Eerie 15

My first issue coverage in a while, featuring an issue I've recently been able to acquire. This issue came out shortly after Warren's first collapse at the end of 1967 and features approximately a third reprinted material and two thirds new material. The cover by Vic Prezio is an okay one, but quite unscary.

First is "The Graves of Oconoco" by Pat Boyette & Rocco Mastroserio (art) and John Benson (story). A pair of friends, Frank and Mitchell work in Brazil near a gravesite. Mitchell is a scientist working on making edible material from soil while Frank is an archeologist, who discovers a crypt of dead warriors and a wolf. Mitchell's work on the soil finally is successful but ends up bringing the wolf back to life, which Mitchell klls. Yet it wasn't Mitchell's work that actually brought it back to life, as all the corpses from the crypt soon spring to life themselves.

Second is "Wardrobe of Monsters" by Gray Morrow (art) and Otto Binder (story). For some unknown reason Angelo Torres, who is uncredited on the story (but included in the table of contents page) handles the final page. This story is a reprint from Creepy #2. Five men find a number of sacrophoguses in a pharoah's Egyptian tomb that house various monsters including a vampire, wolf man, devil and Frankenstein monster. One of the men, a translator finds the ability to transfer himself into these monsters. He does so, killing his various partners in monster form so he can get all the credit. He also destroys the mummy of the pharoah, fearing that he also has the ability to transfer into the bodies. However when he occupies a monster to kill his last partner, the pharoah's spirit, released by the destruction of his physical body, seizes the man's own body, trapping him in monster form for good.

Third is "The Demon Wakes" by Tony Williamsune (art) and Archie Goodwin (story). The story by Goodwin was likely left over from when Goodwin departed Warren, as this issue was printed over 6 months after he departed Warren. In the prologue we meet Harry Willet, an accountant entering a bar. The majority of the story features a bizarre monster, Moloch, who awakens chained up in a pit. Moloch breaks free of his chains and climbs out of the pit, killing the guards and breaking free. In real life Harry goes crazy and kills three people before being killed himself. Moloch apparantaly was a representation of the evil within Harry getting out.

"Under the Skin" is next, with art by Joe Orlando and Jerry Grandenetti (who is uncredited) and story by Goodwin. This story was originally printed in Eerie #3. An unsuccesful actor envies another actor whose able to get great roles due to his horrific makeup. By murdering the actor and stealing his technique, he is able to get a great role, but is unable to take off the makeup when he's done. It ends up that he hallucinated the whole thing, and ends up tearing all the skin off his face. Another really good story; its a shame Grandenetti got no credit as he appears to have a lot more influence in the art that Orlando did.

Fifth is the cover story, "The Doll Collector" by Gutenberg Montiero (art) and Dave Kahler (story). A gold digging woman has a vast collection of dolls. She heads to a theater with her latest lover who uses a number of "living" dolls in his act. She demands that the owner sell her one but he refuses. That night she tries to steal one but is attacked by the dolls. She is then shrunk and forced to become a doll-like participant in the show herself.

Last is "A Change in the Moon!" by Jeff Jones (art) and Clark Dimond (story). This story takes place in the late 1800's. A man tries to drown his wife by knocking her off a boat, only for her to be saved by a bizarre bald man. The two return to land, where it is explained that the wife was attacked by a wolf. The husband visits an occultist to see if something can be done for a werewolf, and all she can provide him with is silver bullets. He tries to kill his wife again by pushing her into a train but the bald man appears again to save her. The two confrotnt the husband on the roof and the bald man is revealed to be a werewolf himself. The husband kills him, but finds he can't shoot his wife, now in wolf form, so he lets her attack him such that they'll both be wolves on the next full moon.

The EC and Warren Connection

EC comics were an obvious influence on Warren's comic magazines and with this article I shall point out the connections between the two. It is well known that during Warren's original golden age of 1964 to 1967 that the comics came off as EC resurrected, with many of the stories drawn by the same artists that had originally appeared in EC comics. In fact Warren's horror comics came about in the first place due to original Creepy editor Russ Jones wanting to recreate EC-style horror comics in the early to mid 1960s. By 1967 all of the original EC artists had departed Warren due to the money problems that plagued Warren that resulted in a reduction in the stories commissioned, and the rates paid. Some of these artists, like Joe Orlando, Johnny Craig and Angelo Torres would never return, but a fair number, like Reed Crandall and Al Williamson eventually did. Others, like John Severin, Alex Toth and Russ Heath actually outpaced themselves in later years, during eras that are principally known at Warren as being dominated by Spanish and Phillipino artists.

An early force in Warren comics was a group of artists who were known as the Fleagles gang at EC in the 1950s, Al Williamson, Frank Frazetta, Roy Krenkel and Angelo Torres (Nick Meglin and George Woodridge were also part of this group but never actually worked for Warren). This group of artists frequently collaborated at EC on stories that were often credited just to Williamson. Only occasionally would a credit appear for Frazetta, Krenkel or Torres, although they had a big part in a great many more. Each non-Williamson artist including Frazetta only did one solo story, and Torres' wasn't even published during EC's original run due to being rejected by the Comics Code. Frazetta also contributed a solo cover for Weird Science-Fantasy #29, which was a rejected cover for Famous Funnies. This cover is frequently credited as the best cover from an EC comic.

Aside from Krenkel, each of these artists had a high level of contribution to Warren, particularly Frazetta and Torres. Frazetta did only one actual comics story for Warren ("Werewolf", appearing in Creepy #1) and a couple of frontis one page features, but did numerous covers, principally on the early issues. Some of these covers are quite famous, in particular Eerie #23 and Vampirella #1, but for the most part each one is a classic. Like much of the original Warren artists, Frazetta stopped contributing in late 1967 as Warren went into a dark age, but later returned and contributed work in 1969 and 1970. His last Warren cover was used for Eerie #81, but had actually been painted several years earlier, intended for a magazine called "POW!" that was never actually published. Frazetta was extremely popular with readers, and Warren reprinted his covers numerous times starting in the mid to late 1970s. Krenkel never did an actual full Warren story on his own, although he contributed to a story with Al Williamson in the first issue of Creepy, had a few frontis one-page features and had a couple of writing credits. He has also been credited as assisting with drafts for Frazetta's covers to Creepy 6 and 7 (which can be seen in EC fanzine Squa Tront #7).

Williamson contributed early stories to Creepy, Eerie and Blazing Combat before departing Warren for almost 10 years, returning for 2 stories in Creepy #86 and Creepy #112 respectively. An additional story that he originally drew for Unknown Worlds of Science Fiction appeared in Creepy #83. Torres was prolific in the early issues of Creepy, Eerie and Vampirella, contributing 19 solo stories, a collaboration with Al Williamson for one story, a single page ending to a Gray Morrow (to whom he had stylistic similarities) story from Creepy #2 and 6 single page frontispieces. Torres' art was typically a high point for me in the early issues of Creepy and Eerie. He departed Warren for good in early 1967.

Williamson's work for EC was primarily their sci-fi work, which was also the case for Joe Orlando and Wally Wood who also made many contributions to Warren. At EC, Orlando's work appeared heavily influenced by Wood at first but slowly grew into his own unique style, one that was more so apparent by the time he worked at Warren. Orlando provided art for approximately 30 stories in Creepy, Eerie and Blazing Combat, including the infamous "Landscape" story from Blazing Combat #2 that is oftentimes cited as a primary reason for that comic's demise. Eight of his stories were part of the Adam Link series, Warren's first recurring series. The first 3 stories had also been adapted by EC in Weird Science-Fantasy in 1954/1955, drawn that time by Orlando as well. Although it should be noted that stylistically Orlando handled things differently, particularly the Adam Link character in both series. Orlando's work for Warren ceased in 1967, when he moved on to join DC Comics.

Wally Wood was EC's most well known sci-fi artist and also was a heavy contributor to Harvey Kurtzman's war comics. Wood, unlike many of the other EC artists discussed here did very little work during Warren's original golden age when Archie Goodwin was editor, his output limited to a single horror story he did with Dan Adkins in Creepy #9 and a pair of stories for Blazing Combat. He had earlier done a story for Famous Monsters which was also reprinted in Eerie in 1967. Wood did a variety of stories for Warren in the early to mid 70s, most of which were sci-fi or fantasy based. Wood departed Warren for good after a controversial incident when Bill Dubay took a 12 page stories of his, split it in two, and heavily rewrote it to focus on sexual aspects of the story as published in the first 2 issues of 1984. Dubay had reportedly ordered rewritten a story of Wood's from Eerie #60, which was published a few years earlier, as well. A joint story of Wood’s with Ernie Colon appeared a few issues later in 1984, but this story was originally done several years earlier, intended for the previously mentioned POW! magazine which never saw the light of day.

