Today's feature covers Warren's most prolific cover artists. These stats include Creepy, Eerie, Vampirella, 1984/1994, The Rook, Blazing Combat and The Goblin. It also features any annuals of these magazines. These totals do not include any reprints of previous covers (reprints from external sources, which were particularly apparent during Warren's last couple of years are included). Likewise, any covers that were created by reprinting and coloring internal panels are also not included. I have included back covers as well when they were formal covers (as opposed to ads or reprinted material).
Warren's Most Prolific Cover Artists (in aggregate):
1. Manuel sanjulian - 62 covers
1. Enrich Torres - 62
3. Ken Kelly - 52
4. Frank Frazetta - 30
5. Richard Corben - 14
5. Jordi Penalva - 14
7. Bob Larkin - 12
8. Jim Laurier - 10
9. Patrick Woodroffe - 9
10. Gray Morrow - 7
10. Don Maitz - 7
10. Rudy Nebres - 7
10. Vaughn Bode - 7
10. Barbara Leigh (photographs) - 7
Creepy's Most Prolific Cover Artists:
1. Ken Kelly - 25 covers
2. Manuel Sanjulian - 19
3. Frank Frazetta - 14
4. Gray Morrow - 4
4. Vic Prezio - 4
4. Enrich Torres - 4
4. RIchard Corben - 4
4. Kenneth Smith - 4
4. Richard Courtney - 4
Eerie's Most Prolific Cover Artists:
1. Manuel Sanjulian - 26 covers
2. Ken Kelly - 20
3. Frank Frazetta - 7
4. Vic Prezio - 6
4. Richard Corben - 6
4. Jordi Penalva - 6
7. Luis Dominguez - 5
7. Jim Laurier - 5
Vampirella's Most Prolific Cover Artists:
1. Enrich Torres - 52 covers
2. Manuel Sanjulian - 14
3. Ken Kelly - 7
3. Barbara Leigh (photographs) - 7
5. Frank Frazetta - 5
6. Jose Gonzalez - 4
7. Kim McQuaite - 3
1984's Most Prolific Cover Artists:
1. Patrick Woodroffe - 6 covers
2. Alex Nino - 4
3. Richard Corben - 3
3. Steve Fastner - 3
3. Rich Larson - 3
6. Jim Laurier - 2
6. Jordi Penalva - 2
6. Manuel Sanjulian - 2
The Rook's Most Prolific Cover Artists:
1. Bob Larkin - 7 covers
2. Jordi Penalva - 5
Frank Frazetta was responsible for all 4 Blazing Combat covers.
Friday, August 30, 2013
Saturday, August 24, 2013
Warren Swipes (Part 2)
Today's post is the second in a series showing some of the swipes that I've spotted in Warren comics over the years. While the first entry (see here) focused on swipes from outside sources, this one focuses on swipes that are completely contained within stories that appeared in Warren's magazines. Note: In all instances the original is posted first, then the swipe.
WARNING - This post contains nudity
Exterminator One/Love Strip
Exterminator One was a continuing series drawn by Paul Neary that appeared in Eerie. The second part of the series (appearing in Eerie #63) introduces a character named Slaughter who acts as an antagonist against the Exterminator. The character's design was a direct copy of the main character of the comic story "Love Strip" as drawn by Luis Garcia that appeared in the french publication Pilote. Several panels are direct swipes from that story, a couple of notable examples I have included here. The character from Love Strip was modeled after Spanish comic book artist Carlos Giminez, a friend of Garcia's who had contributed art on that story. Ironically enough, Warren ended up reprinting Love Strip in Vampirella (in issue 44), and the issue ended up coming out right about the same time as the issue that featured this Exterminator story.
The Castle, The Dungeon and All/The Winter of the Last Combat
Vicente Alcazar, who had a number of stories in Warren's comics (mostly in Creepy) came off as a sort of Luis Garcia-lite, and there were several instances where his stories contained swipes of Garcia's work. The one today is from the story "The Castle the Dungeon and All", from Vampirella 51. This image was a swipe from the Luis Garcia story "The Winter of the Last Combat", which also appeared in Pilote. This was another story reprinted in Vampirella (issue 43) as "The Wolves at War's End".
Three Old Women
This particular image of an old woman was used in three seperate Warren stories, by three seperate artists, making it particularly notable. I am not sure of the original source. Of the three, the Ramon Torrents story was the first published, although that doesn't necessarily mean the other two swiped from him.
These are from the stories:
The Stone of Power (Creepy 53) - art by Ramon Torrents
Return Trip (Vampirella 27) - art by Jose Gonzalez
Memoirs (Vampirella 30) - art by Fernando Fernandez
This particular image of an old woman was used in three seperate Warren stories, by three seperate artists, making it particularly notable. I am not sure of the original source. Of the three, the Ramon Torrents story was the first published, although that doesn't necessarily mean the other two swiped from him.
These are from the stories:
The Stone of Power (Creepy 53) - art by Ramon Torrents
Return Trip (Vampirella 27) - art by Jose Gonzalez
Memoirs (Vampirella 30) - art by Fernando Fernandez
Herma/The Saga of Honey Dew Melons
"The Saga of Honey Dew Melons", which appears in 1984 #1 features some amazing and sexy Esteban Maroto art, although like his story in the subsequent issue (covered in the prior entry), it contains multiple swipes. This one features multiple panels taken from "Herma" by Jose Gonzalez. Incidentally enough Herma ended up being reprinted in a later issue of 1984 (issues 8 - 10), causing one to believe that Gonzalez may have swiped from Maroto, but Herma was originally done several years earlier.
"The Saga of Honey Dew Melons", which appears in 1984 #1 features some amazing and sexy Esteban Maroto art, although like his story in the subsequent issue (covered in the prior entry), it contains multiple swipes. This one features multiple panels taken from "Herma" by Jose Gonzalez. Incidentally enough Herma ended up being reprinted in a later issue of 1984 (issues 8 - 10), causing one to believe that Gonzalez may have swiped from Maroto, but Herma was originally done several years earlier.
Friday, August 23, 2013
Warren Publishing Statistics (Part 2)
Today I'll be covering the writing side of the Warren stories. Similar to the previous post, this covers Creepy, Eerie, Vampirella, Blazing Combat, 1984/1994, The Rook and The Goblin. The totals do not include Famous Monsters of Filmland, Help! or The Spirit.
