as a real Frankenstein monster. He heads to a memorial for himself, but realizing how dangerous he is, he decides instead to kill himself for good by jumping out of a window.

Fourth is "On the Wings of a Bird" by Jerry Grandenetti (art) and T. Casey Brennan. As good as Grandenetti's art is it can't save this absolutely horrific story which was startling enough awarded by Warren as the best story of the year! A man, Ahzid, is trapped in a desert prison with a talking statue. He dreams of the day that he'll be able to escape due to a bird that sits there, but never takes off. He has a dream of actually leaving on the bird, but when he wakes up he finds that the bird has already left and that he's trapped here due to sleeping in. This story would have a sequel in issue 42.

Fifth is "Forbidden Journey" by Rich Buckler (art, his Warren debut) and Greg Theakston (story). This story tells of four astronauts heading to a world with a natural resource, 'thurium' that will make them rich. One of the astronauts kills the three others, but when he arrives at the planet he finds it is nothing more than a waste dump and his ship falls into quicksand, trapping him there.

Sixth is "If A Body Meets a Body" by Jack Sparling (art) and R. Michael Rosen (story). A man is in a car crash with his friend. He awakens and heads home only to find his wife crying over his death. His friend arrives and tells him that they're both dead and they should head to the spirit world. At the urging of his friend the man jumps off a cliff. It ends up all being a trick however as the friend and wife are together, and he falls to his death. Only it ends up that the friend truly is dead, something he and the wife soon discover.

Last is "Frozen Beauty" by Richard Corben (story & art). This was Corben's Warren debut. A hideous queen, Maleva, summons Darman, a sorceror, offering him gold in exchange for making her look like her beautiful niece. They head to a cave in the icy mountain where he casts a spell such that Maleva will have her niece's exact appearance. Her niece is left frozen there in the cave so she'll always look the same. Instead of paying the sorceror however, Maleva has him stabbed and left in the cave. Maleva doesn't get to enjoy her beauty for that long, as Darman, still left alive due to the cold starts eating the corpse of Maleva's niece, resulting in her body being torn to shreds. A very nice debut for Corben.

Eerie 29

Ken Kelly provides this issue's cover, his first for Eerie. A so-so issue; the stories for the most part aren't particularly great, and one artist gets three stories in this issue alone, which takes away some of the variety.

First story is "Loophole". Art is provided by Jack Sparling, his first of three stories this issue. The story is by Nicola Cuti. This story is about a group of time travelers who go throughout time killing people, which of course eventually results in them vanishing after doing away with their ancestors.

Second is "The Fiend Planet" by Dan Adkins (art) and Buddy Saunders (story). Astronauts head through space for a hundred years to reach a colony planet, but when they reach it they find bizarre creatures and many end up getting killed. It later becomes apparant that the creatures are actually humans who came to Earth long before due to advanced technology, changed in appearance due to adapting on the planet.

Third is "The Bloodstaff" by Rich Buckler (story & art). A warrior uses a weapon provided to him by his dying father, the Bloodstaff to fight a woman in the woods who is killing people to feed a vampiric plant. He soon discovers that she didn't kill his allies through, his bloodstaff did. He soon dies himself, appearing in an impish form to those around him.

Fourth is "Gallery of Horror" by Carlos Garzon (art) and Buddy Saunders (story). A writer buys a haunted house hoping to draw inspiration from it. He finds horrific paintings inside which were actually the inspiration for classic stories by Poe and other authors. The house is clearly haunted however, and even a dog he obtains ends up dead. He destroys all the paintings, thinking they are responsible, but it is actually a giant spider living on his ceiling that is responsible for the horror within.

Next is "The Vorpal Sword" by Tom Sutton (art) and Nicola Cuti (story). A young warrior is given the 'Vorpal Sword' by a wizard and heads off to save the wizard's daughter. He rides a giant slug as he heads through the medieval landscape. It soon becomes apparant that the sword transforms to a beautiful woman, Nina whenever he says her name. When he finally faces his enemy, she saves him by using a dagger... which ends up being their son! A fun ending to this story.

Sixth is "Strange Gateway" by Jack Sparling (art) and T. Casey Brennan (story). This story is about a poor man who buys a mirror for his wife which ends up being a gateway to another dimension; a paradise as long as the person who comes there has a good heart. The man and his wife head there to live the rest of their life. Quite an optimistic ending for a Warren story!