Jack Davis was one of the most prolific artists at EC, appearing in practically every horror and war comic that EC issued. He never did any actual stories for Warren, but contributed one frontispiece from Creepy #3 and did the original drawings for Uncle Creepy and Cousin Eerie that appeared throughout Warren's comics for years to come. He also did the covers for the first issues of both Creepy and Eerie, although the Eerie cover was actually a reprint of a subscription advertisement that had appeared in an earlier issue of Creepy.

Reed Crandall and George Evans joined EC midway through its run and contributed a variety of stories for EC's horror and crime comics. Crandall was a prolific contributor to Warren in its early days and as with the other EC artists departed for a few years towards the end of 1967. Crandall returned to Warren in 1969 for another approximate half dozen stories then departed again, only to return once more for a final batch of stories that appeared 1972 and 1973. By this point however the quality of his work had deteriorated quite a bit and I believe this was his last actual comics work. Evans did a variety of types of stories for EC, but planes was his true love and his Warren work reflected this as all 3 of these stories featured this theme, which appeared in Creepy and Blazing Combat.

Johnny Craig was my personal favorite EC artist, where he was principally responsible for the Vault of Horror and Crime Suspenstories comics. He had a very clean style which was a stark contrast to EC's other notable horror artists like Jack David and Graham Ingels. Craig was a strong writer as well and wrote the majority of his EC and Warren stories. Much of his work was under the alias "Jay Taycee" which he used due such that the advertising clients he worked for didn't know he was doing comics work as well. Craig was yet another artist that departed Warren for good in 1967 although a couple of stories of his didn't see print until 1968.

John Severin appeared principally in EC's war comics, and actually edited Two-Fisted Tales for a period of time before its cancellation. His early work during Warren golden age was a mixture of this type of work for Blazing Combat, as well as several stories for Creepy and Eerie. Severin departed along with the other EC artists in 1967 but returned in 1974 and contributed Warren work for many years after, through 1979. Severin was never a favorite of mine during his EC days but he always was a strong contributor for Warren with the approximate 30 or so stories he did for them.

Russ Heath, Alex Toth and Eugene Colan aren't artists one usually thinks of when they think of EC, but all 3 had done stories for EC's war comics. Heath only did a single story during Warren's original golden age, "Give and Take" from Blazing Combat #4, but did approximately a dozen stories for Warren in the late 1970s, including some extremely memorable stories like "Yellow Heat" (my personal favorite Warren story), "Process of Elimination" and "Zooner or Later". Heath's Warren work was always exceptionally strong, particularly the aforementioned Yellow Heat. Toth did a number of stories during Warren's original golden age, best among them "Survival" from Blazing Combat #3. Toth departed Warren over a year before the other artists did, but returned to Warren multiple times and his artwork appeared in Warren magazines far longer than any other former EC artist. In the mid 70s he did a number of solo stories, most of which he wrote himself, along with the well known "Daddy and the Pie" story from Eerie #64 and the final two stories in the "Hacker" series. His latest batch of original Warren stories were done in the early 1980s and featured him inking stories for a variety of artists such as Leo Summers, Leo Duranona and Carmine Infantino, producing an interesting result each time. The Rook printed his "Bravo For Adventure" two part series, which was rated as the #1 Warren series of all time in the book The Warren Companion. Toth's last Warren work was a couple of stories from the Torpedo series that he had originally done for the Spanish version of Creepy that were reprinted in some of the last issues of Vampirella. Colan's work appeared exclusively during Warren's original golden age, totaling approximately 15 stories that mostly appeared in Eerie. His work was principally done in wash-style and was always of exceptionally high quality.

The two big omissions from this article to this point from EC's side have been Harvey Kurtzman and Bill Elder. Kurtzman acted as editor for EC's two war comics and was the founding editor of Mad in its comics form and the first few issues of its magazine form. Elder appeared within EC's war comics, primarily teamed with John Severin. Once Mad came out, Elder's true calling as a humor artist became apparent and he was among EC's strongest comedic artists in Mad and its sanctioned imitation comic, Panic. Neither artist ever did work for Warren's horror comics, but both worked on the magazine Help!, which Warren published from 1960 through 1965. Kurtzman acted as editor and a primary writer for the magazine while Elder did art for various stories throughout the magazine's run.

Most of the focus of this article has been on EC's artists, but what about their writers? With the vast, vast majority of EC's stories being written by Al Feldstein, there was only a few other EC writers, although two of them, Otto Binder and Carl Wessler did work for Warren. Both of these writers came on board with EC around 1954 towards the end of its original run of horror comics. Binder did approximately a dozen stories for Warren, all during its original golden age. Most of these stories were from the Adam Link series which he originally developed with his brother Earl Binder. As mentioned earlier, the first 3 of these stories had also appeared in EC comics as well. Wessler contributed only 2 stories to Warren's original golden age, but rejoined Warren during Bill Dubay's run as editor, contributing approximately 20 stories. Four of his stories later appeared in the early 1980s although I suspect all four of them were originally done during the Dubay era and just held off for printing until this point. One story, "Lucky Stiff", was a redo of a story he had done called "Out Cold" from the Haunt of Fear #25.

So who from EC never actually contributed to Warren? The most notable is "Ghastly" Graham Ingels, the lead artist of the Haunt of Fear and probably the most liked of the EC horror artists. Ingels' style would have fit Warren perfectly, but the criticism of the subject matter that he contributed to EC greatly bothered him and he left the comics field entirely. That said, Warren eventually did a tribute story to him, "Encore Ghastly" in Creepy #61 which featured a horror comics artist who had been driven from comics, but returned, this time drawing the stories with blood. Bernard Krigstein, who did groundbreaking work for EC, particularly with his art on the famous story "Master Race" had also departed comics entirely by the time Warren started doing comics. Al Feldstein was the principal editor from EC throughout its run, but working as editor for Mad during the entire period that Warren was publishing comics was obviously never even available. Jack Kamen was a very prolific EC artist and was EC's best artist at drawing women, but was generally weak from a horror standpoint and never did any Warren work.

Blazing Combat 2

With my first issue summary/review in about 2 years, I'll be covering the second issue of Blazing Combat. This issue's cover, by Frank Frazetta, is among the goriest published by Warren, featuring a soldier impaling another soldier with his bayonet while a corpse with a smoking bullet hole in his head lies in front of them. As typical for Blazing Combat, all stories in this issue are written by Archie Goodwin.

First up is "Landscape", drawn by Joe Orlando. This story is the most controversial story in the history of Warren Publishing and is typically brought up as the main reason why Blazing Combat ended up being cancelled. It takes place in Vietnam and features an old farmer dedicated to his rice fields. The Viet-Cong take charge of the village and his son joins them, but is killed during a battle with the American/South Vietnam forces that fight with the Viet-Cong near his farm, Another battle soon takes place and his wife is killed. More fighting takes place and spreads into his rice fields. As the Viet-Cong run into it, the Americans/South Vietnamese start setting the field ablaze. The farmer tries to stop them from from destroying his fields and is shot, killing him. Believing the story to show American troops killing innocent civilians, rumor has it that the American Legion and military pushed hard to prevent the magazine from reaching retailer's shelves and poor sales forced the cancellation of the magazine a few issues later. This is a very strong story and was enjoyable to read after hearing about it for years. While I would put "Survival" from the following issue ahead of it as the best story from Blazing Combat, this is as close to as good a story as you can get from this magazine.

Next is "Saratoga", with art by Reed Crandall. This story takes place during the revolutionary war, showing a battle between the Americans and the British. A heroic general leads the troops in battle and is revealed to be Benedict Arnold at the end of the story. A so-so story with an interesting twist at the end; overall my least favorite of the issue from a story standpoint (the art is very strong).

Third story is "Mig Alley", with art by Al McWilliams. This story takes place in 1953, during the Korean War. A fighter pilot's wingman, "Pappy" has a very successful career over nearly 100 missions. On their latest mission however Pappy's plane is damaged and he has to eject. This shakes him up enough that he screws up landing on his next mission and crashes his plane in the runway, killing him.