From a writing standpoint, I've taken a similar stance as I have with the art in regards to the 1 page frontispieces and have not included them in these totals. Also note that these may not be as accurate as the art numbers, there were certain instances where credits were not provided in the magazines. For those I have utilized credits from other sources such as The Warren Companion, Gathering Horror or Richard Arndt's Warren bibliography. Also Warren stories were frequently rewritten, and the credits for the stories as a result are not always accurate. For example, all of the Dax stories in Eerie were credited to Esteban Maroto, but were rewritten by various writers who were not credited. There were numerous instances where stories were drawn and then completely rewritten (or an entirely new story was created and put on a story that had been written by someone else) and typically the original author for such stories is unknown.
Warren's Most Prolific Writers (in Aggregate)
1. Bill Dubay - 293 stories
2. Archie Goodwin - 191
3. Budd Lewis - 156
4. Gerry Boudreau - 137
5. Rich Margopoulos - 107
6. Nicola Cuti - 103
7. Bruce Jones - 97
8. Steve Skeates - 72
9. Doug Moench - 70
10. Jim Stenstrum - 64
11. Roger McKenzie - 62
12. Bill Parente - 44
13. Bob Toomey - 35
13. Cary Bates - 35
15. Don McGregor - 34
16. Don Glut - 31
17. Esteban Maroto - 26
17. Robert Michael Rosen - 26
19. John Ellis Sech - 22
19. Victor de la Fuente - 22
19. Buddy Saunders - 22
22. Carl Wessler - 21
22. T. Casey Brennan - 21
24. Frank Thorne - 17
25. Kevin Duane - 16
26. Timothy Moriarty - 15
26. Mike Butterworth - 15
28. Fernando Fernandez - 14
28. John Jacobson - 14
30. Michael Fleischer - 13
30. Jack Butterworth - 13
30. Greg Potter - 13
33. Jan Strnad - 12
33. Gardner Fox - 12
33. Bruce Bezaire - 12
33. Al Hewetson - 12
37. Jose Bea - 11
37. Bill Warren - 11
37. Otto Binder - 11
40. Len Wein - 10
40. Tom Sutton - 10
Creepy's Most Prolific Writers
1. Archie Goodwin - 89
2. Gerry Boudreau - 53
3. Budd Lewis - 49
4. Bill Dubay - 48
5. Roger McKenzie - 41
6. Bruce Jones - 36
7. Nicola Cuti - 35
8. Rich Margopoulos - 30
9. Doug Moench - 29
10. Bob Toomey - 22
11. Steve Skeates - 21
12. Bill Parente - 20
13. Don McGregor - 15
13. Robert Michael Rosen - 15
15. Jim Stenstrum - 12
16. Cary Bates - 11
16. T. Casey Brennan - 11
18. Otto Binder - 10
Eerie's Most Prolific Writers
1. Budd Lewis - 83
2. Bill Dubay - 69
3. Archie Goodwin - 61
4. Steve Skeates - 35
5. Rich Margopoulos - 25
6. Doug Moench - 24
7. Nicola Cuti - 23
8. Gerry Boudreau - 21
8. Bruce Jones - 21
10. Bill Parente - 20
10. Jim Stenstrum - 20
12. Victor de la Fuente - 19
13. Cary Bates - 15
14. Don McGregor - 13
14. Esteban Maroto - 13
16. Buddy Saunders - 12
Vampirella's Most Prolific Writers
1. Bill Dubay - 66
2. Gerry Boudreau - 59
3. Rich Margopoulos - 43
4. Nicola Cuti - 39
5. Bruce Jones - 35
6. Don Glut - 18
7. Doug Moench - 17
8. Steve Skeates - 16
9. Mike Butterworth - 15
10. Budd Lewis - 13
10. Archie Goodwin - 13
12. Esteban Maroto - 12
12. Roger McKenzie - 12
12. Fernando Fernandez - 12
1984/1994's Most Prolific Writers
1. Bill Dubay - 72
2. Jim Stenstrum - 22
3. Frank Thorne - 17
4. Kevin Duane - 12
5. John Ellis Sech - 10
6. Rich Margopoulos - 9
7. Jan Strnad - 7
8. Budd Lewis - 6
8. Nicola Cuti - 6
10. Bruce Jones - 5
For The Rook, Bill Dubay was first with 29 stories, no one else was in double digits. Also, for Blazing Combat, Archie Goodwin was credited with 28 stories, only 2 others were credited with writing, a single story each (Wally Wood and Reed Crandall).
Bill Dubay's dominance over writing in Warren is quite apparant particularly in 1984/1994, for which he has more than three times as many stories as the second placer. Most of these stories appeared in the latter half of Warren's run following his resignation as editor of Creepy/Eerie/Vampirella in 1976.
From a writing standpoint, I've taken a similar stance as I have with the art in regards to the 1 page frontispieces and have not included them in these totals. Also note that these may not be as accurate as the art numbers, there were certain instances where credits were not provided in the magazines. For those I have utilized credits from other sources such as The Warren Companion, Gathering Horror or Richard Arndt's Warren bibliography. Also Warren stories were frequently rewritten, and the credits for the stories as a result are not always accurate. For example, all of the Dax stories in Eerie were credited to Esteban Maroto, but were rewritten by various writers who were not credited. There were numerous instances where stories were drawn and then completely rewritten (or an entirely new story was created and put on a story that had been written by someone else) and typically the original author for such stories is unknown.