The issue concludes with "Snow Job!" by Jack Sparling (art) and Doug Moench (story, his Warren debut). A group of men head to the snowy mountains where it is rumored the abominable snowman lurks. As they soon discover however, its not a snowman, but rather werewolves that are occupying the mountain.

Eerie 32

This issue of Eerie features a cover by Richard Corben of a beautiful woman and a beast like man. The frontis for this issue is "Eerie's Monster Gallery: The Minotaur" by Clif Jackson.

Up first is "Superhero" by Tom Sutton (art) and Steve Skeates (story). The story features a superhero battling crime in the city. The local mob does all they can to stop him, even sending an expert hit man after him, but he fails as well. At the end of the story it is revealed that the superhero is a vampire. The local cops worry about what will happen if the city runs out of criminals.

Second is "The Waking of the Hawk!" by Clif Jackson & Syd Shores (art) and Gardner Fox (story). A pair of explorers in the mountains find a hidden cave with a hawk-like man, frozen, and various advanced technological devices. One of the men, seeking to get rich off the devices, thaws the hawk-like man, and kills his companions. He nurses the hawk man back to health with the promise that he'll explain the devices. They leave the cave and come across the flying saucer the hawk man came to Earth in. The hawk man kills the explorer however and eats him so he'll be strong enough to fix his ship.

Third is "The Wailing Tower!" by Frank Bolle (art) and Larry Herndon (story). It features a man who is in a plane crash but is rescued by monks who live near a tower they call "The Wailing Tower". Seeing the jewels in their possession, the man steals them, but is caught, and flees from them into the tower. He reaches the top where he discovers that the monks have been worshipping Satan!

Fourth is "Bookworm" with art by Richard Corben and story by Gerald Conway. A man goes to work as an apprentice to an elderly man with a large book collection. The elderly man tells him how he's studying the black arts. One night our hero discovers the old man dragging a corpse with him and follows him. The elderly man is in a crazed state and attacks him, but is killed by the apprentice. Suddenly a giant worm appears, who the elderly man had been finding food for, and forces the apprentice to start supplying him with food from now on.

Fifth is "I Fell For You" by Jack Sparling (art) and John Wooley (story). A girl yearns after a rich singer who she had spurned in her youth. The two get married, but she plots with his agent to have him killed by falling out of a plane. That happens, but his body falls on their car, causing a crash that kills all of them.

Sixth is "Soul Power!" by Mike Royer (art) and Don Glut (story). A man is deathly afraid of dying and rotting away, so he deals with Satan to live forever. He lives forever, but ages as normally and at about 200 years old collapses in the desert because his body is so decrepit. When vultures start attacking him he willingly sumits himself to Satan.

Last is "Ice World" by Bill Barry (story & art). It features astronauts who land on a frozen planet. Before long however, the temperature starts rising tremendously and beasts appear. They try to escape to no avail. It ends up that they landed in a freezer that was being defrosted.
Overall, a pretty good issue! Not a single bad story here.

Eerie 27

A terrific cover for this issue, by Jeff Jones and Vaughn Bode. Unfortunately the contents itself aren't as good. The frontis is "Eerie's Monster Gallery: The Golem!" by Tom Sutton.

"Journey Into Wonder" with art by Kenn Barr and story by Bill Parente is about a imp like man that asks the king to let him be a knight. The king sends him to defeat a sorceress, who ends up being an innocent woman. he defeats a monster, and then after some questioning upon returning to the castle, wins a fight and transforms into a normal man.

"Amazonia" by Miguel Fernandez (art) and Gardner Fox (story) is yet another in a long line of barbarian/warrior stories set in a medieval setting. Amazonia would get another story, which I've already covered, from an early Vampirella.

"The Machine God's Slave" is this issue's best story, by Ernie Colon (art) and Buddy Saunders (story). An astronaut finds a planet with an ancient civilization which he angers by killing a priest. They chain him to a machine which drags him along throughout the planet, and eventually to his death when it goes into a body of water.

"Swallowed in Space" by Tom Sutton (art) and Bill Parente (story) features a spaceship of people who keep vanishing until only one man is left, who finds the secret of the universe.

"Enter Dr. Laenru!" by Disck Piscopo (art) and R. Michael Rosen (story) features a man who is able to deflect magic. A princess's younger sister turns her into a werewolf, and after he finds her out, he gets her turned into a pig, who is prompstly eaten by some hungry people! Funny ending to a not that great story.

"All Sewed Up!" by Mike Royer (art) and Buddy Saunders (story) is about a taxidermist who turns into a werewolf. His assistant desires his fiance and steals from him, and eventually kills him while he's in his wolf form. He sews him up for display in his store, only for him to turn back human, revealing the truth to everyone.