Fourth is "Face to Face", another story with art by Joe Orlando. This story takes place during the Spanish American war in the late 1800's. An American soldier is shot in the shoulder during the battle and then sent to deliver a message to the nearby colonel. He is pleased about the bragging rights he will have for his duty and war wounds. Along the way he captures a Spanish soldier, but is attacked by the soldier and the two fight hand to hand, ending with the American soldier bashing the Spanish soldier's head in with a rock. Following the ordeal, he no longer thinks the fighting to be enjoyable and worthy of glory.

Fifth is "Kasserine Pass", with art by Al Williamson and Angelo Torres. This story takes place in the African Desert during World War II. American soldiers within a Sherman tank are confident of their superiority to the Germans due to their advanced weaponry, but are surrounded by German panzers and are all killed.

Next is "Lone Hawk", with art by Alex Toth. This story acts as a historical account of the World War I Canadian fighter pilot William Bishop. The story discusses his first flight, then shows some of his various successful missions. In addition to his kills, the story points out the rarity of him making it out of the war alive unlike many other well known pilots during this era.

Next is the one page "Combat Quiz", with art by Angelo Torres.

The issue concludes with "Holding Action" by John Severin. This story takes place during the Korean War. A young soldier names Stewart is brought to the front lines and is extremely nervous about firing at the enemy soldiers. He does it after heavy pushing by his commanding officer. Stewart becomes obsessed with firing at the enemy, firing even after the battle is over, and later at Korean medics tagging the dead. When the battle ends he has to be dragged away kicking and screaming about how he needs to remain at his position.

Blazing Combat 1

After a very long wait Fantagraphics has finally released its Blazing Combat reprint book giving me the opportunity to finally read (and review) the remaining 3 issues of Blazing Combat that I don't own original copies of yet. Frank Frazetta provides the cover for this issue, something he'd do for each issue of this magazine. A good issue, but not at the level of issue 3 of this magazine, which I reviewed a while back.

First is "Viet Cong" by Joe Orlando (art) and Archie Goodwin (story). This story, like the first story of each issue of this magazine was about the Vietnam War. This story focuses on the experiences of a lieutenant while in the war.

Next is "Aftermath!" by Angelo Torres (art) and Archie Goodwin (story). Taking place during the civil war, a southern soldier and northern soldier befriend each other while burying one of their fallen comrades. The two soon get in a fight however over who started the war and end up killing each other.

Third is "Flying Tigers!" by George Evans (art) and Archie Goodwin (story). This story features a group of pilots working for the Central Aircraft Manufacturing Company and their adventures in the sky. One them are upset at the loss of life during their latest mission simply to protect a plane, although it ends up having their leader on it.

Fourth is "Cong View!" by Gray Morrow (art) and Archie Goodwin (story).A soldier is ordered to lead his troops through a mortar filled region during World War II to clear the way for another group of soldiers. He is hesitant to do so with his fatigued soldiers, but is forced to do so anyway. All his men end up dying during the mission. While more soldiers arrive and go through with their mission he just sits there and cries.

Fifth is "Cantigny!" by Reed Crandall (art) and Archie Goodwin (story). This story features a young soldier in World War I who is excited about facing German soldiers in battle but the regiment never comes across one. While heading through an abandoned city he finally comes across one as goes in an abandoned house to write a letter and ends up being killed by him.

Next is the one page Combat Quiz with art by Angelo Torres.

The sixth story is "Mad Anthony!" by Russ Jones, Tex Blaisdell and Maurice Whitman (art) and Archie Goodwin (story). In a battle in 1771 an american soldier has one of his eyes stabbed by a british soldier's bayonet. Two years later he takes part in a battle at Stony Point where his side wins. He ends up encountering the very soldier who stabbed him two years earlier and gets his revenge on him by stabbing one of his eyes.

Last is "Enemy!" by John Severin (art) and Archie Goodwin (story). An angry sargeant during World War II kills a German soldier they capture, mistakenly thinking he killed a colleague when he mistakes the soldier's initials on a lighter for the initials of the colleague.

Creepy 13

Gray Morrow provides the cover for this issue of Creepy, from February 1967.

First is "The Squaw" by Reed Crandall (art) and Archie Goodwin (story). This story, which is an adaption of a Bram Stoker story features a man who kills a kitten by accidently dropping a rock on it. The mother of the cat follows him as he goes to see a torture chamber and steps into an Iron Maiden. The cat jumps at the tour guide holding the iron maiden open, resulting in it shutting on the man, killing him.

Second is "Early Warning!" by Jerry Grandenetti (art) and Archie Goodwin (story). A man gets off a bus in a town late at night and is unable to get into a hotel. In an alley he finds a dead woman's body and is blamed by a crowd as being a vampire. They plunge a stake into his heart, killing him. Suddenly the man wakes up, revealing this to all be a dream. He gets off the bus he was on into the town and everything happens exactly as it did in the dream up until when he finds the woman's body. He tells them he's not a vampire and that if they get a mirror he can prove it. But it doesn't do him any good, as the crowd is all vampires, and they kill him.

Third is "Scream Test" by Angelo Torres (art, his final Warren appearance) and Bhob Stewart & John Benson (story). A young reporter goes to see the owner of an old theater, who tells her of how he rised through the ranks from usher to owner of the theater. The owner is obsessed with Lon Chaney and also speaks of something that happened to him in his past. When he starts playing the organ the reporter removes a mask he was wearing, revealing his horribly burned face. Some very nice art here, including some photographs from Lon Chaney movies as well.

Next is "Madness in the Method" by Rocco Mastroserio (art) and Archie Goodwin (story). Our protagonist, Henry, murders his wife and convinces everyone, including the court that he is insane. He finds the insane asylum he's put in unbearable though, and admits to the murder, wanting to be sent to prison instead. The doctors there refuse though, only permitting him to take part in a test to see if he's normal. Unfortunately for him, that results in them taking his brain out of his body.

Fifth is "Fear in Stone" by Eugene Colan (art) and Archie Goodwin (story). A sculptor is upset at the fact that he isn't successful. A critic tells him of a fellow sculptor who is very successful. Our protagonist goes to see his work and finds his sculptures to show people in absolute terror. After witnessing a homeless man he sees the sculptor with become the next sculpture, our protagonist breaks into his home where he finds how he does it, he possesses the head of Medusa! Our protagonist is turned to stone and becomes just another sculpture.

Sixth is "Adam Link, Gangbuster!", the latest Adam Link story by Joe Orlando (art) and Otto Binder (story). In this story Adam is disguised as a human and eavesdrops some mobster who have framed Eve for murder. He also finds that a local councilor is involved. While he is caught, he fakes death and makes it out of there. He records the councillor incriminating himself, but the tape is destroyed. He then confronts the councillor, making him confess in writing, but a grenade destroys his legs and his body is destroyed. Is this the end for Adam Link? You'll need to check out his next story, in Creepy 15 to find out.

Last is "Second Chance!", with art by Steve Ditko and story by Archie Goodwin. This story is about a man who makes a deal with the devil to stay alive longer. The devil brings him back to life, but he ends up being stuck in a coffin! Luckily for him a gravedigger digs him out, but upon seeing this 'corpse' come to life, he kills him, which finishes him off for good.

Eerie 1

Today will be covering the first ever issue of Eerie. I'll start off by saying I don't actually own this issue. I do own all the content in it in some form or another though. This is the rarest Warren magazine of all time, only approximately 200 issues or so actually existed. The story goes that back in September 1965 Warren was planning on creating a companion magazine for Creepy called Eerie, but heard that a rival publisher was planning on using the same title. By rushing this issue to publication with a reprinted cover and all reprinted stories, Warren was able to copyright the name. What was supposed to be the first issue of Eerie became the second issue of Eerie.

The cover for this issue is by Jack Davis, and is a reprint of a subscription ad from the second issue of Creepy.

First story is "Image of Bluebeard" by Joe Orlando (art) and Bill Pearson (story), from Creepy 7. A mysterious assassin plagues the countryside. Meanwhile a young woman marries an older man who cares for her, but forces her to stay on his estate in the woods. He has a cabin near their house that he refuses her to see. After finding out that he's married three times before and discovering a book about bluebeard in his library, she becomes convinced that he's the killer and stabs him just as he is about to bring her into the cabin. But it ends up that the killer had already been captured and the cabin was just filled with animals he had gathered to keep her company.