Warren's Most Prolific Writers (in Aggregate)
1. Bill Dubay - 293 stories
2. Archie Goodwin - 191
3. Budd Lewis - 156
4. Gerry Boudreau - 137
5. Rich Margopoulos - 107
6. Nicola Cuti - 103
7. Bruce Jones - 97
8. Steve Skeates - 72
9. Doug Moench - 70
10. Jim Stenstrum - 64
11. Roger McKenzie - 62
12. Bill Parente - 44
13. Bob Toomey - 35
13. Cary Bates - 35
15. Don McGregor - 34
16. Don Glut - 31
17. Esteban Maroto - 26
17. Robert Michael Rosen - 26
19. John Ellis Sech - 22
19. Victor de la Fuente - 22
19. Buddy Saunders - 22
22. Carl Wessler - 21
22. T. Casey Brennan - 21
24. Frank Thorne - 17
25. Kevin Duane - 16
26. Timothy Moriarty - 15
26. Mike Butterworth - 15
28. Fernando Fernandez - 14
28. John Jacobson - 14
30. Michael Fleischer - 13
30. Jack Butterworth - 13
30. Greg Potter - 13
33. Jan Strnad - 12
33. Gardner Fox - 12
33. Bruce Bezaire - 12
33. Al Hewetson - 12
37. Jose Bea - 11
37. Bill Warren - 11
37. Otto Binder - 11
40. Len Wein - 10
40. Tom Sutton - 10
Creepy's Most Prolific Writers
1. Archie Goodwin - 89
2. Gerry Boudreau - 53
3. Budd Lewis - 49
4. Bill Dubay - 48
5. Roger McKenzie - 41
6. Bruce Jones - 36
7. Nicola Cuti - 35
8. Rich Margopoulos - 30
9. Doug Moench - 29
10. Bob Toomey - 22
11. Steve Skeates - 21
12. Bill Parente - 20
13. Don McGregor - 15
13. Robert Michael Rosen - 15
15. Jim Stenstrum - 12
16. Cary Bates - 11
16. T. Casey Brennan - 11
18. Otto Binder - 10
Eerie's Most Prolific Writers
1. Budd Lewis - 83
2. Bill Dubay - 69
3. Archie Goodwin - 61
4. Steve Skeates - 35
5. Rich Margopoulos - 25
6. Doug Moench - 24
7. Nicola Cuti - 23
8. Gerry Boudreau - 21
8. Bruce Jones - 21
10. Bill Parente - 20
10. Jim Stenstrum - 20
12. Victor de la Fuente - 19
13. Cary Bates - 15
14. Don McGregor - 13
14. Esteban Maroto - 13
16. Buddy Saunders - 12
Vampirella's Most Prolific Writers
1. Bill Dubay - 66
2. Gerry Boudreau - 59
3. Rich Margopoulos - 43
4. Nicola Cuti - 39
5. Bruce Jones - 35
6. Don Glut - 18
7. Doug Moench - 17
8. Steve Skeates - 16
9. Mike Butterworth - 15
10. Budd Lewis - 13
10. Archie Goodwin - 13
12. Esteban Maroto - 12
12. Roger McKenzie - 12
12. Fernando Fernandez - 12
1984/1994's Most Prolific Writers
1. Bill Dubay - 72
2. Jim Stenstrum - 22
3. Frank Thorne - 17
4. Kevin Duane - 12
5. John Ellis Sech - 10
6. Rich Margopoulos - 9
7. Jan Strnad - 7
8. Budd Lewis - 6
8. Nicola Cuti - 6
10. Bruce Jones - 5
For The Rook, Bill Dubay was first with 29 stories, no one else was in double digits. Also, for Blazing Combat, Archie Goodwin was credited with 28 stories, only 2 others were credited with writing, a single story each (Wally Wood and Reed Crandall).
Bill Dubay's dominance over writing in Warren is quite apparant particularly in 1984/1994, for which he has more than three times as many stories as the second placer. Most of these stories appeared in the latter half of Warren's run following his resignation as editor of Creepy/Eerie/Vampirella in 1976.
Thursday, August 22, 2013
Warren Publishing Statistics (Part 1)
The first blog post from me in about a year and a half, but I hope to not make this an isolated event. Today will feature the first in a multiple part feature. May not be everyone's cup of tea, but I hope to have some more traditional features in future posts.
The appendix to the Warren Companion offers a section featuring some statistics relating to Warren's staff, in particular focusing on the most prolific story artists, cover artists and story writers in Warren's history. This post is inspired in part based on that feature, largely because I thought providing some more detailed information may be helpful, as well as trying to address some mistakes I found (for example Ididro Mones, a prolific artist was left out entirely). For a self proclaimed stats geek like myself this is something that interests me a lot, and I compiled this data while slowly building up my Warren collection over the years.
This first post focuses on Warren's most prolific story artists. Only full length stories are included (1 page frontispieces are not, althoguh they will be included in a future post). Magazines included when compiling this data included those published in Creepy, Eerie, Vampirella, Blazing Combat, 1984/1994, The Rook, The Goblin and the occasional comic story included in Famous Monsters/Monsters World (of which there were few). I have not included anything included in Help! or The Spirit since I don't own any issues of those publications. For collaborations, each artist involved was credited for a full story.
I've included the top 40 overall, as well as any artist with double digit figures for individual magazines, except for 1984/1994 which I included the top 10. Note that for The Rook, Lee Elias, with 13 stories was the only one in double digits so a ranking for that title has been omitted.
Warren's Most Prolific Artists (in Aggregate)
1. Jose Ortiz - 116 stories
2. Esteban Maroto - 100
3. Luis Bermejo - 78
4. Rafael Auraleon - 72
5. Leo Duranona - 66
6. Alex Nino - 64
7. Tom Sutton - 60
8. Jose Gonzalez - 59
8. Rudy Nebres - 59
10. Martin Salvador - 58
11. Gonzalo Mayo - 56
12. Leopold Sanchez - 53
13. Richard Corben - 50
14. Carmine Infantino - 46
15. Ramon Torrents - 42
16. Alfredo Alcala - 40
16. Isidro Mones - 40
18. Bill Fraccio (as "Tony Williamsune") - 33
18. Tony Tallarico (as "Tony Williamsune") - 33
18. Paul Neary - 33
18. Reed Crandall - 33
22. Jose Bea - 32
22. Jerry Grandenetti - 32
24. Ernie Colon - 31
25. John Severin - 30
25. Abel Laxamana - 30
27. Joe Orlando - 29
27. Val Mayerik - 29
29. Alex Toth - 28
30. Pablo Marcos - 23
30. Victor de la Fuente - 23
32. Jack Sparling - 22
33. Pepe Moreno Casares - 21
34. Angelo Torres - 20*
35. Delando Nino - 19
35. E.R. Cruz - 19
37. Lee Elias - 18
38. Frank Thorne - 17
38. Fred Carillo - 17
38. Felix Mas - 17
* Torres provided the last page of the story "Wardrobe of Monsters" in Creepy #2 which has not been included in this total.