Last is "Face It!" by Jack Sparling (art) and Nicola Cuti (story) about a hooded man who joins a circus with a robot woman. He hides his face, but a curious girl in the circus keep trying to see it and its eventually revealed that he has a shrunken face and his wife has a shrunked body, hidden inside the robot.

Creepy 34

Our next issue is Creepy #34, featuring a cover by Ken Barr, of his interior story "Lifeboat!". The frontis for this issue is "Creepy's Loathsome Lore" by Dan Adkins.

First up is "X-Tra X" by Jack Sparling (art) and Robert (Michael) Rosen (story). A man who is a werewolf approaches a professor whose been studying genes and believes that an extra chromosome is responsible for criminal behavior. The man volunteers to be experimented on by the professor to cure him from being a werewolf. He ends up dying from the procedure, which ends up being okay with the professor as he's a werewolf too.

Next is "Lifeboat!" by Ken Barr (art) and Bill Parente (story). Astronauts come across a planet with a died out race, except for one man, Aceles, a man of large stature and great strength. He goes back on the ship with them peacefully, but it soon becomes clear that the entire race on that planet are contained within him and he is seeking to revive the species by transforming the astronauts into those of his species. The astronauts respond by throwing him out of the ship to his death. Pretty good story.

Next is "The Cool Jazz Ghoul" by Ken Kelly (art) and Al Hewetson (story). This story's unique by being Ken Kelly's sole interior story, outside of this and a single frontis, he did exclusively covers for Warren. His art's okay here, but not great. Covers clearly suited him better. The story surrounds a jazz musician who ponders making a deal with the devil, but instead embalms his body and sells it for lot of money.

Fourth is "Minanker's Demons" by John G. Fantuccio (art) and Buddy Saunders (story). This rather poor story is about a wizard who captures a princess and the knight that tries to rescue her. When the knight reaches his castle, the wizard summons a demon, who kills him because of a crack in his pentagram that prevents him from being protected.

"The Forgotten Prisoner of Castlemare" by Tony Williamsune (art) and Robert (Michael) Rosen (story) is about dueling barons who try to get rid of each other. One ends up getting locked up in a jail cell and the other is killed by a trap. This story is based on the Castlemare prisoner ad in the Captain Company section of the Warren mags.

Next up is "The Swamp in Hell!" by Don Vaughn (art) and Al Hewetson (story). A swamp beast rises out of the swamp and heads to a nearby town. All are frightened except a blind old man who befriends the monster. The monster ends up vanishing because of the kindness of the old man.

Last is "Ando!" by Syd Shores (art) and Robert (Michael) Rosen (story). This story is about a baron and his powerful henchman, Ando, who bullies the local populace into paying the baron high taxes. The baron's quest to create a super race of people continuosly fails. He realizes that he must find a strong person to experiment on, so he uses Ando. Only it makes Ando too strong, he refuses to obedient to the baron anymore and kills him.

Eerie 33

Our odd looking cover for this issue is for the interior story Starvisions, both done by Larry Todd. The frontis for this issue is "Eerie's Monster Gallery: The Minotaur" by Clif Jackson.

First up is "A Trip in Time!" by Jack Sparling (art) and Steve Skeates (story). A man creates a time machine, thinking that his appearance in the past will have no impact. And it doesn't, because as he arrives in the past, he and his time machine quickly vanish entirely!

Second is "243 Blank Pages" by George Roussos (art) and Steve Skeates (story). A man finds a book which will cause anyone whose name is written in it then consequently burned to vanish. He does so to an enemy of his, but then becomes paranoid that the police are after him and destroys the book in a fire, having forgotten that he wrote his own name in it!

Next is "Whom the Gods Would Destroy" by Ken Barr (art) and Marvin Wolfman (story). A well written story about a battle consuming all who remain on Earth. It is eventually revealed that our heroes are battling only a hospital with self-defense forces, and soon only two are let, who die as well.

Fourth is "Escape Into Chaos" by Ernie Colon (art) and Steve Skeates (story). Probably the issue's worst story, it is about a man who keeps being plagued by bugs and other monsters, yet forgets about it and encounters the same fate over and over.

The cover story, "Starvisions" by Larry Todd (story & art) is our next one, a bizarre story about a large funnel like creature that appears to be made up of many stones that encounters a few stranded astronauts which it believes are just a figment of its imagination.