Second is "Death Plane" by George Evans (art) and Larry Ivie (story), from Creepy 8. Evans was a terrific artist at EC but unfortunately did very few Warren stories, just this and a few for Blazing Combat. This story features a mysterious plane that is taking out both American and German planes during the war. One of the American officers is killed and realizes that the ghost of each person killed appears in the plane until they can kill someone else.

Last is "The Invitation" with art by Manny Stallman and story by Russ Jones, Larry Englehart and Maurice Whitman, from Creepy 8. A Baron gets in a car accident and comes across a mansion where vampires live. He convinces them to let him live as long as he brings them victims. He does, but eventually they turn him into a vampire as well. Whitman would very lamely repeat this exact same story in Creepy 17 in the story "A Night Lodging".

Creepy 6

Frank Frazetta provides a terrific, very dark cover for this issue of Creepy. Roy Krenkel draws the frontis, "Creepy's Loathsome Lore", which features the Mummy's Curse.

First is "The Thing in the Pit!" by Gray Morrow (art) and Larry Ivie (story). An excellent story, this features a man whose car crashes in the woods. He is helped by a pair of blind freaks who bring him to their house and warn him of 'The Thing in the Pit'. Curious, he finds 'The Thing' to be a beautiful, normal looking woman. The freaks throw him in the pit but when he tries to get out using some rope, he realizes its actually the tentacles of the Thing, which strangles him.

Second is "Thumbs Down!" by Al Williamson (art) and Anne T. Murphy (story). Murphy was Archie Goodwin's wife. This is her sole story though for Warren. The story features a crooked arena games master who has his top gladiator killed only for him to come back from the dead to take revenge. This story would probably be reprinted by Warren over the years more than any other story.

Third is "Adam Link in Business!" by Joe Orlando (art) and Otto Binder (story). Adam is about to be executed for the murder of Dr. Link, but at the last second his friend Jack Hall gets him saved because of a witness changing her story. Adam goes into business as a scientific consultant, making lots of money. He takes on a secretary, Kay, who is Jack's girlfriend. Jack wants to marry her but she refuses, as she's in love with Adam! Adam flees from society to avoid her.

Fourth is "The Cask of Amontillado!" by Reed Crandall (art) and Archie Goodwin (story), an adaption of the classic Poe story. The story features a man who encloses a colleague of his in a brick tomb. Goodwin adds a new ending to the story, where the protagonist, now an old man, returns to the scene of the crime and is killed when the chamber floods and the corpse of his colleague pulls him under water.

Fifth is "The Stalkers" by Alex Toth (art) and Archie Goodwin (story). A man goes to a psychologist, telling him of these bad dreams he is having where he is confronted by aliens that look like prune faced people. The psychologist reveals that he's an alien himself, and that our protagonist is one as well, who had been on Earth in human form so long that he forgot who he was.

Sixth is "Abominable Snowman!" by John Severin (art) and Bill Pearson (story). A group of four explorers search for adominable snowmen in the himalyas. Soon two of the men are dead. The other two set explosions, which go off as some of the creatures come. One of the men in their tent thinks he's safe, only to find that one is in the tent with him!

Last is "Gargoyle" by Angelo Torres (art) and Archie Goodwin & Roy Krenkel (story). A man seeks to find the power to turn stone into gold. He meets a mysterious dwarf who is the responsible for the deaths of multiple powerful men. He gets the dwarf drunk, who reveals how to make gold out of stone, so he pours it on a stone gargoyle. Only the dwarf actually told him how to turn the stone into life, and the gargoyle kills him!

Creepy 4

Frank Frazetta tackles the cover for this issue of Creepy, featuring a man confronted by a werewolf. The frontis is "Creepy's Loathsome Lore" by Al Williamson.

First is "Monster Rally" by Angelo Torres (art) and Archie Goodwin (story). A mad scientist assembles a large group of monsters, all in order to find a formula that will give him eternal life. Eventually a town mob attacks him when one of his monsters, a vampire, escapes and attacks the town. The scientist frees his monsters, who kill him rather than attack the mob. The entire castle burns to the ground. There is only one survivor, a small baby... Uncle Creepy!

Next is "Blood and Orchids" by Al McWilliams and Archie Goodwin (story). A doctor assists in a murder investigation where multiple people have been found with their blood drained. He suspects it is because of a countess he met who doesn't use mirrors, brought over native soil for her plants, and doesn't go out during the day. He naturally thinks she is a vampire, but it is actually her blood drinking plants that are the culprit.

Third is "The Damned Thing" by Gray Morrow (art) and Archie Goodwin (story), an adaption of the Ambrose Bierce story. A group of men gather around in a cabin due to the death of the cabin's owner. One of the men, a friend of the murder victim, tells a story about how he believes the man was killed by a creature that is a color that the human eye cannot see. None of them believe him, but as they leave, they are attacked by the creature. A very good adaption (with a revised ending) by Goodwin. The 'Damned Thing' is very scary when it finally is seen.

Fourth is "Moon City!" by Al McWilliams (art) and Larry Engleheart (story). This story tells of a settlement made on the moon. One of the workers who constructs the settlement returns to Earth, gets married, and heads to the moon with his wife. But there they are attacked and killed by hungry dogs who were on the moon all by themselves.

Fifth is "Curse of the Full Moon!" by Reed Crandall (art) and Archie Goodwin (story). A rich man, Henry, has his coach attacked by a wolf, and his driver killed, He encounters an old gypsy woman who tells him that it is a werewolf, and he is to be the creature's next victim. Henry plans to hunt the werewolf with his two hunting buddies and when the werewolf attacks him, he kills it with a silver bladed knife. Because he was bitten however, he becomes a werewolf himself and his killed by his friends.

Last is "The Trial of Adam Link" by Joe Orlando (art) and Otto Binder (story). Adam is turned back on by Dr. Link's nephew, who is able to get him put on trial rather than being immediately destroyed. Adam is villified by the masses and torn apart by the press, except for a single writer, Jack Hall. Adam saves multiple peoples lives around the time of and after the trial, but is found guilty and sentenced to death.

Creepy 7

This issue of Creepy features a classic cover by Frank Frazetta of a werewolf fighting a vampire. A very strong issue, not a single bad story from an art or story standpoint here.

First is "The Duel of the Monsters!" by Angelo Torres (art) and Archie Goodwin (story). A vampire finds that he has competition in the town he's in, a werewolf. The werewolf knows of him and plants a crucifix in his coffin. The vampire plots to get rid of the werewolf, thinking he knows who he is. He waits at the werewolf's house and kills him, only to find that the werewolf was actually someone else. The man he was suspecting was the werewolf appears, revealing it was a trap to get the two of them to eliminate each other, as he is a ghoul and wants no competition either.

Second is "Image of Bluebeard" by Joe Orlando (art) and Bill Pearson (story). A mysterious assassin plaugues the countryside. Meanwhile a young woman marries an older man who cares for her, but forces her to stay on his estate in the woods. He has a cabin near their house that he refuses her to go into. After finding out that he's married three times before and discovering a book about bluebeard in his library, she becomes convinced that he's the killer and stabs him just as he is about to bring her into the cabin. But it ends up that the killer had already been captured and the cabin was just filled with animals he had gathered to keep her company.

Third is the one page "Creepy's Loathsome Lore" by Frank Frazetta (art), his final interior artwork for Warren.

Fourth is "Rude Awakening!" by Alex Toth (art) and Archie Goodwin (story). This story is about a man who keeps having dreams of a glasses wearing man attacking him with a knife. He's so freaked out by them that he falls out a window and is brought to the hospital, where he faces none other than the glassed man!

Fifth is "Drink Deep!" by John Severin (art) and Otto Binder (story, as Eando Binder). A wealthy ship owner brings people on tours of the sea, telling them of his ancestor who was a pirate. He is very cruel to his crew, causing them all to quit. He soon is able to gain a new crew, but it ends up that they are actually dead, killed by his ancestor, and they cause his ship to sink, leaving him at the bottom of the ocean with his ancestor's victims.

