A very good issue of Eerie, featuring Hunter by Ken Kelly on the cover.
First is "Stridespider Sponge-Rot!" by Esteban Maroto (art) and Doug Moench (story). This is the first of a seven part series entitled 'The Spook' about a black zombie. The term, which is a racist way to refer to black people, had been created by Bill Dubay, who told Doug Moench to write a series featuring a voodoo character. Anyway, this is a fairly good story, featuring the title character encountering a sorceress woman who brings numerous zombies to life. The Spook is able to stop them by throwing her into a fire. Really nice art by Maroto, who'd be replaced with Leopold Sanchez for the remainder of the series after this story.
Second is the last segement in the Hunter series. Art is by Paul Neary and story is by Bill Dubay. Hunter, along with Schreck and the Blood Princess arm the nuclear warhead to go off in one hour. Hunter heads off to meet with Oephal and have one last confrontation. Scheck and the Blood Princess meanwhile take out the remaining demons and find some weapons. Hunter tries to kill Oephal but finds he is unable to. The bomb fails to go off however, and Oephal kills Hunter, dying seconds later when Schreck kills him. A depressing end, but at the very least Hunter's quest of eliminating the last remaining mutants comes to fruition.
Next is "Hide From the Hacker!" by Tom Sutton (art) and Steve Skeates (story). This is the first of a three part series which would have a fairly long gap of 8 issues between parts 1 and 2. The story is about the investigation of a serial killer who had been pursued many years before but now seamingly has come back. A pair of detectives search for him to no avail, despite having some suspects. In the end, one of the detectives is decapitated! Fine art from Sutton in his final Eerie appearance.
Next is "Child" by Richard Corben (art) and Greg Potter (story). This retelling of the Frankenstein story using a child-like monster took place in three parts and was a rarity in that the entire series was in color. The first story tells of Child's origin, how he was created by a scientist who wanted a child after his wife died. Child has many good years with his father but he is eventually killed by the son of his former landlord. Child goes on a rampage and kills him.
Fifth is "The Terror of Foley Mansion!" by Jose Gual (art) and Carl Wessler (story). The third segment in the 'It' storyline, this focuses primarily on a group of robbers who try to steal from the Foley mansion. It comes back from the grave yet again and exacts revenge on them.
Last is "A Switch in Time..." by Isidro Mones (art) and Gerry Boudreau (story). Sanford thinks he's finally figured out Archaeus's pattern, killing people based on the Twelve Nights of Christmas. Archaeus meanwhile still manages to kill yet another juror under his nose by killing another man, then replacing the juror with his corpse in the coffin at a funeral when everyone else is distracted by a bomb he's planted. The juror is then buried alive with no one knowing of is fate. A pretty ingenious plot!
First is "Stridespider Sponge-Rot!" by Esteban Maroto (art) and Doug Moench (story). This is the first of a seven part series entitled 'The Spook' about a black zombie. The term, which is a racist way to refer to black people, had been created by Bill Dubay, who told Doug Moench to write a series featuring a voodoo character. Anyway, this is a fairly good story, featuring the title character encountering a sorceress woman who brings numerous zombies to life. The Spook is able to stop them by throwing her into a fire. Really nice art by Maroto, who'd be replaced with Leopold Sanchez for the remainder of the series after this story.
Second is the last segement in the Hunter series. Art is by Paul Neary and story is by Bill Dubay. Hunter, along with Schreck and the Blood Princess arm the nuclear warhead to go off in one hour. Hunter heads off to meet with Oephal and have one last confrontation. Scheck and the Blood Princess meanwhile take out the remaining demons and find some weapons. Hunter tries to kill Oephal but finds he is unable to. The bomb fails to go off however, and Oephal kills Hunter, dying seconds later when Schreck kills him. A depressing end, but at the very least Hunter's quest of eliminating the last remaining mutants comes to fruition.
Next is "Hide From the Hacker!" by Tom Sutton (art) and Steve Skeates (story). This is the first of a three part series which would have a fairly long gap of 8 issues between parts 1 and 2. The story is about the investigation of a serial killer who had been pursued many years before but now seamingly has come back. A pair of detectives search for him to no avail, despite having some suspects. In the end, one of the detectives is decapitated! Fine art from Sutton in his final Eerie appearance.
Next is "Child" by Richard Corben (art) and Greg Potter (story). This retelling of the Frankenstein story using a child-like monster took place in three parts and was a rarity in that the entire series was in color. The first story tells of Child's origin, how he was created by a scientist who wanted a child after his wife died. Child has many good years with his father but he is eventually killed by the son of his former landlord. Child goes on a rampage and kills him.
Fifth is "The Terror of Foley Mansion!" by Jose Gual (art) and Carl Wessler (story). The third segment in the 'It' storyline, this focuses primarily on a group of robbers who try to steal from the Foley mansion. It comes back from the grave yet again and exacts revenge on them.
Last is "A Switch in Time..." by Isidro Mones (art) and Gerry Boudreau (story). Sanford thinks he's finally figured out Archaeus's pattern, killing people based on the Twelve Nights of Christmas. Archaeus meanwhile still manages to kill yet another juror under his nose by killing another man, then replacing the juror with his corpse in the coffin at a funeral when everyone else is distracted by a bomb he's planted. The juror is then buried alive with no one knowing of is fate. A pretty ingenious plot!
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