"The Pest" is next, by Richard Corben (art) and Al Hewetson (story). A bug killing device is created that uses toxic gas, and causes problems for ill adults or children. Its creator is getting rich off of it and could care less until he turns into a bug himself, well at least thinks he does, and dies of a heart attack.

Last is "The Painting in the Tower" by Pat Boyette (art) and Gardner Fox (story). An evil baron takes an artist's daughter and has his hands cut off when he refuses payment. The girl hangs herself soon after. The baron sees her corpse come back to life and lead him to a part of his castle where the father's chopped off hands paint a picture of him being tortured, and he slowly vanishes as the painting is completed.

Vampirella 8

An important issue for Vampirella, featuring the first story of her true storyline. The cover is by Ken Kelly and the frontis, entitled "Vampi's Feary Tales: Love!", written and drawn by Tom Sutton.

"Who Serves the Cause of Chaos?" by Tom Sutton (art) and Archie Goodwin (story) is up first. This is Vampi's first serious story (her previous two appearances were not serious stories). It introduces many things that would become commonplace in the Vampirella storyline including the characters Adam & Conrad Van Helsing, the serum Vampi takes to avoid having to drink human blood, and 'Chaos', a long time villain. This story surround Vampirella being brought to a retreat where a doctor nurses her back to health and creates a serum that prevents her from having to drink human blood. Eventually she realizes he is part of a cult worshipping Chaos. The cult plans to sacrifice Vampi, but he ends up saving her and they all end up dying. In a parallel storyline we're introduced to the Van Helsing, who are searching for the vampire that killed a relative of theirs. By the end of the story Conrad determines that Vampirella is the one responsible. A pretty good start for Vampirella!

Second is "The Demon in the Crypt!" by Billy Graham (art) and Gardner Fox (story). The story is about a queen, Amazonia, who fights a lizard like creature with many eyes that can transform into a woman. Amazonia beat her. Not a very interesting story.

Third is "Out of the Fog" by Ken Barr (art) and Steve Skeates (story). A man in England meets a woman at a bar and brings her to his place, where he ends up being a werewolf! Short story, but fairly good art by Barr here.

Fourth is "Snake Eyes" by Jack Sparling (art) and Nicola Cuti (story). It's about a girl who has very snake like features, and she looks more and more like one as she gets older. She gets angry with her boyfriend and kills him when he sells a pendant of hers. It ends up that she is the decendent of royalty. She gets it back and uses it to get to a secret chamber, where she is confronted by a Mongoose man who was responsible for wiping her family out.

"Signs of Sorcery" is next, with art by George Roussos and story by Don Glut. The story is about a magician who captures many people and brings to life creatures representing zodiac symbols. Eventually they all arrive and turn on him. Not too good.

Last is "The Gulfer" by Tony Williamsune (art) and Nicola Cuti (story). The story is about a monster called 'The Gulfer' that can only enter a house if invited. It takes the form of a little girl's cat and transforms once being let in, but the collar around its neck ends up strangling it.

Eerie 30

A funny cover for this issue, by Basil Gogos, featuring a stalking mummy being pulled apart by a boy behind him! This issue's frontis is "Eerie's Monster Gallery: BEM!" by Dan Adkins. The art for this story is an obvious swipe from Adkin's mentor, Wally Wood, from the cover of the EC comic Weird Fantasy #27.

First up is "The Entail" by Pat Boyette (story & art). A young man is invited to a town run by a Baron, who offers him eternal life if he becomes a king, working under his influence. The young man refuses since the drink the Baron gave him already gave him eternal life and he has no reason to be loyal to him. The Baron has his minions eat him, and he is turned into a scarecrow! Pat Boyette was a consistently good artist and writer, and this story is no exception to that trend.

Next is "Mirror, Mirror" by Frank Bolle (art) and Nicola Cuti (story). This story stars 'October Weir', a recurring character that appeared in this issue and the next one. It features him solving a case regarding a man who was killed by a demon. His travels bring him and his wife into a mirror to a seperate world where things are backwards. An okay story, but not great.

Third is "Life Species" by Bill Dubay (story & art). This is a very short story about astronauts arriving at a destroyed planet and piecing together a habitant of the planet. It ends up the planet is Earth, but the interesting twist is that put together a car and think it was the dominant species of the planet! Very short, but good story by Dubay.

Next is "I, Werewolf" by Ken Barr (story & art). The story features a man picked up by gypsies who was turned into a werewolf by a vampire. He battles the vampire while he's a werewolf and manages to defeat him. A segment of this story seems highly influenced by Frank Frazetta's cover to issue 7 of Creepy.