Sixth is "The Body-Snatcher!" by Reed Crandall (art) and Archie Goodwin (story), an adaption of the story by Robert Louis Stevenson. A young doctor joins another doctor who is responsible for teaching students about autopsies. He soon finds from that they are forced to revert to digging up corpses to get bodies, or buying them from other grave robbers. One such grave robber becomes quite a nuisance and is eventually killed by the older doctor and used as one of their patients. But when they dig up a new corpse to use from the cemetary, it ends up being him, and he comes back to life to get revenge.

Seventh is "Blood of Krylon!" by Gray Morrow (art) and Archie Goodwin (story). A vampire, who is finding it harder to find victims in a futuristic society decides to head to the colony planet of Krylon, where he thinks that it will be much easier to find victims. On the way there he kills all his fellow ship travelers, using them to feed himself. When he arrives at Krylon however, he soon dies when he finds out that the night is a lot shorter there.

Last is "Hot Spell!" by Reed Crandall (art) and Archie Goodwin (story). A devil worshipper is captured by the townfolk and set on fire at the stake. Before he dies however, he curses them. Years pass and his descendants all pass away. The town however has multiple people who die due to fire. The townfolk think that an artist from out of town is a descendent of him, so they set his house on fire, killing his wife, then kill him too. But the ghost of the devil worshipper appears, saying that they'be become as evil as he, and sets them aflame.

Creepy 9

Posting another issue today to make up for missing yesterday.

This classic issue of Creepy features a cover by Frank Frazetta featuring a swordsman fighting off 3 vampire creatures. The frontis is "Creepy's Loathsome Lore" by Roy Krenkel.

First is "Dark Kingdom!" by Gray Morrow (art) and Archie Goodwin (story). A Spartan, Argo, finds himself in hell, battling various winged creatures, snakes and others. He's able to escape from Hades and live, with a scar on his back as a souvenier. As usual, great art from Morrow.

Second is "The Castle on the Moor" by Johnny Craig (story & art, credited to Jay Taycee). A group of tourists in a castle find themselves under attack by a werewolf, the son of the castle's owner. Soon only two are left, but are able to kill the werewolf with a silver bullet. One of the survivors reveals himself a ghoul however, and kills the last remaining person so he can eat her.

Third is "Adam Link's Vengeance" by Joe Orlando (art) and Otto Binder (story). This story continues from the prior one, where Adam was thrown off a cliff by Eve, who was possessed by a helmet she was wearing. Adam makes it to civilization, gets repaired, then takes on Eve in a new robot body. He defeats her, but ends up killing her. The man possessing her falls off a cliff soon afterwards.

Fourth is "Overworked" by Wally Wood & Dan Adkins (art) and Archie Goodwin (story). This story, which was Wood and Adkin's Creepy debut is about a comic book artist who is finds himself plauged by the monsters from the stories he creates. He tries to stop, but keeps getting more jobs and finds himself in horrific situations. Eventually he becomes trapped within his own strip.

Fifth is the second part of "The Coffin of Dracula" by Reed Crandall (art) and Archie Goodwin (story). This is a continuation from a story started in the prior issue. A man who had sat in Dracula's grave becomes Dracula himself. The story surrounds a number of men pursuing him, who eventually are successful in destroying him.

Sixth is "Out of Time" by Alex Toth (art) and Archie Goodwin (story). A mugger kills his victim, and is under pursuit from the police. He manages to escape using a portal which brings him to the 1700's. A man there tells him that he created the portal and wants to switch places with him. They do so, but our protagonist finds himself in just as bad a position as he's burned at the stake for witchcraft, which the person he replaced had been performing.

Last is "The Spirit of the Thing" by Steve Ditko (art) and Archie Goodwin (story). It features a professor who hypnotizes a student of his, resulting in his spirit leaving his body. The professor then steals the student's body, as his is about to die. The student's spirit, now bodiless, steals the professor's corpse from the graveyard and uses it to brutally beat to death his own body (with the professor's spirit) until the professor is forced to leave. Outside of Collectors Edition from the next issue, Ditko's best story for Warren.

Creepy 2

This classic issue of Creepy was from when the magazine was top notch across the board, great artists, great stories, very few flaws in these early issues. This cover is by Frank Frazetta, his first for Warren. Angelo Torres provides a one page Uncle Creepy intro for the frontis.

First is "Fun and Games!" by Joe Orlando (art) and Archie Goodwin (story). This story surrounds a middle aged couple who hate each others guts. At a carnival the husband participates in a game where he fires upon a model of his wife. When he gets home, he finds that she is dead. He heads back to the carnival, where the carnival barker he met before leads him through a door, where his wife is, who shoots him. A rather confusing ending to this story.

Next is the one page "Creepy's Loathsome Lore" by Bob Lubbers (art), in his sole Warren apperance. This feature focuses on vampires.

Next is "Spawn of the Cat People", the cover story, by Reed Crandall (art) and Archie Goodwin (story). A hunter comes across a panther that has murdered a man in the woods. He comes across some other men that have tied up a young woman. He frees her and runs off with her, despite their warnings that she's not like them. The hunter soon suspects that she has the ability to turn into a panther and shoots her. But when he finds the men he met before they reveal the truth, that in their town she was the only one who could not tranform. They then transform into panthers and kill him.

Third is "Wardrobe of Monsters" by Gray Morrow (art) and Otto Binder (story). For some unknown reason Angelo Torres handles the final page. Five men find a number of sacrophoguses in a pharoah's Egyptian tomb that house various monsters including a vampire, wolf man, devil and Frankenstein monster. One of the men, a translator finds the ability to transfer himself into these monsters. He does so, killing his various partners in monster form so he can get all the credit. He also destroys the mummy of the pharoah, fearing that he also has the ability to transfer into the bodies. However when he occupies a monster to kill his last partner, the pharoah's spirit, released by the destruction of his physical body, seizes the man's own body, trapping him in monster form for good.

Next is the one page "Creepy's Loathsome Lore" by Frank Frazetta (art). This feature focuses on werewolves. It was one of Frazetta's very few interior art jobs for Warren.

Fourth is "Welcome Stranger" by Al Williamson (art) and Archie Goodwin (story). Two men from Hollywood that work in the movie industry come across a town where they find some strange events occuring. They soon encounter some ghosts. It ends up all being fake, an act by the townfolk who want a movie filmed there, but their work had resulted in frightening the two men to death

Fifth is "I, Robot" by Joe Orlando (art) and Otto Binder (story). This is the first story in the Adam Link series that ran throughout many of the early issues of Creepy. The story was originally written by Binder and his brother, and had actually been partially adapted before in EC comic's Weird Science Fantasy 27 - 29, which incidently enough was also drawn by Joe Orlando. This story introduces Adam, who is a robot created by the kindly scientist Dr. Link. Throughout the early part of the story we watch Adam's development from a blank slate to an intelligent creature. Unfortunately one day Dr. Link is killed accidently and Adam is seen there by the housekeeper, causing his death to be blamed on him. Adam is forced to go on the run and hide from the humans pursuing him.

The issue concludes with "Ogre's Castle" by Angelo Torres (art) and Archie Goodwin (story). An extremely good art job from Torres here, arguably his best job for Warren. A knight heads to a castle that is rumored to be where his younger brother dissappeared. Inside he finds an ogre who has captured a beautiful young woman. He fights off the ogre's various minions, then saves the woman. On his way out the ogre confronts him, and the knight kills the ogre. The ogre's corpse transforms into his younger brother as soon as he is killed however. The woman, now revealed to be a sorceress, transforms the knight into an ogre, to be used to guard the castle like his brother had before.

Of special note is the subscription ad at the end of the issue, drawn by Jack Davis. This ad would eventually be transformed into the cover for Eerie #1 about a year or so later.

Creepy 10

A classic Frank Frazetta cover starts off this issue of Creepy, featuring a green Frankenstein's monster before a mob.

First is "Brain Trust" by Angelo Torres (art) and Archie Goodwin (story). A new doctor in town is perplexed by the town eccentric, a large man who doesn't show up in public often, and smells like shaving cream. Eventually the grocery store owner refuses his business and he dissappears. The doctor finds out that the man was one of a set of mutated twins. Having died in a car crash, his other brother used his brain to control his actions. When the doctor comes upon him, the living twin uses the dead one's body to kill himself.