Creepy's Most Prolific Artists
1. Martin Salvador - 44 stories
2. Leo Duranona - 29
3. Carmine Infantino - 28
4. Jose Ortiz - 23
4. Richard Corben - 23
6. Luis Bermejo - 22
6. Tom Sutton - 22
6. Reed Crandall - 22
6. John Severin - 22
10. Esteban Maroto - 18
11. Joe Orlando - 17
12. Alfredo Alcala - 16
12. Isidro Mones - 16
12. Val Mayerick - 16
12. Fred Carillo - 16
16. Ernie Colon - 15
16. Alex Toth - 15
16. Adolfo Abellan - 15
19. Auraleon - 14
19. Alex Nino - 14
21. Leopold Sanchez - 13
22. Bill Fraccio (as "Tony Williamsune") - 13
22. Tony Tallarico (as "Tony Williamsune") - 13
22. Jose Bea - 13
22. Angelo Torres - 13
26. Pablo Marcos - 11
26. Grey Morrow - 11
28. Pepe Moreno Casares - 10
29. Jose Gual - 10
Eerie's Most Prolific Artists
1. Jose Ortiz - 40 stories
2. Tom Sutton - 28
2. Esteban Maroto - 28
4. Leopold Sanchez - 27
5. Luis Bermejo - 26
6. Leo Duranona - 24
7. Paul Neary - 23
8. Victor de la Fuente - 20
9. E.R. Cruz - 18
10. Gonzalo Mayo - 17
11. Jerry Grandenetti - 16
12. Richard Corben - 14
12. Bill Fraccio (as "Tony Williamsune") - 14
12. Tony Tallarico (as "Tony Williamsune") - 14
15. Isidro Mones - 13
16. Martin Salvador - 12
16. Jaime Brocal - 12
18. Carmine Infantino - 10
18. Ernie Colon - 10
18. Jack Sparling - 10
18. Eugene Colan - 10
Vampirella's Most Prolific Artists
1. Jose Gonzalez - 54 stories
2. Rafael Auraleon - 52
3. Esteban Maroto - 41
4. Jose Ortiz - 36
5. Gonzalo Mayo - 33
5. Ramon Torrents - 33
7. Luis Bermejo - 19
8. Leopold Sanchez - 13
8. Leo Duranona - 13
10. Jose Bea - 12
11. Rudy Nebres - 11
11. Isidro Mones - 11
11. Fernando Fernandez - 11
11. Felix Mas - 11
15. Tom Sutton - 10
15. Luis Garcia - 10
1984/1994's Most Prolific Artists
1. Alex Nino - 37 stories
2. Rudy Nebres - 19
3. Frank Thorne - 17
4. Abel Laxamana - 16
5. Jose Ortiz - 14
6. Esteban Maroto - 13
7. Delando Nino - 12
8. Richard Corben - 9
8. Vic Catan - 9
10. Jose Gonzalez - 5
Some interesting facts:
-Warren's usage of international artists is particularly apparent, of the top 10 only 1 artist is American (Tom Sutton). Spanish Artists from Seleciones Illustrada make up 6 of the top 10, including the top 4.
-Reed Crandall was the most prolific of the former EC artists to work for the company, appearing near the bottom of the top 20.
-Alex Nino's dominance in 1984/1994 is quite apparant, with him having nearly twice as many stories as the second placer. Numerous issues contain multiple stories from him.
-Jose Gonzalez has a whopping 54 stories in Vampirella, which is more stories in a single magazine than any other artist, although a mere 5 in Warren's other titles, all of which appear in 1984/1994.
The appendix to the Warren Companion offers a section featuring some statistics relating to Warren's staff, in particular focusing on the most prolific story artists, cover artists and story writers in Warren's history. This post is inspired in part based on that feature, largely because I thought providing some more detailed information may be helpful, as well as trying to address some mistakes I found (for example Ididro Mones, a prolific artist was left out entirely). For a self proclaimed stats geek like myself this is something that interests me a lot, and I compiled this data while slowly building up my Warren collection over the years.
This first post focuses on Warren's most prolific story artists. Only full length stories are included (1 page frontispieces are not, althoguh they will be included in a future post). Magazines included when compiling this data included those published in Creepy, Eerie, Vampirella, Blazing Combat, 1984/1994, The Rook, The Goblin and the occasional comic story included in Famous Monsters/Monsters World (of which there were few). I have not included anything included in Help! or The Spirit since I don't own any issues of those publications. For collaborations, each artist involved was credited for a full story.
I've included the top 40 overall, as well as any artist with double digit figures for individual magazines, except for 1984/1994 which I included the top 10. Note that for The Rook, Lee Elias, with 13 stories was the only one in double digits so a ranking for that title has been omitted.
Warren's Most Prolific Artists (in Aggregate)
1. Jose Ortiz - 116 stories
2. Esteban Maroto - 100
3. Luis Bermejo - 78
4. Rafael Auraleon - 72
5. Leo Duranona - 66
6. Alex Nino - 64
7. Tom Sutton - 60
8. Jose Gonzalez - 59
8. Rudy Nebres - 59
10. Martin Salvador - 58
11. Gonzalo Mayo - 56
12. Leopold Sanchez - 53
13. Richard Corben - 50
14. Carmine Infantino - 46
15. Ramon Torrents - 42
16. Alfredo Alcala - 40
16. Isidro Mones - 40
18. Bill Fraccio (as "Tony Williamsune") - 33
18. Tony Tallarico (as "Tony Williamsune") - 33
18. Paul Neary - 33
18. Reed Crandall - 33
22. Jose Bea - 32
22. Jerry Grandenetti - 32
24. Ernie Colon - 31
25. John Severin - 30
25. Abel Laxamana - 30
27. Joe Orlando - 29
27. Val Mayerik - 29
29. Alex Toth - 28
30. Pablo Marcos - 23
30. Victor de la Fuente - 23
32. Jack Sparling - 22
33. Pepe Moreno Casares - 21
34. Angelo Torres - 20*
35. Delando Nino - 19
35. E.R. Cruz - 19
37. Lee Elias - 18
38. Frank Thorne - 17
38. Fred Carillo - 17
38. Felix Mas - 17
* Torres provided the last page of the story "Wardrobe of Monsters" in Creepy #2 which has not been included in this total.