"In Close Pursuit" by Jerry Grandenetti (art) and Gordon Matthews (story) is about a man who made a lot of money using cheap material to build a skyscraper and got it blamed on his partner, resulting in him getting off scott free. However he ends up being pursued by someone after getting off a bus and falls to his death while running from him. Only it ends up that the man meant no harm in the first place.

The cover story is "The Return of Amen-Tut!" by Jack Sparling (art) and Don Glut (story). A mummy is excavated and brought into a museum. He comes back to life and seeks to commit murder, but the boy of one of his prospective victims pulls the wrappings off of him, reducing him to dust! Hilarious ending to this story.

Last is "The Creation" by Carlos Garzon (art) and Doug Moench (story). Yet another one of Warren's countless Frankenstein-influenced stories, this one isn't any more original then the others. A doctor seeks to create life, has a hunchbacked minion kill a former assistant, only for the assistant's brain to end up in his creation and kill him. Nothing special here, although the art is nice.

Creepy 33

TWO issues of Creepy today to make up for the all the recent days I've missed. Pat Boyette handles the cover duties for this issue, featuring his own story, which I'll cover soon. This issue's frontis is "Creepy's Loathsome Lore: Mermaids!" by Tom Sutton.

Up first is "One Too Many!" by William Barry (art) and Buddy Saunders (story). A man leaves a planet killing all of the zoo animals he possesses except for one, which escapes. A year later he comes back with colleagues to retrieve his property, only for the creature who have escaped to have breeded into thousands within the year, which completely overwhelm them.

"Royal Guest" with art and story by Pat Boyette is second. It tells the story of a boy whose grandfather kept a woman locked up in a golden mask. When the grandfather became sick and passed away, the boy brings her food. Years go by and the plague follows him everywhere he goes. Thinking she's actually the Queen, he returns to where the masked woman is, and finds that she had died of the plague long ago and that he was a carrier of the disease and was responsible for spreading it around Europe. Knowing this, he kills himself. Really good story, best of the issue.

"Blue Mum Day" by Reed Crandall (art) and R. Michael Rosen (story) is next. A group of archeologists find an egyptian tomb of a cursed mummy. Inside they also find a glowing meteorite and the mummy, which is an odd blue color. The mummy becomes alive then turns into a blob like creature. While it is trapped in the tomb with the use of dynamite, our heroine ends up turning into a blob like creature as well.

"Dr. Jekyll Was Right" by Tony Williamsune (art) and Bill Warren (story) is our next story. It features a descendent of Dr. Jekyll who pays scientists to create a formula that will bring out the good Mr. Hyde in people. While the formula works, one of the scientists kills him after he uses it. Didn't get that ending.

"I'm Only In It For the Money" by Juan Lopez Ramon (art) and Al Hewetson (story) is fifth, featuring a tv host who travels to see a voodoo tribe. Although they initially let him video tape them, they eventually chop off his head and shrink it.

"The Full Service" by Jack Sparling (art) and Nicola Cuti (story) is next. A man mourning the death of his wife in a car crash is given the opportunity to bring her back to life by the funeral home. He is brought back in time and is given the opportunity to save her. A rare Warren story with a happy ending.

This issue wraps up with "Boxed In" with art and story by Tom Sutton. A boy playing with friends is forced to play a corpse and is buried alive. When adults come, his friends are forced to run off without rescuing him. One of the friends sees the coffin crushed and then sees the boy's ghost. While it ended up being a joke, he ends up trapped in a refridgerator that falls into a body of water, such that he is essentially buried alive.

Overall, a so-so issue. Boyette's story is terrific, and Sutton and Rosen's stories are okay. Nothing particularly special from the remaining stories.

Vampirella 5

Missing the last two days, I'll be covering two issues today, here's the second one. This is another early issue of Vampirella, with a Frank Frazetta cover featuring a couple confronted by a dinosaur. The frontis for this issue is "Vampi's Feary Tales: The Satanic Sisterhood of Stonehenge!" by Tom Sutton.

First story is "The Craft of A Cat's Eye" by Tony Williamsune (miscredited to John Fantucchio) and story by Don Glut. This story features a man who goes to live with his aunt with plans to murder her once he is put in her will. Once that happens, he does kill her, only for her cats to kill him. Not much of an ending here.