Second is "Into the Tomb!" by Joe Orlando (art) and Archie Goodwin (story). A group of archaeologists discovers a mummy's tomb, complete with one mummy of a servant and one of a pharoah. One of the archeologists reveals himself to be the pharoah, reincarnated, and destroys the mummy of his original body. The mummy of the servant arrives and the pharoah orders him to kill the others, but it instead wraps him up in wrappings and puts him back in the sarcophagus where his original body had been.

Third is "Monster!" by Rocco Mastroserio (art, his Warren debut) and Archie Goodwin (story). A man awakens in the body of a Frankenstein like monster. He becomes enraged at the scientist who did this to him and grabs him and walks into quicksand, just as the scientist reveals that he needed to do this to save him from a car wreck. A printer mistake causes the 6th and final pages in this story to be switched with one another.

Fourth is "Midnight Sail" by Johnny Craig (story & art, credited as Jay Taycee). Four young men and women go onto a sailboat and are helped by a friendly old captain who tells them a tale of the ship, which was occupied by a vampire which killed most of the crew and was obsessed with piloting the boat himself. In the present day the old captain pilots the boat over a waterfall to his death when a stake goes through his heart. Two of the young people are able to escape unharmed. The narrative of this story is very confusing, making it hard to tell when we depart the past and come back to the present.

Next is "Backfire!" by Gray Morrow (art) and Archie Goodwin (story). A gunfight veteran arrives in a deserted town and meets an old man in the bar, who tells him of a jury thats forming. After the gunfighter tells the old man about his most previous gunfight it is revealed that the 'jury' is actually the ghosts of the men he's killed, who fire upon him. He wakes up, finding its a dream, but soon ends up in the exact same scenario all over again.

Sixth is "Thing of Darkness" by Eugene Colan (art) and Archie Goodwin (story). A man working in the subway encounters a monster in the darkness which is afraid of the light. He is able to escape from the creature when the light of a subway car arrives, but his hair goes white from the fright. The monster still pursues him, but as long as he remains in the light he is okay. Unfortunately for him, the city has a great blackout, and all he has is a single candle which doesn't stay lit for that long...

Last is one of Warren's all time most famous stories, "Collectors Edition" by Steve Ditko (art) and Archie Goodwin (story). The story features Danforth, a man obsessed with the occult who hears of a book, 'Dark Visions' that he becomes obsessed with obtaining. Seeking to spend all of his wife's money on the book, he eventually murders the bookstore owner who told him of it in the first place, who had also committed murder to obtain the book. Reading the book, Danforth finds that it goes long past the time of the author, all the way to the present, and even the future, showing his own death, which shortly comes when his wife buries an axe in his head. Terrific art, terrific story, this is certainly up there among Goodwin's best stories. Ditko's drawing of Danforth's eyes slowly closing across the bottom of each page is also a nice touch.

Creepy 12

Dan Adkins provides the cover to this issue of Creepy, although it is miscredited to Frank Frazetta. The frontis, "Creepy's Loathsome Lore" is provided by Dan Adkins as well.

First is "Dark House of Dreams" by Angelo Torres and Archie Goodwin (story). An artist moves into the house of Matthew Gaunt, an evil man who was killed by a mob almost 200 years earlier. The artist has a number of dreams where he encounters Gaunt, and other evil beings, which become worse and worse with each one. Eventually he dies and turns into Gaunt, resurrected. Another very good story, as usual from Torres and Goodwin.

Second is "Turncoat!" by Bob Jenney (art) and Archie Goodwin (story). This story features a member of the Union army in the Civil War, who, hoping to escape from battle, puts on the uniform of a dead confederate soldier when he spots some confederate soldiers. The soldiers end up being dead however, and force him to die as well.

Third is "Maximum Effort!" by Rocco Mastroserio (art) and Ron Parker (story). A pair of men open a funeral business and find a lot of success with it. A skeptic thinks he realizes whats going on when he finds that they're grounding the bones of the dead to sell for fertilizer, but find that they also find other uses for the corpse, as they are a vampire and ghoul!

Fourth is "Voodoo Doll!" by Jerry Grandenetti (art) and Archie Goodwin (story). An older man gets a voodoo doll to keep his young wife from leaving him. However, it ends up that it is all a trick by her and her lover. She shows him a voodoo doll of himself, which causes him to die of a heart attack. However, when she disposes of both dolls, it ends up that they worked after all. By throwing the two of them in a fire, she is burned up herself.

Fifth is "Blood of the Werewolf!" by Steve Ditko (art) and Archie Goodwin (story). A man wandering the city in a drunken stupor is found by a psychologist who has a werewolf for a son. The psychologist manages to transfer the werewolf curse onto our protagonist, who soon becomes a werewolf himself. He ends up going to a psychologist to tell him whats going on, but it ends up that the man is actually the son who was originally a werewolf, and shoots him dead with a silver bullet.

Sixth is "Idol Hands!" by Manny Stallman (art) and Archie Goodwin (story). This story is about a large idol statue that is discovered and brought to a museum. It is soon discovered however that it isn't just a statue, and is alive. A so-so story, the weakest in this issue.

Last is "Adam Link, Robot Detective" by Joe Orlando (art) and Otto Binder (story). Adam dons a human disguise in order to investigate some murders that have been accused as having been committed by his robot mate, Eve. A rather interesting twist in this story, with Adam looking like a normal human being for most of it.

Creepy 17

The last Creepy issue of the original Goodwin error before things completely fell apart. Even so things start to fall apart here as this is an average issue, but clearly not as good as the ones that had been coming before this. Frank Frazetta provides the cover for this issue as well as the frontis art for "Creepy's Loathsome Lore", which was originally published in Creepy 2.

First is "Zombie!" by Rocco Mastroserio (art) and Archie Goodwin (story). A pair of men watch a voodoo ritual, but one of the men takes a picture, which causes them to realize their present. His companion is killed, but he manages to escape. When zombies start coming after him, he jumps into what he thinks is salt water, thinking the salt will stop them. Alas, he actually jumped into a river, which is fresh water, and the zombies are able to get him.

Second is "Thundering Terror!" by John Severin (art) and Clark Dimond & Terry Bisson (story). This story was clearly originally intended for Eerie, with Cousin Eerie hosting it. This story is about an old man who tells of his brother, who was obsessed with killing buffalos. One such encounter resulted in the death of a man who was trying to stop him. Over the years our narrator becomes successful and grows a family while his brother vanishes and returns from time to time, always doing nothing but hunting buffalos. An old man, our narrator finds his brother dead after he tries to hunt one last buffalo, and sees the ghost of the dead man on a ledge above him. Like any story told in a western setting, Severin was perfectly suited for this story.

Third is "Mummy's Hand" by Joe Orlando (art) and Russ Jones (story, miscredited to Orlando). This story was originally published in Monster World 2 in 1965. It features the mummy coming back to life, going on a rampage, and eventually being defeated. A rather boring mummy story which had a companion story run around this same time in Eerie.

Fourth is "Heritage of Horror" by Donald Norman (art) and Archie Goodwin (story). A young woman has horrific visions of her husband as an axe murderer. She finds out the truth, that he isn't one, but it ends up he's a hangman instead, and makes her his next victim.

Fifth is "Image in Wax!" by Tom Sutton (art) and Archie Goodwin (story). This was Sutton's Warren debut. A man is jealous of a competitor's ability to create realistic, but horrific wax creatures. He decides to murder the man by setting the place on fire, and kills him, but the man melts, revealing him to be a skeleton covered in wax. The competitor was actually brought back from the dead to watch over the wax figures, who are actually real monsters, and with him dying the monsters force the killer to take over taking care of them, making him a wax man too.

Sixth is "A Night's Lodging!" by Maurice Whitman (art) and Rhea Dunne (story). This story is about a man who is confronted by vampires after getting into an accident with his carriage. He tells them if they let him live he'll build them a hotel and bring many victims to him. He does so, but is eventually turned into a vampire himself. A very lame rehash of "The Invitation" from Creepy 8, which had Whitman as one of the writers.

Last is "The Haunted Sky!" by Roger Brand (art, his Warren debut) and Archie Goodwin (story). A pilot encounters his dead colleagues while aflight in an experimental airplane. Although the doctors don't initially believe him, there is proof left behind of the ghost's existence.

Creepy 3

A classic early issue of Creepy, featuring a cover by Frank Frazetta. A scary looking cover, but one that was never chosen for reprinting. Jack Davis does the art for this issue's frontis, "Creepy's Loathsome Lore". During this era of Creepy's existence there was rarely if ever a dud story; this issue is a great example, nothing bad here at all.