Creepy's Most Prolific Artists
1. Martin Salvador - 44 stories
2. Leo Duranona - 29
3. Carmine Infantino - 28
4. Jose Ortiz - 23
4. Richard Corben - 23
6. Luis Bermejo - 22
6. Tom Sutton - 22
6. Reed Crandall - 22
6. John Severin - 22
10. Esteban Maroto - 18
11. Joe Orlando - 17
12. Alfredo Alcala - 16
12. Isidro Mones - 16
12. Val Mayerick - 16
12. Fred Carillo - 16
16. Ernie Colon - 15
16. Alex Toth - 15
16. Adolfo Abellan - 15
19. Auraleon - 14
19. Alex Nino - 14
21. Leopold Sanchez - 13
22. Bill Fraccio (as "Tony Williamsune") - 13
22. Tony Tallarico (as "Tony Williamsune") - 13
22. Jose Bea - 13
22. Angelo Torres - 13
26. Pablo Marcos - 11
26. Grey Morrow - 11
28. Pepe Moreno Casares - 10
29. Jose Gual - 10
Eerie's Most Prolific Artists
1. Jose Ortiz - 40 stories
2. Tom Sutton - 28
2. Esteban Maroto - 28
4. Leopold Sanchez - 27
5. Luis Bermejo - 26
6. Leo Duranona - 24
7. Paul Neary - 23
8. Victor de la Fuente - 20
9. E.R. Cruz - 18
10. Gonzalo Mayo - 17
11. Jerry Grandenetti - 16
12. Richard Corben - 14
12. Bill Fraccio (as "Tony Williamsune") - 14
12. Tony Tallarico (as "Tony Williamsune") - 14
15. Isidro Mones - 13
16. Martin Salvador - 12
16. Jaime Brocal - 12
18. Carmine Infantino - 10
18. Ernie Colon - 10
18. Jack Sparling - 10
18. Eugene Colan - 10
Vampirella's Most Prolific Artists
1. Jose Gonzalez - 54 stories
2. Rafael Auraleon - 52
3. Esteban Maroto - 41
4. Jose Ortiz - 36
5. Gonzalo Mayo - 33
5. Ramon Torrents - 33
7. Luis Bermejo - 19
8. Leopold Sanchez - 13
8. Leo Duranona - 13
10. Jose Bea - 12
11. Rudy Nebres - 11
11. Isidro Mones - 11
11. Fernando Fernandez - 11
11. Felix Mas - 11
15. Tom Sutton - 10
15. Luis Garcia - 10
1984/1994's Most Prolific Artists
1. Alex Nino - 37 stories
2. Rudy Nebres - 19
3. Frank Thorne - 17
4. Abel Laxamana - 16
5. Jose Ortiz - 14
6. Esteban Maroto - 13
7. Delando Nino - 12
8. Richard Corben - 9
8. Vic Catan - 9
10. Jose Gonzalez - 5
Some interesting facts:
-Warren's usage of international artists is particularly apparent, of the top 10 only 1 artist is American (Tom Sutton). Spanish Artists from Seleciones Illustrada make up 6 of the top 10, including the top 4.
-Reed Crandall was the most prolific of the former EC artists to work for the company, appearing near the bottom of the top 20.
-Alex Nino's dominance in 1984/1994 is quite apparant, with him having nearly twice as many stories as the second placer. Numerous issues contain multiple stories from him.
-Jose Gonzalez has a whopping 54 stories in Vampirella, which is more stories in a single magazine than any other artist, although a mere 5 in Warren's other titles, all of which appear in 1984/1994.
Sunday, January 1, 2012
Vampirella 2
Bill Hughes provides the cover for this issue of Vampirella, dated November 1969. Tom Sutton provides the story and art for the frontispiece "Vampi's Feary Tales".
First is "Evily" by Jerry Grandenetti (art) and Bill Parente (story). Evily is a sorceress who is Vampirella's cousin, living in a castle in the Black Forest of Vaalgania. She invites a number of guests to her castle for a party who are revealed to be monsters. She also brings back a number of people to the dead from her basement. The monsters bring her a cloaked figure which ends up being Vampirella in a cameo role. Vampirella demands Evily's throne and a spell of Evily is bounced back at her by her mirror, turning her into a cat. Some good art by Grandenetti, but a rather weak start to the issue.
Next is "Montezuma's Monster" by Tony Williamsune (art) and Don Glut (story). A trio of men head to Mexico to search for Montezuma's treasure. They eventually find it in a cave where they also find some mummified corpses and a drawing of Quetzalcoatl, a flying serprent that is said can turn any winged thing into itself. The men take the treasure and start heading back to the U.S. Along the way a buzzard turns into Quetzalcoatl and kills one of the men. The other men try to kill any bird they find along the way to prevent it from happening again. One of them plots to kill the other, but is killed by Quetzalcoatl, who had transformed from a mosquito, at the last second. The final man gets back to civilization and thinks he's made it back safely at the airport, but the airplane turns into Quetzalcoatl and kills him.
Third is "Down to Earth!", this issue's Vampirella story, by Mike Royer (art) and Forrest Ackerman (story). This story is notable for being the only instance where an issue had a Vampirella story but it did not lead off the issue. The story also features Vampirella's twin sister Draculina, in her sole appearance, who acts as host. This story features Vampirella trying out for a Monsterella contest at the Warren offices where she is selected the winner by James Warren and Forrest Ackerman, giving her the name Bambi Aurora. Traveling on a plane to Hollywood, a bolt of lightning strikes it, blowing it up. An absolutely horrific story with a ridiculous ending, this is probably the worst Vampirella story of all time. Thankfully this would be the last time Royer or Ackerman did a Vampirella story and she wouldn't start in a story again until issue 8.
Fourth is "Queen of Horror!" by Dick Piscopo (art) and Don Glut (story). Similar themed to the previous story, it is about a monster movie director, Katzman who is looking for a new hot theme since his movies haven't done well lately. His assistant, with the help of a "Gorry Hackerman" (an obvious nod to Forrest Ackerman) comes up with the idea of having a female monster. Their actress is found in a bar, a woman named Mildred who is soon renamed to Adriana. Adriana does very well in a series of hit monster movies. One night Katzman invites her to his home, telling her he is in love with her. Adriana tells him no man could be happy with her and reveals that she actually is a monster, transforming into a werewolf who kills him. Adriana looks enough like Vampirella that I half expected it to end up being her while reading the story.
Next is "The Octopus" by William Barry (art) and Nicola Cuti (story). A man named Gary is invited to his brother Carl's home along with his two children where he is shown a large octopus in the well. Carl brings Gary underwater with him to investigate where he kills him in order to get his inheritance. He later tries to kill Gary's children by pushing them into the well but falls in when they move out of the way and is killed by the Octopus. Carl later returns in Octopus form to kill the children but is killed by the corpse of Gary, who has returned to protect his childen.
Sixth is "One, Two, Three" by Ernie Colon (art) and Nicola Cuti (story). A pair of androids, Kleet and Lia are brought in front of a trio of robot judges, on trial for showing emotion. Flashbacks show how they got to this point, with Lia reading fairy tales to the children she takes care of. She becomes obsessed with being rescued by a hero and is thrown out of her master's home when a man comes to the door and she asks him to take her with him. She is pursued by robot searchers and is found by Kleet when she is found playing with flowers in a field. Kleet brings her to an abandoned post but they are eventually caught and brought before the judges. The two are found guilty and brought out to a home in the desert. They are destroyed soon after however when it is revealed that the home is on a nuclear bomb testing site.
The issue concludes with "Rhapsody in Red!" by Billy Graham (art) and Don Glut (story). A husband and wife are caught in a big rainstorm in Transylvania and come across a large castle. Inside the castle they meet the mysterious Countess Margat Sinovitz who lets them stay there. The two of them suspect the Countess is a vampire due to the lack of electricity and mirrors in the castle as well as her strong, bat-like hearing. She attacks the husband, turning him into a vampire. She wants him to become her husband but he instead bites his wife, making her a vampire as well and kills the Countess with a sword.