Second is the cover story, "Scaly Death" by Billy Graham (art) and Don Glut (story). This story features a couple that is on the run from dinosaurs in 1 million BC. Eventually they find a cave which they go into... which ends up being a dinosaur's mouth! A hilarious ending that saves what is otherwise not that great a story.

"An Axe to Grind" by Jeff Jones (story & art) is third. It features a saleswoman who tries to sell a lightning rod to a man only for him to chase after her with an axe. In the end, he is struck by lightning. Another pretty good ending here and fairly good art by Jones.

Fourth is "Avenged by Aurora" by Tom Sutton (art) and Bill Parente (story). A wizard takes in a boy being attacked by the Duke. The boy falls in love with a girl, whom the Duke demands marry him. The boy tries to escape with her, but she is killed and he is executed. A lion appears and kills the duke, and the boy appears in the sky along with the girl as a constellation.

Next is "Ghoul Girl" by John Fantucchio (art, credited properly this time) and Don Glut (story). In Germany, a girl is falsely accused of being a ghoul and is chased by a mob. She is protected by a man visiting from the US, but eventually both are taken by the mob and are burned alive by the mob, who are ghouls and don't want competition.

"Escape Route" is sixth, by Mike Royer (art) and T. Casey Brennan. A man whose wife died in a fire appears to him when a restaurant he is in catches ablaze. Rather than save himself, the man stays in the fire and dies. Royer's art is quite poor, as is Brennan's story, not that I expected much from him.

The issue concludes with "Luna" by Jack Sparling (art) and Don Glut (story). Astronauts take rock samples from the moon and bring them back to Earth. When exposed to water, one of the pebbles turns into a woman, who tells the geologists that the people on the moon turned themselves into tiny rocks which would regenerate when exposed to water. However, monsters on the moon were also similarly turned into rocks and appear when some water is spilt on the remaining samples.

A rather poor issue, particularly from a story standpoint.

Eerie 28

Up today is Eerie #28. It features a cover by Pat Boyette, one of only two covers he did for Warren (the other being Creepy #33, which came out right around the same time as this issue). the frontis is "Eerie's Monster Gallery: Saucerians!" with art and story by Tom Sutton.

Up first is "The Hidden Evils!" by Dan Adkins (art) and James Haggenmiller (story). The son of a mayor is possessed by an evil demon. The church attempts to stop him to no avail. A mysterious man named Astan arrives and says he'll be able to stop him. Through an exorcism he is able to get rid of the demon from his body. The demon swears revenge until Astan reveals that he is Satan himself, upset that the demon didn't go after a bigger target like the mayor himself.

Second is "The Beast in the Swamp" by Billy Graham (art) and Bill Warren (story). This rather dull story is about a barbarian and the various creatures he encounters. He eventually kills a 'monster' that ends up being an astronaut from Earth. Nothing all that interesting here.

"The Rescue Party" is third, with art by Jack Sparling and story by Buddy Saunders. An owner of a mine repeatedly puts little effort in saving the lives of those trapped in mine cave-ins, not wanting to spend too much money. When he is trapped in a cave in he finds a group trying to dig him out... the corpses of those killed before! Sparling's art seems somewhat better than usual here.

"Follow Apollo" with art by Tom Sutton and story by R. Michael Rosen is the 'true' story about what happened during the first moon landing, where one of the astronauts apparantly passes away after his spacesuit is torn apart on the moon's surface. During quarantine back on Earth the truth is revealed, germs from the moon infected him and take over the other astronauts. When the astronauts are released from quarantine a few weeks later, they're ready to infect the entire planet.

"Ice Scream" with art by Bill Dubay and story by R. Michael Rosen is up next. This story is about the dissappearance of multiple bodies from the cryogenics section of the hospital. No one is able to solve the mystery, and even the Director falls victim when he suffers from a blood clot that forces him to go under cryogenics as well. It ends up that the janitor, a ghoul, has been stealing the bodies to feed his ghoul body.

Sixth is "Pit of Evil" by Dick Piscopo (art) and Al Hewetson (story). This story features a boxer who is transported to a mysterious dimension where he must fight a large humanoid creature, with the prize being a planet for a whole year as a reward. This story isn't very interesting at all, and Piscopo's art is hardly too good.

Last is the cover story, "The Last Train to Orion!" with both art and story by Pat Boyette. In the far future the young of society have taken control and either kill the old or force them to cover themselves with masks. They travel from planet to planet finding more space to live. Suddenly, an atomic mass arrives and wipes all of them out. It ends up that they, and all of humanity were just germs within the body of a giant hideous alien. A pretty good story, although it goes a number of different directions for such a short story. Probably this issue's best.