First is "Swamped" by Angelo Torres (art) and Archie Goodwin (story). A criminal is under pursuit by law enforcement in the middle of a swamp. He comes across a mansion occupied by three vampires. Rather than be killed by them, he leads them to the men pursuing him who are all killed by the vampires. He is captured by the vampires but kills them with stakes during the daytime and runs back out to the swamp... only to be killed by the vampires that the men pursuing him became.

Next is "Tell-Tale Heart" by Reed Crandall (art) and Archie Goodwin (story). This is an adaption of Edgar Allen Poe's classic story. This story tells of a servant of an old man who goes crazy due to the old man's eye and kills him. He hides the man's body in the floor boards and succesfully convinces the cops that he's done no wrong until he hears a beating heart which drives him to admit the truth. Goodwin's adaption adds a new ending to the end where the murderer is put in an institution and kills himself after seeing himself in a mirror with his bloodshot eye looking similar to the old man's.

Third is "Howling Success" by Angelo Torres (art) and Archie Goodwin (story). A city is plagued by a werewolf. A man who hates his wife encounters the werewolf but is safely able to hide from it by running through a cemetary fence. He plots to bring his wife to this spot at he next full moon so she can get killed by the werewolf, making him money on insurance. Only when he brings her there he discovers that she's the werewolf and becomes its next victim!

Fourth is "Haunted!" by Gray Morrow (art) and Archie Goodwin (story). A man inherits a hotel from his uncle rumored to be haunted, so he brings a supernatural expert there along with some of his cousins. The cousins leave, and the two of them head through the house, which does appear to be haunted, until the supernatural expert discovers that the cousins were faking it all in order to get the property for themselves. When asked how he knew they were faking it, the supernatural reveals the truth, that he's a ghost himself, as he removes his mask, revealing his skeleton face. A very enjoyable ending to this story.

Next is "Incident in the Beyond!" by Gray Morrow (art) and Archie Goodwin (story). A ship heads through space, testing a new warp drive to ensure it works. There was one prior try at the warp, which failed before. Along the way they find an apparent alien ship, which they destroy. The warp drive works, but they find that it has not saved them any time, and they find another ship trying the drive thinking they're aliens, so they are destroyed as well, like they had destroyed the original ship.

Last is "Return Trip!" by Joe Orlando (art) and Arthur Porges (story, his sole Warren appearance). A man's corpse returns from the dead. As he heads towards his old house, we flashback to when he was alive, and his wife, bored with him, plotted to poison him with a friend of his. The corpse returns to the home and murders his old friend then finds his wife. Surprisingly enough, rather than kill her he kisses her!

Creepy 15

This issue of Creepy features a classic cover of neanderthals by Frank Frazetta. It would eventually be used as the first reprinted cover Warren ever used, on issue 83.

First is "City of Doom!" by Steve Ditko (art) and Archie Goodwin (story). This story features the Barbarian Thane in his first appearance, a character that would appear in random stories by Archie Goodwin throughout the years. Thane goes to a city where monsters run amock, including a sorceress who controls a tentacled monster. Thane defeats the sorceress when her own monster ends up turning on her.

Second is "Adam Link, Champion Athlete!" by Joe Orlando (art) and Otto Binder (story). Adam becomes an athlete on advice in order to improve his public image. He succeeds tremendously in all sports he tries, but that doens't stop a newspaper columnist from criticizing him. This was Adam Link's final appearance, ending his storyline without an ending.

Next is "The Adventure of the German Student" by Jerry Grandenetti (art) and Archie Goodwin (story). This is an adaption of a Washington Irving story. A german student staying in Paris meets a beautiful woman by the guillotine and sleeps with her. The next day he wakes up to find her dead! When he summons the authorities, they reveal that she was executed the previous day and her head falls off! The student goes crazy and ends up in an asylum, where he dies.

Next is "The River" with story & art by Johnny Craig. A pair of thieves try to escape using the river, but one has second thoughts and is killed by his colleague. Although he is shot at, he is able to escape and is helped by an old man on a boat. However, it ends up the old man is bringing him to the lake of the dead.

Next is the one page "Creepy's Loathsome Lore" by Gil Kane.

Last is "The Terror Beyond Time!" by Neal Adams (art) and Archie Goodwin (story). At 16 pages, this is the longest story of the original Goodwin era. Searching for a professor, a man heads deep into a cavern where he had dissappeared. Inside he finds a prehistoric world with dinosaurs and prehistoric men. In addition various other people throughout time have been summoned here including a beatiful woman from England. The professor is found, but it ends up that he's working for an evil being who is responsible for summoning everyone there as well as controlling people's thoughts. Our hero refuses to work under his control and instead kills the professor and the evil being. Afterwards he awakens in the modern age, with the woman there with him. A fairly good story although as discussed by Neal Adams in the Warren companion, the evil being ends up looking like an ice cream sundae rather than something supremely evil.

Eerie 12

This classic issue of Eerie was the first of the non-Goodwin era, although most of the stories contained within were created before Goodwin's departure. Dan Adkins provides the cover, featuring the Mummy, a cover which appears to have been originally intended for the prior issue. The frontis is a reprint from issue 4, "Eerie's Monster Gallery: Zombies!" by Roy Krenkel.

First story is "The Masque of the Red Death" by Tom Sutton (art) and Archie Goodwin (story, uncredited). This story is an adaption of Poe's classic story. It is about a plague that arises, killing many. Prince Prospero and his friends barricade themselves in a castle safe from the plague, and won't let any of the sick people in. They hold a ball where a mysterious caped man arrives who touches them, causing them to all die of the plague themselves.

Second is "Vampyrus" by Jeff Jones (art) and Archie Goodwin (story, uncredited). A pair of men head to a temple in Central America which houses bats as well as a native in the emple who they flee from. One of them is bitten by the bats, turning him into a vampire that attacks his companion.

Third is "...Nor Custom, Stale..." by Johnny Craig (story & art). A man travels to the desert country of Sumaria with his new wife, who he met in a hospital. Because she has amnesia she remembers nothing about her past, but at a travel agency feels something when they see a picture of 'The Temple of Life' in Sumaria. When they arrive there, he falls asleep one night only to find his wife wandering off to the Temple itself, where druids take her and start casting some sort of spell on her. In a rage he rescues her and kills them, running off into the desert where he collapses. When he awakens he finds the man from the travel agency there, who reveals the truth to him, that his wife was dead and brought back in the temple of life. She needed to head back there annually to stay alive, but by interfering, he has killed her forever.

Fourth is "Escape!" by Joe Orlando (art) and Archie Goodwin (story, uncredited). A pair of convicts escape the island they are imprisoned on, being helped by a native. One of the two kills the other so he doesn't have to share a treasure that he is hiding in the woods. Along the way he gleefully chops the head off an anaconda. Upon finding the treasure, he is stung by a scorpion. He asks the native to help keep him alive, so he does so, by transfering his head to the anacanda!

Fifth is "Portrait of Satan!" by Ric Estrada (art) and Archie Goodwin (story, uncredited). An overworked artist says he'd sell his soul to Satan if he could do some reputable, serious art rather than all the commercial art he's churning out. Satan himself arrives, offering that in exchange for his soul. The artist refuses, not wanting to give up his soul, but agrees to do a portrait of Satan as payment instead. He does so, but Satan takes his soul anyway because he said he'd put his "heart and soul" into the art. A rather poor story based on simple word play.

Last is "The Past Master" by Al McWilliams (art) and Craig Tennis (story, uncredited). The best story of the issue, this is an adaption of the Robert Bloch story, and was originally printed in the book Christopher Lee's Treasury of Terror. Told from the perspective of many witnesses, this story tells of a mysterious man who comes out of the sea and starts buying or stealing large quantities of artwork. It is revealed that the man is from the future, coming back to save works of art that will be destroyed in an upcoming war. Upon his escape however his craft is destroyed by the US navy, thinking its a soviet craft, which triggers the very war that he was speaking of.

Creepy 14

This issue of Creepy features a cover by Gray Morrow of a barbarian fighting a skeleton warrior. The frontis for this issue is "Creepy's Loathsome Lore" by John Severin.