First is "Evily" by Jerry Grandenetti (art) and Bill Parente (story). Evily is a sorceress who is Vampirella's cousin, living in a castle in the Black Forest of Vaalgania. She invites a number of guests to her castle for a party who are revealed to be monsters. She also brings back a number of people to the dead from her basement. The monsters bring her a cloaked figure which ends up being Vampirella in a cameo role. Vampirella demands Evily's throne and a spell of Evily is bounced back at her by her mirror, turning her into a cat. Some good art by Grandenetti, but a rather weak start to the issue.
Next is "Montezuma's Monster" by Tony Williamsune (art) and Don Glut (story). A trio of men head to Mexico to search for Montezuma's treasure. They eventually find it in a cave where they also find some mummified corpses and a drawing of Quetzalcoatl, a flying serprent that is said can turn any winged thing into itself. The men take the treasure and start heading back to the U.S. Along the way a buzzard turns into Quetzalcoatl and kills one of the men. The other men try to kill any bird they find along the way to prevent it from happening again. One of them plots to kill the other, but is killed by Quetzalcoatl, who had transformed from a mosquito, at the last second. The final man gets back to civilization and thinks he's made it back safely at the airport, but the airplane turns into Quetzalcoatl and kills him.
Third is "Down to Earth!", this issue's Vampirella story, by Mike Royer (art) and Forrest Ackerman (story). This story is notable for being the only instance where an issue had a Vampirella story but it did not lead off the issue. The story also features Vampirella's twin sister Draculina, in her sole appearance, who acts as host. This story features Vampirella trying out for a Monsterella contest at the Warren offices where she is selected the winner by James Warren and Forrest Ackerman, giving her the name Bambi Aurora. Traveling on a plane to Hollywood, a bolt of lightning strikes it, blowing it up. An absolutely horrific story with a ridiculous ending, this is probably the worst Vampirella story of all time. Thankfully this would be the last time Royer or Ackerman did a Vampirella story and she wouldn't start in a story again until issue 8.
Fourth is "Queen of Horror!" by Dick Piscopo (art) and Don Glut (story). Similar themed to the previous story, it is about a monster movie director, Katzman who is looking for a new hot theme since his movies haven't done well lately. His assistant, with the help of a "Gorry Hackerman" (an obvious nod to Forrest Ackerman) comes up with the idea of having a female monster. Their actress is found in a bar, a woman named Mildred who is soon renamed to Adriana. Adriana does very well in a series of hit monster movies. One night Katzman invites her to his home, telling her he is in love with her. Adriana tells him no man could be happy with her and reveals that she actually is a monster, transforming into a werewolf who kills him. Adriana looks enough like Vampirella that I half expected it to end up being her while reading the story.
Next is "The Octopus" by William Barry (art) and Nicola Cuti (story). A man named Gary is invited to his brother Carl's home along with his two children where he is shown a large octopus in the well. Carl brings Gary underwater with him to investigate where he kills him in order to get his inheritance. He later tries to kill Gary's children by pushing them into the well but falls in when they move out of the way and is killed by the Octopus. Carl later returns in Octopus form to kill the children but is killed by the corpse of Gary, who has returned to protect his childen.
Sixth is "One, Two, Three" by Ernie Colon (art) and Nicola Cuti (story). A pair of androids, Kleet and Lia are brought in front of a trio of robot judges, on trial for showing emotion. Flashbacks show how they got to this point, with Lia reading fairy tales to the children she takes care of. She becomes obsessed with being rescued by a hero and is thrown out of her master's home when a man comes to the door and she asks him to take her with him. She is pursued by robot searchers and is found by Kleet when she is found playing with flowers in a field. Kleet brings her to an abandoned post but they are eventually caught and brought before the judges. The two are found guilty and brought out to a home in the desert. They are destroyed soon after however when it is revealed that the home is on a nuclear bomb testing site.
The issue concludes with "Rhapsody in Red!" by Billy Graham (art) and Don Glut (story). A husband and wife are caught in a big rainstorm in Transylvania and come across a large castle. Inside the castle they meet the mysterious Countess Margat Sinovitz who lets them stay there. The two of them suspect the Countess is a vampire due to the lack of electricity and mirrors in the castle as well as her strong, bat-like hearing. She attacks the husband, turning him into a vampire. She wants him to become her husband but he instead bites his wife, making her a vampire as well and kills the Countess with a sword.
Saturday, December 31, 2011
Vampirella 4
Today I'm covering issue 4 of Vampirella, published in April 1970 (the same month as yesterday's Creepy 32). The cover is a collaberative effort from Vaughn Bode and Jeff Jones. Tom Sutton provides the story and art for the frontispiece "Vampi's Feary Tales: Burned at the Stake!". As with many early issues of Vampirella, this issue doesn't feature a Vampirella
story, although she hosts each of the individual stories within.
First is "Forgotten Kingdom" by Ernie Colon (art, credited as David St. Clair) and Bill Parente (story). A woman finds an astronaut from a spaceship that lands on her planet. She brings him to their leader, who tells him that all men on their planet have died and that they need him to help restore their civilization. He refuses, and with the help of the woman that found him they escape. He brings her to his spaceship and they leave the planet. He soon reveals however that it is the exact opposite on his world, that there are no women, and he has similar plans for her as they had for him.
Second is "Closer than Sisters" by Mike Royer (art) and Nicola Cuti (story). A young girl, Olivegard, is staying with her aunt and uncle after her parents were killed in a car crash. The aunt and uncle hire a new governess, June, to take care of her, and wonder if she is Olivegard's long lost older sister. The two want to kill Olivegard so they can get her inheritance. The aunt tries to do so but is killed at the beach. The uncle plans to kill both Olivegard and June and digs a pair of graves at the beach for them. They get the better of him however and bury him up to his head in the sand, which results in him drowning. June reveals that she is not Olivegard's sister, but rather the future version of Olivegard, come back in the past to get revenge. As the story ends however it is revealed that these are actually the delusions of the present day Olivegard who has gone insane after murdering her aunt and uncle. The death of the uncle in this story is very reminiscent of a sequence from the movie Creepshow, making me wonder if this was inspiration for that part of the movie.
Third is "Moonshine!" by William Barry (art) and Don Glut (story). A salesman from the city has a flat tire in the Ozarks where he is told off by a pair of locals. The salesman is enamored with their attractive sister. While driving he comes across a black cat who hypnotizes him and he follows it, finding the sister. She convinces him to stay with her and become one of them, feeding him some moonshine. The moonshine transforms him into a monster, making him like her and her brothers who are a witch and warlocks.