Overall, not that impressive an issue; then again few from this period of time were.

Vampirella 6

Another early issue of Vampirella, with no actual Vampirella story. The cover is by Ken Kelly, his first for Warren, featuring a young woman walking down a dark alley were a ugly creature lurks with a club. The frontis for this issue is "Vampi's Feary Tales: The Centaur" by Dan Adkins.

Up first is "The Curse of Circe" by Jerry Grandenetti (art) and Gardner Fox (story). A man is lost at sea and ends up landing on an island, populated by beautiful women, the most beautiful of which is named Circe. After a night of passion, he wakes up, to find that he's been turned into a pig! With the help of another woman he is able to return to his human form and the two escape, only to end up dying while at sea.

Up next is "The Brothers Death" by Jack Sparling (art) and Nicola Cuti (story). A girl obsessed with death is transported to a medieval type world where the Brothers Death battle the evil Gurn. The girl is captured by Gurn, then rescued by the brothers. A rare Warren tale with a happy ending, this is not all that good of a story, probably the worst of the issue.

"Darkworth" by Mike Royer (art) and Nicola Cuti (story) features a stripper who becomes the assistant to a Magician, Darkworth. Darkworth becomes famous through his magic, but seeking more, plans to escape from being buried alive. Upon finding out that she's cheating on him, Darkworth's assistant Togo clubs the stripper to death and while he's digging from underground, Darkworth finds her corpse. This story seems like it just ends right in the middle, without much of an ending.

"A New Girl in Town" by Dan Adkins (art) and Gardner Fox (story) is about a girl who goes to visit her parents in a weird town. The address her parents gave her ends up being a graveyard, as she's dead and doesn't know about it. A very short story, at just 4 pages in length.

"Victim of the Vampire" by Frank Bolle (art) and Vern Bennett (story) is next. A rich man's wife is being pursued by a vampire. With the help of a priest they're able to rescue her by hiding in a coffin. An okay story, but not that great.

Sixth is "One Way Trip!" by Tony Williamsune (art) and Larry Herndon (story). A man overdosing on drugs encounters a horrific monster in his dreams. After getting treatment he thinks he's okay, only to find out that the monster is real.

Last is "The Wolf-Man", once again by Frank Bolle (art) and Buddy Saunders (story). A woman plots with her lover to kill her husband, Roger. Finding him with another woman in the woods, they follow, and end up killing a wolf whom his lover claims is Roger. The lover is killed soon afterwards, but upon finding a tape recording, it is revealed that Roger switched minds with a wolf, and his human body, occupied with the wolf's mind kills both his wife and her lover. Not a bad story, one of the issue's better ones.

Overall this issue is average at best. It'd be another year or so before Vampirella as a magazine really started turning out high qualify stuff consistently.

Creepy 18

For my second Creepy review, I'm going to tackle issue 18, the first issue of Creepy to come out in the what is generally called the dark age of Warren. After 17 issues of Creepy (and 11 of Eerie), Warren hit some financial difficulty, and as a result editor Archie Goodwin resigned and all the artists except for Tom Sutton and Rocco Mastroserio departed as well. Not only were the issues reduced to far lower quality artists and writers, but reprints started populating the magazines like mad. At the very least, Creepy was lucky in that no issues were all reprint, although some Eerie ones during this time were.

The cover is by Vic Prezio and is of a sea monster attacking a couple on a raft. The frontis for this issue is "Creepy's Loathsome Lore!" which was a continuing feature included on all of the early Creepy issues. This particular one was written by Goodwin, and had art by Roy Krenkel. It was a reprint from issue 9.

Our first story is "Mountain of the Monster Gods" by Roger Brand (artist) and Ron White (writer). The story is about a pair of brothers who climb the mountain named in the title. One of the brother kills the other, only for him to come back from the dead and seek his revenge. Not a bad story although Brand's art is very simple and compared to the excellent artists who were mainstays at Creepy just an issue before, it just isn't on the same level. Brand's ex-wife Michelle would later join Warren herself as a colorer in the mid 1970's.

Next up is "The Rescue of the Morning Maid", the story's best issue. The art is by Rocco Mastroserio and Pat Boyette (who was uncredited) and the story was by Raymond Marais. The story surrounds a monster who finds a sorceress and a young girl who is kept captive by her. The monster is able to kill the sorceress only for the young girl to crumble to dust, having actually been much older and just trapped in the form of a young girl. Very good story, its unfortunate that Marais didn't do more work for Warren.