First up is the cover story, "Where Sorcery Lives" by Steve Ditko (art) and Archie Goodwin (story). A warrior, Garth comes after the sorceror Salamand who was responsible for the destruction of his town and capture of his lover. The warrior battles various beasts sent after him by the sorceror and finally comes upon him. The sorceror reveals that he is going to use Garth's body such that the lover will love him, but ends up getting stabbed by her because he let his guard down.

Second is "Art of Horror" by Jerry Grandenetti (art) and Goodwin (story). The story features a writer who plans to play a trick on his two friends in a haunted mansion by masquerading as a ghost. Only after frightening them he realized that he died when falling down the stairs, and truly is a ghost!

Third is "Snakes Alive!" by Hector Castellon (art) and Clark Dimond & Terry Bisson (story). The story is about musicians who come across an old musician who sends snakes after them. Eventually they end up turning into snakes themselves. Castellon's art is quite a dissappointment compared to the other artists in this magazine.

Fourth is "The Beckoning Beyond!" by Dan Adkins (art) and Goodwin (story). A man goes to see his friend, who has created a machine that opens up a portal to another dimension. The two head there, where they find bizarre creatures coming after them. They return to the normal world and the man destroys the machine, but his friend dies, as it ends up that he had already died the first time he used the portal and was only kept alive by heading to the other dimension.

Fifth is "Piece By Piece" by Joe Orlando (art) and Archie Goodwin (story). A scientist creates a Frankenstein-like monster from five different people and takes the brain from his assistant. The monster takes revenge upon the townfolk who were mean to him when he was still alive, only for the corpses of the five people whom his body is made up of to climb out of their graves and take back all their body parts.

Sixth is "Castle Carrion!" by Reed Crandall (art) and Goodwin (story). This story features a knight who comes across a strange castle where a wizard brings multiple dead soldiers to life to fight. The knight tries to escape the castle with the wizard's daughter, but are pursued by the wizard, who turns into a vulture. The wizard is killed by the knight, but this ends up killing the daughter, who was originally dead but brought back to life.

Last is "Curse of the Vampire!" by Neal Adams (art, his Warren debut) and Goodwin (story). The story features a family curse where every member of the vampire is supposedly supposed to turn into a vampire after death. A doctor who has fallen in love with a young woman who is part of the family refuses to let the family servent drive a stake through her since he believes she is just in a coma. It ends up that the servent is the true vampire, and has been able to blame everything on the family due to the curse. The doctor kills him and the girl awakens. However it ends up that the doctor is a vampire, and now knowing that she's human, he makes her his next victim!

Creepy 8

An early issue of Creepy, featuring Gray Morrow's first cover for Warren's horror magazines. The frontis for this issue, "Creepy's Loathsome Lore" is by Angelo Torres (art) and Archie Goodwin (story).

Up first is "The Coffin of Dracula" by Reed Crandall (art) and Archie Goodwin (story). A man comes into possession of Dracula's coffin and sits in it, becoming Dracula himself. He invites people to his mansion then steals one of the women and runs away with her. The Van Helsings start looking for him and find a monster in a cave. This story would be concluded in the next issue.

Next is "Death Plane" by George Evans (art) and Larry Ivie (story). Evans was a terrific artist at EC but unfortunately did very few Warren stories, just this and a few for Blazing Combat. This story features a mysterious plane that is taking out both American and German planes during the war. One of the American officers is killed and realizes that the ghost of each person killed appears in the plane until they can kill someone else.

Another EC great is next, Johnny Craig, using the pseudonym 'Jay Taycee' in his Warren debut, "The Mountain". This story, like the previous one, is done in pencil only. A woman wandering in the winter wilderness comes across a cabin on a mountain and meets a man inside who asks her to bring the town mayor to him so he can take over his mind. She does so and the young man reveals his true self, the Devil, who is able to wreak havoc on the world now that she has brought him a body he can use to escape the cabin in which he has been trapped.

Fourth is "The Invitation" with art by Manny Stallman (in yet another Warren debut in this issue) and story by Russ Jones, Larry Englehart and Maurice Whitman. A Baron gets in a car accident and comes across a mansion where vampires live. He convinces them to let him live as long as he brings them victims. He does, but eventually they turn him into a vampire as well. Whitman would very lamely repeat this exact same story in issue 17 in the story "A Night Lodging".

"Adam Link's Mate", one of the many Adam Link stories by Warren appears next, with art by Joe Orlando and story by Otto Binder. In this story, a scientist convinces Adam to create a female robot, Eve, which he does. The scientist then manages to manipulate their minds using a helmet he puts on them and gets them to rob banks for him. Adam is freed of the helmet's influence when a friend stops by, but he is attacked by Eve and thrown over a cliff to his apparant demise.

"A Vested Interest" is next, by George Tuska (art, his sole Warren appearance) and Ron Parker (story). A man sees a werewolf and confides in a stranger at a bar about it. He goes with the stranger to find the werewolf and brings a camera with him, and the stranger ends up being the werewolf. He reveals a gun with silver bullets in the camera, but the werewolf, whose wearing a bullet proof vest gets the better of him.

Last is "Fitting Punishment" by Eugene Colan (art, in his Creepy debut) and Goodwin (story). It features a grave digger who gets caught by the police in the act. He hides in a mausoleum and steals a dead man's clothes to escape, but the clothes shrink while he's wearing them, killing him.

Eerie 2

This is the first real issue of Eerie. It was intended to be the first issue, but when Warren realized that another company was attempting to use the name 'Eerie' prior to them, they rushed out a single 'ashcan' edition issue of Eerie containing three stories meant for Creepy to secure the copyright. A number of months later, the first real issue, this issue, came out. The cover is by Frank Frazetta featuring a wizard summoning monsters. Cousin Eerie and Uncle Creepy, drawn by Jack Davis are included as the frontis.

First is "Footsteps of Frankenstein" by Reed Crandall (art) and Archie Goodwin (story). A doctor heads to a town to visit an old friend, who the entire town hates. The friend is working on creating his own Frankenstein-like monster, which he plans to put his own brain into since he is so old. The doctor goes ahead and does it, and the friend plans to go on a rampage against the town. He is struck by lightning however, and turns into dust.

Second is "One for De-Money" by Angelo Torres (art) and E. Nelson Bridwell (story). A man discovers his rich old uncle summoning a demon, who is trapped in a pentagram drawn on the ground in chalk. The uncle demands the demon give him money, which he does. The nephew, upset at the way his uncle has treated him, kills him, then summons the demon so he can get even more money. However, having smudged off the chalk line when killing the uncle, the demon quickly kills him.

Third is "Eye of the Beholder" by Johnny Craig (art) and Archie Goodwin (story). A man becomes obsessed with bringing his dead wife back to life and finds a man who is able to do it. His wife returns exactly as she had before, but strange things start happening. The dog is frightened of her and dies of fright soon after. A man paid to deliver flowers to her runs off in terror. The man soon discovers the truth when he looks into a mirror, that she returned as a rotting corpse and she only appears normal when he looks at her.

Fourth is "Flame Fiend" by Gray Morrow (art) and Otto Binder (story). A man kills his business partner in a car explosion, but is visited by his ghost, in the guise of a humanoid flame monster soon after, who says he'll die by fire. The man avoids fire as much as he can, eventually heading to the woods during the winter, where he jumps into an ice-filled lake, causing him to die of a fever.

Fifth is "To Pay the Piper" by Eugene Colan (art, his Warren debut) and Larry Ivie (story). The story takes place in a town plagued by vampires. A piper offers to rid the town of the vampires by playing a song on his pipe in exchange for money. He does so and rids the town of vampires, but the town refuses to pay, so using his pipe he lures the children away, as in the classic Pied Piper story. Men wait for him in the woods however and kill him with arrows. They soon find however that he lured the children into wolfsbane, turning them all into werewolves!

Sixth is "Vision of Evil" by Alex Toth (art) and Archie Goodwin (story). The story features a rich man who becomes obsessed with the art of a madman living in an asylum. He heads to the asylum to see the artist, who is a usually comatose man except when he's painting. It soon becomes clear however that the monsters in his paintings are real, and they come for the rich man after he is featured in one of the madman's paintings.

Final story is "Ahead of the Game". The art is by Joe Orlando and Jerry Grandenetti (credited only to Orlando) and the story is by Archie Goodwin. It features a hunter who kills a white gorilla whose headless ghost continues to haunt him afterwards. Eventually he shows up for real and the hunter's head is cut off and put on a plaque!