Next is "For the Love of Frankenstein!" by Jack Sparling (art) and Bill Warren (story). Dr. Hedvig Krolleck, a descendent of Dr. Frankenstein continues his experiments with the help of her hunchbacked assistant, Eric. Eric is in love with her which is the only reason he continues to assist her. Eventually they succeed in their experiments, but a new brain is needed for the body. Eric has a change of heart and destroys it, so Hedvig kills him and uses his brain. In his new body, Eric kills her in revenge then blows up the entire laboratory.
Fifth is "Come into my Parlor!" by Dick Piscopo (art) and R. Michael Rosen (Story). A man is impressed by a daredevil at a circus, Miss Arachna. He convinces her to see him and wants to start a relationship, but she tries to avoid it. Eventually she submits to him and reveals that she has spider hands from an experiment on spiders she performed in the past and used herself as a test subject for. He wants to marry her and she tries to say no but gives in. When they move into their new home she reveals that she has taken on the mating habits of spiders as well and devours him.
The issue concludes with "Run for your Wife!" by Jack Sparling (art), Richard Carnell and Jack Erman (story). A mysterious Count Tsarov invites seven couples who his castle in Slovania. There, Tsavarov is revealed to be a woman in disguise and has the husbands killed by vicious dogs, snakes, aligators, ants and other creatures. One of the wives is revealed to be a man who is part of 'Investigators International' however and kills the count.
story, although she hosts each of the individual stories within.
First is "Forgotten Kingdom" by Ernie Colon (art, credited as David St. Clair) and Bill Parente (story). A woman finds an astronaut from a spaceship that lands on her planet. She brings him to their leader, who tells him that all men on their planet have died and that they need him to help restore their civilization. He refuses, and with the help of the woman that found him they escape. He brings her to his spaceship and they leave the planet. He soon reveals however that it is the exact opposite on his world, that there are no women, and he has similar plans for her as they had for him.
Second is "Closer than Sisters" by Mike Royer (art) and Nicola Cuti (story). A young girl, Olivegard, is staying with her aunt and uncle after her parents were killed in a car crash. The aunt and uncle hire a new governess, June, to take care of her, and wonder if she is Olivegard's long lost older sister. The two want to kill Olivegard so they can get her inheritance. The aunt tries to do so but is killed at the beach. The uncle plans to kill both Olivegard and June and digs a pair of graves at the beach for them. They get the better of him however and bury him up to his head in the sand, which results in him drowning. June reveals that she is not Olivegard's sister, but rather the future version of Olivegard, come back in the past to get revenge. As the story ends however it is revealed that these are actually the delusions of the present day Olivegard who has gone insane after murdering her aunt and uncle. The death of the uncle in this story is very reminiscent of a sequence from the movie Creepshow, making me wonder if this was inspiration for that part of the movie.
Third is "Moonshine!" by William Barry (art) and Don Glut (story). A salesman from the city has a flat tire in the Ozarks where he is told off by a pair of locals. The salesman is enamored with their attractive sister. While driving he comes across a black cat who hypnotizes him and he follows it, finding the sister. She convinces him to stay with her and become one of them, feeding him some moonshine. The moonshine transforms him into a monster, making him like her and her brothers who are a witch and warlocks.
Next is "For the Love of Frankenstein!" by Jack Sparling (art) and Bill Warren (story). Dr. Hedvig Krolleck, a descendent of Dr. Frankenstein continues his experiments with the help of her hunchbacked assistant, Eric. Eric is in love with her which is the only reason he continues to assist her. Eventually they succeed in their experiments, but a new brain is needed for the body. Eric has a change of heart and destroys it, so Hedvig kills him and uses his brain. In his new body, Eric kills her in revenge then blows up the entire laboratory.
Fifth is "Come into my Parlor!" by Dick Piscopo (art) and R. Michael Rosen (Story). A man is impressed by a daredevil at a circus, Miss Arachna. He convinces her to see him and wants to start a relationship, but she tries to avoid it. Eventually she submits to him and reveals that she has spider hands from an experiment on spiders she performed in the past and used herself as a test subject for. He wants to marry her and she tries to say no but gives in. When they move into their new home she reveals that she has taken on the mating habits of spiders as well and devours him.
The issue concludes with "Run for your Wife!" by Jack Sparling (art), Richard Carnell and Jack Erman (story). A mysterious Count Tsarov invites seven couples who his castle in Slovania. There, Tsavarov is revealed to be a woman in disguise and has the husbands killed by vicious dogs, snakes, aligators, ants and other creatures. One of the wives is revealed to be a man who is part of 'Investigators International' however and kills the count.
Friday, December 30, 2011
Creepy 32
Frank Frazetta provides the cover to this issue of Creepy, which is dated April 1970. This issue is the first since issue 17 to feature entirely new stories. Tom Sutton provides the art and story for this issue's "Creepy's Loathsome Lore", titled "Androids".
The issue begins with "Rock God". This story was inspired by the Frank Frazetta cover. Per the introductory page to the story, Harlan Ellison was loking to write a story for Warren based on a Frank Frazetta cover and this story was the result. Neal Adams provides the artwork. This was Ellison's first and only story for Warren, and he would later be involved in a lawsuit against Warren when one of his stories was plagirized in 1984. At 13 pages this story is far longer than most Warren stories of this era and at the time only another Neal Adams drawn story from Creepy 15 had been longer. The beginning of the story features the summoning of the Rock God "Dis" who has left various stones each time he was summoned. This time the stone he left was stolen and passed down through the years, ultimately ending up in a skyscraper in present times that was built using substandard materials to enrich several corrupt men. One of the men attacks his lover when she says she is going to leave him and she falls out of the skyscraper to her death, resulting in the summoning of Dis. A so-so story, although Adams' art is quite good.
Next is "Death is a Lonely Place" by Bill Black (art) and Bill Warren (story). This story stars a vampire named Miklos Sokolos. The first half of the story shows his life as a vampire, living in a tomb and showing both how he became a vampire and how he finds his victims. Miklos meets a woman named Gwen at the movie theater to whom he becomes romantically involved. He refuses to drink her blood and refuses to marry her because of being a vampire. He eventually decides he will turn her into a vampire so they can marry, but has second thoughts when he considers how she will have to attack others for their blood. He instead leaves her note that lies about him being married and decides to commit suicide by dragging his coffin into the sunlight of the graveyard where he sleeps.
Third is "I... Executioner" by Mike Royer (art) and Don Glut (story). A newspaper reporter watches an execution take place and is interested by the calm manner in which the Executioner does his job. He requests an interview with the Executioner and is granted it. The Executioner tells him the role of executioners throughout time and claims he was present for them. This confuses the reporter until the Executioner removes his hood, revealing him to be Death himself. As the story ends it is revealed that the reporter has passed away of a cough he had and that his story will never be read.