"Act Three" is written and drawn by Johnny Craig and is about an actress whose husband has turned into a werewolf. The two of them are able to get a doctor to create a cure, but when he injects both of them with the serum, the actress turns into a werewolf herself. Craig was my personal favorite of the EC artists and his Warren work was quite good as well. Unfortunately he would depart Warren for good after only a couple of more stories after this one.

The next story, "Footsteps of Frankenstein" is a reprint from Eerie #2. It is drawn by Reed Crandall and written by Archie Goodwin. The story is about a mad scientist who has created a Frankenstein monster and gets an old collegue to transplant his brain into the creature's body. Just as he's about to wreak havok on the villagers however, he is struck by lightning and is killed. Very good story by Goodwin and great Crandall art, although it is a reprint.

Last is "Out of Her Head!" by Jack Sparling (artist), in his first Warren story, and Clark Dimond & Terry Bisson (writers). The rather poor story surrounds a haunted mansion where a headless ghost seeks a head from someone else's body. Not that much special here.

Considering the era its from, this actually isn't that bad an issue. Unfortunately things would go quite downhill even further from here.

Eerie 26

I figured for my first issue of Eerie to cover on this blog, I'd do the first issue of the magazine I ever read, Eerie #26. This issue, cover dated March 1970, came out just as Warren was getting back into the groove of things, and is actually the first issue of Eerie to feature all new stories since Warren's first golden age came to an end in 1967.

The cover of the issue, featuring a rather ugly looking alien is by Vaughn Bode (again!) and Basil Gogos, who was a common cover artist for Warren's Famous Monsters magazine. The cover is based on the first story in the issue, "I Wouldn't Want to Live There!" by Jack Sparling (art) and Bill Parente (story), who was also the editor at this time. The story features a trio of very ugly looking aliens who arrive on a strange planet only to get killed off due to the harsh weather there. In a plot twist that would be used many times throughout Warren's history in their sci-fi stories, the planet ends up being Earth. Ancient man sees the alien's ship, which looks like a wheel, and that is how that useful device first got introduced to our civilization.

Before I move on to the rest of the stories I want to step back a second to mention the frontis (the feature included in the front inside cover of Warren's mags) for this issue, "Eerie's Monster Gallery: The Body Snatchers" which was drawn and written by Tom Sutton. A frontis generally appeared in each of Warren's mags until around 1977 or so. Their content varied from extremely short one page stories, to horror themed true stories (which included this issue's feature) and portraits of Warren's three horror hosts.

The second story of the issue is "Southern Exposure Part II", from Tom Sutton (art) and Bill Parente (story) which is the continuation of a vampire story started in the previous issue. It's rather hard to cover without the first part of the story here, so I'll take a stab at the overall thing once I cover Eerie #25.

Next is "In the Neck of Time" by Tony Williamsune (art) and Al Hewetson (story). Tony Williamsune was actually the alias for a two artist team, Tony Tallarico and Bill Fraccio. Heweston would later become editor at Warren's biggest rival during the early 1970's, Skywald. The story's about a scientist who goes back in time and quickly becomes rich by stealing with his advanced technology. He eventually gets caught and hung. Nothing all that great here.

The story's best issue is "Spiders Are Revolting" which is drawn and written by Tom Sutton. The story features a couple buying a house at auction only to find it completely infested with spiders. They try to get away from the spiders, who are trying to take over the world by possessing human bodies, but have little luck. The story ends with the protagonist in a mental institution where the spiders are finally able to get to him by infesting the doctors tending to him.

"The Scarecrow" by Frank Bolle (art) and Nicola Cuti (story) is about a crazy girl who returns from a sanitarium years after her step mother's death and meets a boy at a carnival after being brought there by her father. When the boy is killed, the father, thinking the scarecrow is the killer, destroys it. But it ends up that ghost infested crows where the true killer after all, and with the scarecrow no longer around to scare them off...

"Tuned In" by Dick Piscopo (art) and Ken Dixon (story) is up next. The story features an actor playing a serial killer in a movie who goes crazy and starts killing people every time he hears a certain song from the movie. Rather poor story and even more poor artwork.

The issue wraps up with "Cyked-Out" by Jack Sparling (art) and Ken Dixon (story), which features a motorcycle gang of vampires going against a motorcycle gang of werewolves. A rather poor story to wrap up the issue in my opinion.

Not that great of an issue, but then few from this era of Warren's history were. At least there were no reprinted stories!