Next is "A Wall of Privacy" by Ernie Colon (art, credited as David St. Clair) and Nicola Cuti (story). This story is hosted by Cousin Eerie so it was likely originally meant for an issue of Eerie. The story stars a man named Dannon with telepathic powers who lives in a 1984-esque future where everything he does is watched by cameras operated by the government. He desires to escape to a place known as the free zone where the cameras don't operate. He meets a woman who has telepathic powers as well and they plot to destroy a power plant which will enable them to escape to the free zone. The night comes when they destroy the power plant and all of Dannon's colleagues, including the women are killed. He is able to escape to the free zone, only to find that it is only 5 feet wide! I really enjoyed the ending to this one.
Next is "V.A.M.P.I.R.E." by Tony Williamsune (art) and Bill Warren (story). A giant computer called S.A.L.O. is being created which will require a fluid to run. One of the doctors on the project, Dr. Vindemuk determines that blood would be the best fluid to use but is fired by the head of the project when he suggests it. Vindemuk kills him and uses his blood to feed to the computer, which renames itself V.A.M.P.I.R.E. The computer demands more and more blood, which Vindemuk kills people to provide. He is put into a hypnotic trance when he refuses to do it anymore. Eventually the computer, which has now developed hands and legs releases Vandemuk from the hypnosis and kills him when he tries to shut off the computer's power. The computer tries to get up and walk away but this results in pulling its plug out of the wall and it dies from a lack of energy. A rather goofy ending for this story.
"Movie Dissector" is the sixth story and is notable for having the first appearance of Bill Dubay in a Warren magazine, where he provides the artwork. R. Michael Rosen provides the story. Two friends are dissappointed in a horror movie so they decide to make their own. The boys fight over parts of it and break off on their own, each creating their own movie. When the movies are finished, they show the movies in one of the boy's garages. A number of boys come by to be the audience. The audience enjoys the first movie because it shows respect to the monsters, but dislike the second movie because it doesn't. The audience reveals themselves to be monsters and attack the director of the second movie.
The issue concludes with "The 3:14 is Right on Time" by Billy Graham (art) and Ken Dixon (story). This story features an old man who bought a train car when he was younger and finds passengers by killing people and putting their corpses in the seat. In the story he kills his final victim and drives the train car, which stops at the cemetary. Nearby he finds a trolley station where death is waiting for him.
The issue begins with "Rock God". This story was inspired by the Frank Frazetta cover. Per the introductory page to the story, Harlan Ellison was loking to write a story for Warren based on a Frank Frazetta cover and this story was the result. Neal Adams provides the artwork. This was Ellison's first and only story for Warren, and he would later be involved in a lawsuit against Warren when one of his stories was plagirized in 1984. At 13 pages this story is far longer than most Warren stories of this era and at the time only another Neal Adams drawn story from Creepy 15 had been longer. The beginning of the story features the summoning of the Rock God "Dis" who has left various stones each time he was summoned. This time the stone he left was stolen and passed down through the years, ultimately ending up in a skyscraper in present times that was built using substandard materials to enrich several corrupt men. One of the men attacks his lover when she says she is going to leave him and she falls out of the skyscraper to her death, resulting in the summoning of Dis. A so-so story, although Adams' art is quite good.
Next is "Death is a Lonely Place" by Bill Black (art) and Bill Warren (story). This story stars a vampire named Miklos Sokolos. The first half of the story shows his life as a vampire, living in a tomb and showing both how he became a vampire and how he finds his victims. Miklos meets a woman named Gwen at the movie theater to whom he becomes romantically involved. He refuses to drink her blood and refuses to marry her because of being a vampire. He eventually decides he will turn her into a vampire so they can marry, but has second thoughts when he considers how she will have to attack others for their blood. He instead leaves her note that lies about him being married and decides to commit suicide by dragging his coffin into the sunlight of the graveyard where he sleeps.
Third is "I... Executioner" by Mike Royer (art) and Don Glut (story). A newspaper reporter watches an execution take place and is interested by the calm manner in which the Executioner does his job. He requests an interview with the Executioner and is granted it. The Executioner tells him the role of executioners throughout time and claims he was present for them. This confuses the reporter until the Executioner removes his hood, revealing him to be Death himself. As the story ends it is revealed that the reporter has passed away of a cough he had and that his story will never be read.
Next is "A Wall of Privacy" by Ernie Colon (art, credited as David St. Clair) and Nicola Cuti (story). This story is hosted by Cousin Eerie so it was likely originally meant for an issue of Eerie. The story stars a man named Dannon with telepathic powers who lives in a 1984-esque future where everything he does is watched by cameras operated by the government. He desires to escape to a place known as the free zone where the cameras don't operate. He meets a woman who has telepathic powers as well and they plot to destroy a power plant which will enable them to escape to the free zone. The night comes when they destroy the power plant and all of Dannon's colleagues, including the women are killed. He is able to escape to the free zone, only to find that it is only 5 feet wide! I really enjoyed the ending to this one.
Next is "V.A.M.P.I.R.E." by Tony Williamsune (art) and Bill Warren (story). A giant computer called S.A.L.O. is being created which will require a fluid to run. One of the doctors on the project, Dr. Vindemuk determines that blood would be the best fluid to use but is fired by the head of the project when he suggests it. Vindemuk kills him and uses his blood to feed to the computer, which renames itself V.A.M.P.I.R.E. The computer demands more and more blood, which Vindemuk kills people to provide. He is put into a hypnotic trance when he refuses to do it anymore. Eventually the computer, which has now developed hands and legs releases Vandemuk from the hypnosis and kills him when he tries to shut off the computer's power. The computer tries to get up and walk away but this results in pulling its plug out of the wall and it dies from a lack of energy. A rather goofy ending for this story.
"Movie Dissector" is the sixth story and is notable for having the first appearance of Bill Dubay in a Warren magazine, where he provides the artwork. R. Michael Rosen provides the story. Two friends are dissappointed in a horror movie so they decide to make their own. The boys fight over parts of it and break off on their own, each creating their own movie. When the movies are finished, they show the movies in one of the boy's garages. A number of boys come by to be the audience. The audience enjoys the first movie because it shows respect to the monsters, but dislike the second movie because it doesn't. The audience reveals themselves to be monsters and attack the director of the second movie.
The issue concludes with "The 3:14 is Right on Time" by Billy Graham (art) and Ken Dixon (story). This story features an old man who bought a train car when he was younger and finds passengers by killing people and putting their corpses in the seat. In the story he kills his final victim and drives the train car, which stops at the cemetary. Nearby he finds a trolley station where death is waiting for him.
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